Here are 100 books that In the Country of Last Things fans have personally recommended if you like
In the Country of Last Things.
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I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
Working between cultures, as I do, I have been reading the Sinologist François Jullien for many years. I like how he traces the passage of an idea across cultures as they reveal tensions between the same and the different. The question Jullien poses with this book is, “Are universal values possible,” especially between the East and the West?
Although a common concept may exist, this does not mean a common meaning does. In my experience, we all communicate constantly, oscillating between understanding and misunderstanding, which is more so when cultural differences occur.
The once-read, never forgotten Wittgenstein statement: ‘The limits of my language mean the limits of my world,’ ever resonates–I believe language mediates all sensory experience, but often inadequately.
Francois Jullien, the leading philosopher and specialist in Chinese thought, has always aimed at building on inter-cultural relations between China and the West. In this new book he focuses on the following questions: Do universal values exist? Is dialogue between cultures possible?
To answer these questions, he retraces the history of the concept of the universal from its invention as an aspect of Roman citizenship, through its neutralization in the Christian idea of salvation, to its present day manifestations. This raises the question of whether the search for the universal is a uniquely Western preoccupation: do other cultures, like China,…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
In what I do and how I feel, I cannot avoid confronting the times we all live, called the “end times.” What they name is the end of an epoch of total planetary domination by Homo sapiens.
A moment of nemesis has arrived. What has been discovered, if unevenly, is that our collective world-making has revealed itself to be an unmaking. The history and the future of climate change, literally and metaphorically, stand for this moment.
The Brazilian anthropologists Deborah and Eduardo Viveiros de Castro powerfully capture not just the causes of this planetary crisis but, in my view, present ways of thinking and working toward affirmative futures.
The end of the world is a seemingly interminable topic D at least, of course, until it happens. Environmental catastrophe and planetary apocalypse are subjects of enduring fascination and, as ethnographic studies show, human cultures have approached them in very different ways. Indeed, in the face of the growing perception of the dire effects of global warming, some of these visions have been given a new lease on life. Information and analyses concerning the human causes and the catastrophic consequences of the planetary 'crisis' have been accumulating at an ever-increasing rate, mobilising popular opinion as well as academic reflection.
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
Two important messages underscoring this fascinating anarchist history of Southeast Asia's uplands are coming from the past and arriving from an uncertain future. The first message began 12,000 years ago when human settlements were established.
Slowly, friction emerged between lowlands people, who settled and started to acquire property, and nomadic people of the highlands. The more settlements developed, the more nomads were deemed a threat and destroyed. These conflicts are elemental to the history of war.
The current data on climate impacts I’ve read indicate that a significant percentage of the global population will be displaced in the coming decades. By becoming nomadic, they will again be deemed a threat to urban dwellers–hence the message: there’s another danger of war to avoid!
From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm's length from any organized state society
For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them-slavery, conscription, taxes, corvee labor, epidemics, and warfare. This book, essentially an "anarchist history," is the first-ever examination of the huge literature on state-making whose author evaluates…
Patrick, a married man in his early thirties with a white-collar job as his identity and alcohol as his salve, works himself to the bone, breaks down, and goes to Vegas with his friends - fellow hedonists under thin corporate veneers - to recoup his debts through blackjack. The weekend…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
For me, Bernard Stiegler was one of the most influential thinkers of technology of the modern age. I like books that bring my own thinking into question. His book does this for me by providing an interesting and unfamiliar way of understanding the relation between technology and consumerism.
He describes consumerism as damaging our psychic sphere and destroying our desires–replacing them with ones formed and met by marketed commodities. What I found insightful was how he showed “reason” being transformed by philosophy into an object of faith.
The result: reason now travels with the unreason of an unchecked rationalization of power of technological creation, but with little sense of the consequences, over time, of what has been created (think AI!).
In 1944 Horkheimer and Adorno warned that industrial society turns reason into rationalization, and Polanyi warned of the dangers of the self-regulating market, but today, argues Stiegler, this regression of reason has led to societies dominated by unreason, stupidity and madness. However, philosophy in the second half of the twentieth century abandoned the critique of political economy, and poststructuralism left its heirs helpless and disarmed in face of the reign of stupidity and an economic crisis of global proportions.
New theories and concepts are required today to think through these issues. The thinkers of poststructuralism Lyotard, Deleuze, Derrida must be…
Reading was my one true refuge in a childhood marked by uncertainty and chaos, which was also my gateway to writing; I wanted to create the kinds of stories that also saved me, and I found the novel to be my form. Fortunately, I grew up a feral GenXer in Northern California in the 70s and 80s, before computers and video games were handheld, with plenty of time to dream. I was drawn to fierce and outspoken characters, girls and women standing up against powerful forces, and parallel or alternate realities where bad guys are beaten. I hope you’ll find power and inspiration in the badass protagonist of these books!
I’m just a sucker for books where characters who don’t seem to have power or agency within their society wind up sneakily subverting power for their own ends while letting the “power-hungry” think they are in charge.
In this case, women once again have figured out a way to get what they want and essentially take down patriarchy (in a dystopian setting) without using the tools of the aggressor. It’s a surprising, potent, and beautiful book (though there are some outdated concepts/ideologies, given that it was published in 1988).
THE GATE TO WOMEN'S COUNTRY tells of a society that exists three hundred years after our own has nearly destroyed itself. Now, male warriors are separated from women at an early age and live in garrisons plotting futilely for the battles which must never be fought again. Inside the women's towns, education, arts and science flourish. But for some like Stavia, there is more to see. Her sojourn with the man she is forbidden to love brings into sharp focus the contradictions that define their lives.
And when tragedy strikes, Stavia is faced with a decision she never thought she…
I first fell into fantasy through the pages of Narnia. I loved the fantastic, the possibility, the idea that there was so much more than just what was accepted by all the “normal” people. I was always an oddity in school, and I felt far more at home in the books that swept me away, as if there, even amidst the danger, I could be myself. The books on my list are books that built me up and challenged me to be true to live for what is right and noble.
I enjoyed this series because it was a well-written, fast-paced, interesting, clean story that I was happy to share with my children (especially my daughters). Each of the four books follows the perspective of one of the four main characters, and all of these girls are strong, loyal, and have a clear sense of right and wrong. They are not ashamed to be “good,” which is a refreshing find in dystopian futures!
In a terrifying future world, four girls must depend on each other if they want to survive.Louisa is nervous about being sent away to a boarding school -- but she’s excited, too. And she has her best friend, Maddie, to keep her company. The girls have to pretend to be twin sisters, which Louisa thinks just adds to the adventure!Country Manor School isn’t all excitement, though. Louisa isn’t sure how she feels about her new roommates: athletic but snobby Rosie and everything’s-a-conspiracy Evelyn. Even Maddie seems different away from home, quiet and worried all the time. Still, Louisa loves CMS…
I’ve always been curious about how stories shape how we see the world. As a child, I noticed there were countless conflicting stories explaining how things worked. But which stories were the real ones? Which were true? At university, I studied the stories we tell ourselves about how the world will end. And as we live in times that can feel quite apocalyptic, I’m particularly fascinated by the stories we tell ourselves about who we are and what the future holds. If society dissolved around us, what stories would we tell ourselves to keep going? Are we telling those stories now?
I found this book realistic in a really frightening way. The entire societal structure of the world depends on the stories we humans tell ourselves about ‘us’ and ‘them,’ and I think the book plays with this very cleverly.
It has a very tender depiction of what happens to us and our stories when we’re all alone, and I still think about the way generational guilt is woven through the story.
It was one of those books where I kept walking up to my wife to say, “Can I read you something?” and, “Listen to this…” because the ideas are so big, but the language is so clipped and to the point.
In this taut, dystopian tale, an island nation ravaged by the Change has built an enormous concrete barrier around its coastline-the Wall. Joseph Kavanagh, a new Defender, has one task: to protect his section of the Wall from the Others, the desperate souls trapped amid the rising seas outside. A blend of the most compelling issues of our time-climate change, increasing fear, widening divisions-The Wall is a suspenseful story of love, trust, and survival.
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
Emma Ellis spins the most horrifying yet hope-filled stories of dystopian societies. In book one of the Eyes Forward series, the world is in a population crisis. Resources are heavily rationed, and the governments of the world are actively taking steps to curb population growth.
That’s when Mae gets pregnant and learns she must find a “life donor”—someone who agrees to die so that the baby may live—or abort her unborn child. I appreciated how Ellis threaded the horror of a forced abortion into a gripping tale of human resilience in the face of overwhelming odds.
The plot twists and turns kept me on the edge of my seat, yet the message of the book made me think about how we steward our natural resources. This book is perfect for Octavia Butler, 1984, and Brave New World fans.
★★★★★ Utterly terrifying, addictive and yet so full of love. -Amazon review
★★★★★ Great writing and a truly gripping story. -Amazon review
★★★★★ Dark, disturbing and deeply compelling. -Amazon review
Mae finds herself pregnant in a world where the global population has hit twenty billion, and governments decree that no child may be born without a life being sacrificed in return.
With growing unrest and violence towards pregnant women, Mae must navigate a hostile world to secure a future for her unborn child — no matter the cost. When the stakes are so high, how far would you go to…
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The Settlement describes a dystopian world set not in the future, but in the past. The 1830s, to be precise.
The misguided evangelist George Augustus Robinson sets himself the task of rounding up the last remaining original inhabitants of Van Diemen’s Land, now known as Tasmania, to save them from slaughter. Under his care, they are convinced to surrender and are relocated to desolate Flinders Island in the Bass Strait.
This is a finely-wrought historical novel of great compassion that brings to life the extinction of a race.
On the windswept point of an island at the edge of van Diemen’s Land, the Commandant huddles with a small force of white men and women.
He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them—from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country.
The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
I picked up this book thinking I’d skim a few chapters—and resurfaced days later, rattled and amazed.
The claustrophobic atmosphere, the paranoia, the emotional depth—it’s dystopian storytelling at its sharpest. It influenced how I write tension: close, quiet, and always just about to blow. Avis wants to read it too, which means it’s canon.
This Omnibus Edition collects the five Wool books into a single volume.The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. My thanks go out to those reviewers who clamored for more. Without you, none of this would exist. Your demand created this as much as I did.This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always…
