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I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
This is book one of the Outliers Saga series. It is one of those books that you fly through for its entertainment value and thick action, but it leaves you thinking about its message long afterward.
At its core, it is a tale of classism—oppression, struggle, and ultimately, vindication at the end of the three-book series. Yet the main character, Indra, is relatable, yet also admirable. Her dedication to her family and her own sense of integrity resonated with me and made me ask if I’d do the same in her position. Her marriage to her tribal best friend warmed my heart, yet the sparks between Indra and the forbidden Fortis, Asa, quickened the pace of my reading.
Originally crafted as a Robin Hood retelling, Mary went far beyond that story and its familiar tropes with this book. This series is perfect for fans of Hunger Games or Red…
Winner in the 2018 Kindle Books Awards for Sci-Fi/Fantasy Fiction B.R.A.G.Medallion Honoree Finalist in the 2018 Wishing Shelf Book Awards For Adult Fiction Top 10 Finalist in the Author Academy Awards for Sci-Fi/Fantasy Fiction Cover Finalist in the 2019 RONE Awards from InD'tale Magazine
"Fear is normal, Indra, it is what you do with that fear that determines if you are strong or weak."
In the dusty ruins of the world, three groups exist: the Sovereign, the Fortis, and the Outliers. Indra is an Outlier. Living on land that has not healed from the poison of the past, the Outliers…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
While this started a little slowly, I was soon completely invested in the life of its unlikely hero. Fletcher Sinclair is a meme personified—he lives in his parent’s basement, plays video games all day, and consumes far too much of a particular sports drink. Then, a strange virus hits the world, eliminating all the men—except for Fletcher.
That the human race’s potential extinction should rest upon Fletcher’s shoulders both horrified and fascinated me. It was filled with twists and turns, which even I, as an author, didn’t see coming. No spoilers and no hyperbole, but Erik Dargitz invented the most brilliant post-apocalyptic cult I’ve ever read! Fans of Handmaiden’s Tale and Animal Farm will love this book.
“Give this book a peek. It’s a fun ride.” - Edward Ashton, author of Mickey7
After a global virus seemingly wipes out the entire male population, a skinny, socially awkward, self-conscious video game junkie is somehow still kicking. And he's wildly unprepared for this new world. Out there waiting for him are physicians who want to study him, a cult of spiritual extremists who want to deify him and brutal gangs with far more nefarious intentions. Throughout his journey, Fletcher does his best to act like a real man, being that he's the only one around. Unfortunately, this only leads…
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
Originally intended as a screenplay, this is rife with vivid imagery and fast-paced action. From the jump, I was hooked, staying up all night to finish the book. It is set in the aftermath of the apocalypse in Seattle, WA.
I loved the developing romance between Beth and Ryker and how Myhre threw us for a few loops along the way. It has heart-pounding action, vibrant interpersonal relationships, and a great atmosphere. If I were at the end of the world, I’d want Beth and Ryker on my team! Fans of other post-apocalyptic indie authors, Harley Tate, Kyla Stone, and Nate Johnson, will enjoy this fast-paced post-apocalyptic romantic thriller.
Was it love at first sight? Fate had other plans. At the dawn of the apocalypse, a naïve, but resourceful woman must fight her way through nature, humankind and herself to reunite with her family.
Beth has cocooned herself in routine after a devastating family tragedy upended her world years ago, but a chance encounter with a Marine named Ryker sends ripples through her carefully guarded world. He is smitten. She is unsure.
The city is thrown into chaos when a missile strikes near Spokane, testing Beth's newfound optimism. As strife escalates, Beth must lead her friends on a perilous…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am, first and foremost, a reader. I started writing because my debut novel, releasing September 7, wouldn’t leave me alone. Dystopian and post-apocalyptic fiction tends to have that impact on me as a reader, so I wanted to create that same impact in other readers. Lately, my TBR has been dominated by indie-authored books, given my own decision to pursue indie publishing. I love the dystopian classics—especially Alduous Huxley, Kurt Vonnegut, and George Orwell- and I read the latest traditionally published dystopian books. But I find indie authors like the ones I’ve featured here tell compelling stories about important topics that perhaps many traditional publishers won’t publish.
This is book one of the Lens series, a young adult dystopian thriller. I quickly abandoned the rest of my TBR to fly through the entire Lensseries. Riley Taylor is a normal teenager forced into the military out of necessity. But this military isn’t like ours. It’s a death sentence for the impoverished class and criminals recruited under false pretenses.
I loved the good versus evil trope, with the good not being completely good and the evil having redeeming qualities. Life isn’t always black and white, and Cantwell portrays that tension beautifully. The entire Lensseries is set in the backdrop of corruption, greed, and overconsumption, having ruined the planet and drowned vast swathes of the American coastline.
Cantwell turned this climate-apocalyptic setting into both a character and a talking point. I’ve read a few series over and over and this one will be joining that list. Fans of…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
This stunning coming-of-age story is set in the rural Midlands in the 1960s. Fern is apprenticed to Mammy, the village wise woman, but the influence of modernity—medicines, the National Health Service, the increased connectivity afforded by motor car—spells the end for their traditional way of life. In a novel without any other overt fantastical elements, one magnificent scene where Fern, torn between loyalty to the past and the pull of the future, opens herself to the latent wonders of the woods and fields and hedgerows around her, is the key to understanding what the world loses with the passing of old knowledge.
The story of a young woman in the midlands in 1966. A woman who may be a witch. She and her family live on the margins of society. Nevertheless her family life is stifling and she seeks freedom with more outsiders, a group of beatniks, but fights to find acceptance there also. And all the time she is struggling with her fey powers. Isabel Allende said of Joyce's previous novel, The Facts of Life: 'This is the kind of book I love to read! I have not been so charmed by a novel in a long time'.
As a woman who started writing later in life, I know about reinventing oneself and overcoming obstacles along the way. At any age, there are many hurdles to climb in getting a novel published, though probably more for an older woman. Marketing is a whole other aspect of being an author and that’s where technology comes in. It can be daunting. I had to learn a whole new vocabulary, programs, and social media I never dreamed I’d use. It all seems easy now, yet in the beginning, it definitely created a lot of angst. My life has blossomed from it all and I’m proud I’ve climbed those hurdles. I want the same for my characters.
This suspenseful novel centers on the life of Hannah Isaacson, a female obstetrician in the early 1900s, a time when women’s choices for birth control and abortion were more than limited. A devoted women's advocate and suffragist, Hannah is determined to make a difference for her patients, even if it means going to jail or challenging the governor of New York.
We women stand on the shoulders of those strong, determined women who fiercely fought for our rights, and Rubin’s well-researched novel brings that home.
In the Hands of Womenis a suspenseful historical novel centered on the life of Hannah Isaacson, an obstetrician in training who was determined to improve medical safety for women in a time when women had few choices. This carefully researched work, set in 1900 Baltimore and New York City, when birth control and abortion were both illegal, leaves us contemplating whether history is repeating itself.
With the advent of obstetrics and anesthesia as distinct fields of practice in 1900, hospital births rapidly gained popularity. Midwives, who previously cared for these women, began supplementing their shrinking incomes with abortions, sometimes performing…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I am fascinated by how gender and sex, characteristics of our beings that we take to be the most intimate and personal, are just as subject to external forces as anything else in history. I have written about the cultivation of masculinity in college fraternities, the history of young people and the age of consent to marriage, and about a same-sex couple who lived publicly as “father and son” in order to be together. My most recent book is a biography of an abortion provider in nineteenth-century America who became the symbol that doctors and lawyers demonized as they worked to make abortion a crime. I am a professor at the University of Kansas.
This is the definitive account of what abortion looked like for the one hundred years during which it was almost completely illegal in the United States.
Reagan does an excellent job of showing us the different ways that women nevertheless accessed abortion care during that time, even as she points out how access was always shaped by race and class.
She is also great at demonstrating how and why police and lawmakers cracked down on abortion and made it less accessible at particular moments in this one-hundred-year period, ultimately showing why it was eventually decriminalized in 1973.
The definitive history of abortion in the United States, with a new preface that equips readers for what's to come.
When Abortion Was a Crime is the must-read book on abortion history. Originally published ahead of the thirtieth anniversary of Roe v. Wade, this award-winning study was the first to examine the entire period during which abortion was illegal in the United States, beginning in the mid-nineteenth century and ending with that monumental case in 1973. When Abortion Was a Crime is filled with intimate stories and nuanced analysis, demonstrating how abortion was criminalized and policed-and how millions of women…
My great-grand aunt Blanche Ames was a co-founder of the Birth Control League of Massachusetts. My grandmother marched in birth control parades with Blanche. My mother stood in the Planned Parenthood booth at the Minnesota State Fair and responded calmly to those who shouted and spit at her. As the lead author and associate editor of the monumental reference work Women’s History Sources: A Guide to Archives and Manuscript Collections in the United States, which helped to launch the field of women’s history in the 1970s, I learned to love American women’s history, and I’ve always loved writing. Lemons in the Garden of Love is my third award-winning historical novel.
As a former newspaper reporter, I identified with this book. Newspaper reporter Laura Malloy has walked into the Lakewood Family Planning Clinic in St. Paul to interview the director of the clinic when a bomb goes off in the hallway and the young man very near her dies as Laura is propelled backward through the door. Laura tries to find whoever made the bomb, meeting with the young man’s girlfriend, who was at the clinic to get an abortion, his mother and brother, the head of the “pro-life” group, his wife, and others. I found this murder mystery to be very engaging.
While researching a story on abortion, journalist Laura Malloy becomes caught up in the lives of the people devastated by the recent bombing of the Lakeview Family Planning Clinic.
Years ago, I wrote mystery novels featuring women investigators when that was new in the genre. Now, I discover stories of real-life women whose lives have a natural story arc that can engage the reader from start to finish. Like gambling and prostitution, abortion, when it was illegal in the US, as it is now again in many places, was simultaneously in your face and undercover. It was also largely practiced by women, which is why I’m fascinated by books about it.
This book has a permanent place on my nightstand, where I reach for it whenever I need a pithy, brilliant reminder of how the US completed its late-nineteenth-century transformation from a country with no abortion laws to a place where abortion was banned everywhere at every stage.
I’m amazed that a book first published in 1978, long before the advent of the Internet, managed to marshal evidence from newspaper classified ads and forgotten trials to present a portrait of America where abortion was widespread but seldom dared to speak its name.
'The history of how abortion came to be banned and how women lost--for the century between approximately 1870 and 1970--rights previously thought to be natural and inherent over their own bodies is a fascinating and infuriating one.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve written five poetry books and I am presently working on my sixth. My poems are also confessional and narrative styles. I have also written two novels and enjoy writing fiction and poetry. I hope you enjoy the books on this list as much as I have. They have saved my life on many occasions.
I’ve been fascinated by poetry ever since I picked up this book for seven dollars at the second-hand bookstore near my university at the age of nineteen. Anne Sexton’s Selected Poems taught me how to write confessional poetry. They taught me how to write narrative poetry. They taught me to not be afraid to speak my truth, no matter how ugly.
I love how Anne Sexton writes about marriage, affairs, love, loss, family, and relationships with depth into herself and her psyche. Her poems in this collection encompass all her most remarkable work from her array of poetry books. Here you have all the classic poems as well as some obscure ones. Her famous, "Black Art" and the classic lines, "A woman who writes feels too much." As well, "For My Lover, Returning to His Wife," and the last two lines, "As for me, I am a watercolor. I wash…
Anne Sexton's language was simple, domestic; her imagery arresting; her subject matter urgent, shocking and exciting. She wrote about mental breakdown, sex, addiction, abortion - the other side of ordinary life. 'Madness' and its cultural meanings were central to her art as to her life; yet it is a bright, lucid and sane voice that resonates. Sexton's poems are accessible, moving and intensely honest. Her poems are brought together here in a diverse and powerful anthology spanning fifteen years of uninhibited writing.