Books like The Designate

I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish. 

I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish. 

I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish. 

I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish. 

After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.

I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.

I grew up in the ‘60s, when women were not in charge of anything much. I’ve always been fascinated by strong women. Amelia Earhart was a particular favorite, as were the suffragettes, Michelle Obama, and others. The strongest thing I’ve done in my life is to seize opportunities when they arise. I forged a second career that way, taking more than one leap of faith to do what I’ve always known I could do, be a writer. During and after my first career as a dental hygienist I took opportunities to be a newspaper wire editor, then a columnist, a magazine writer, an indexer, a nonfiction writer, and a novelist.

I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.

After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.

I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.