Here are 100 books that The Dance Tree fans have personally recommended if you like
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I am an author of short stories, young adult novels, romance, even a reference book, but I will read any genre and any age group. As a librarian, researcher, book reviewer, and former school teacher, I have a long-standing love for historical fiction. When an author gets the details right, and you feel transported in time and place to WWII, or the 18th century, or Victorian EnglandâŠthere is nothing sweeter. Witnessing humankind overcoming huge obstacles, facing the most that human nature can take, and coming out on top? Definitely literary therapy! So put down the cell phone, pour a hot cuppa, and let these favourites of mine transport you.
True confession timeâŠafter reading The Winemakerâs Wife I hightailed it to the library and took out all of Kristin Harmelâs historical fiction titles (Book of Lost Names!!). Yes, they are that good! In The Winemakerâs Wife, Harmel transports her readers to 1940, a time when WWII and the Nazi regime threatened the lives and livelihoods of a particular Champagne House in France. She expertly taps into all of the five senses in her tale of love and betrayal, of the unyielding power of the human spirit in the face of adversity, and of a Resistance movement hidden beneath the casks and caves of the winery. A riveting, read-in-one-sitting book!
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
Iâve been an avid reader and a professional writer my entire lifeâfrom writing for newspapers, magazines, and television to developing, producing, and writing award-winning projects for TV and film and writing best-selling fiction and nonfiction. My experience as a journalist, author, screenwriter, and producer has always interested me in headline news, historical subjects, and modern-day topics and issues that resonate with humanity. In doing so, Iâve consciously decided to create projects and share stories that entertain, inspire, educate, and uplift with themes that revolve around faith, family, hope, healing, forgiveness, timeless friendships, enduring romances, and the wondrous mysteries of life.
A slice of historical fiction, this novel delves into the horrors faced by a young Jewish girl, Sarah, who, during WWII Paris, is arrested with her family by the French police. Sara locks her young brother in a cupboard in the familyâs apartment, thinking sheâll be returning in a few hours.
The book alternates between Sarahâs life and the life of a middle-aged journalist, Julia, living in Paris 3 at the start of the 21st Century with her French husband and daughter. After discovering a family secret tied to Sarahâs story while researching an article about the roundup of the Jews in Paris during the war, Julia becomes obsessed with finding out what happened to Sarah, especially in connection to her sense of guilt over her familyâs potential role in the tragedy.
I love this book because I love historical fiction and family mysteries. The period of WWII holds manyâŠ
Paris, July 1942: Sarah, a ten year-old girl, is arrested with her family by the French police in the Vel' d'Hiv' roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel' d'Hiv's 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from thatâŠ
As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordanâs The Lightning Thief series were the reason. Books can entertain and educate.
Another great series from Rick Riordan. Set somewhat in the real world, a brother and a sister who donât look alike discover they are descended from long line of a family of both Egyptian pharaohs and magicians. They have special talents to battle gods from Egyptian mythology and must save their father and the world.
Again, so much history and mythology packed into an exciting adventure story. Our whole family loved it.
The Red Pyramid: the first book in Rick Riordan's The Kane Chronicles.
Percy Jackson fought Greek Gods. Now the Gods of Egypt are waking in the modern world...
'I GUESS IT STARTED THE NIGHT OUR DAD BLEW UP THE BRITISH MUSEUM . . .'
CARTER AND SADIE KANE'S dad is a brilliant Egyptologist with a secret plan that goes horribly wrong. An explosion shatters the ancient Rosetta stone and unleashes Set, the evil god of chaos . . .
Set imprisons Dr Kane in a golden coffin and Carter and Sadie must run for their lives. To save their dad,âŠ
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us toâŠ
Female warriors add more depth to the action/thriller genre and make any character infinitely more interesting. Iâve read and watched enough Jacks, Johns, and Jakes to last a lifetime and I want some Janes in my reading life. Iâve been an avid reader for more than 40 years and always felt that there was a blank space when it comes to female protagonists. Many of my favorite female characters were relegated to supporting roles including some on my list, but when I find a great female character I end up reading her again and again. And if you havenât seen it yet, watch Lioness on Amazon, it will leave you breathless!
When it comes to Constance Greene, I hardly know where to begin.
Sheâs certainly the oldest and most deadly character in fiction writing today. I say sheâs the oldest because sheâs trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.
She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. Sheâs eloquent, brilliant, and does not succumb to emotional distress under any threat of death.
In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.
When a longtime enemy shows up dead on Pendergast's doorstep, the murder investigation leads him into his own dark past as a vengeful killer waits in the shadows.
It begins with murder. One of Pendergast's most implacable, most feared enemies is found on his doorstep, dead. Pendergast has no idea who is responsible for the killing, or why the body was brought to his home. The mystery has all the hallmarks of the perfect crime, save for an enigmatic clue: a piece of turquoise lodged in the stomach of the deceased.
The gem leads Pendergast to an abandoned mine onâŠ
I am an author of mysteries with three published books in the genre to date. Novels involving a mysterious house will immediately grab my attention. Throw in an otherworldly presence and Iâm hooked. So it was no surprise when my muse guided me to create a mystery series that centers around a Victorian home haunted by the spirits of its original inhabitants. Inspiration came from personal experienceâa real-life ghostly encounter in my New England country home which bordered an ancient cemeteryâand influence from classic tales that delve into the paranormal and the psychological. This is the type of book I will always rush to read (and write).
The Lake House was recommended to me because the style of writing and the themes of the story have been compared to my own books.I especially enjoy the techniques of interweaving present-day stories with tales from the past and employing multiple perspectives. Kate Mortonâs characters are always well-developed, and her descriptions provide atmospheric depth. The country lake home, Loeannethâbeautifully described in its primeâis an abandoned, crumbling estate decades later. Family secrets abound and having two unrelated mysteries at work brings texture to the story. As a writer, I do appreciate when one of the main characters is an author, and I enjoyed observing Alice Edevane's approach to her writing life. Be patient as the mystery twists and builds. You wonât be disappointed!
June 1933, and the Edevane family's country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. But by the time midnight strikes and the fireworks light up the night skies, the Edevane family will have suffered a loss so great that they leave Loeanneth forever. Seventy years later, after a particularly troubling case, Detective Sadie Sparrow retreats on an enforced holiday to her beloved grandfather's cottage in Cornwall. Venturing further into the countryside on her daily runs, she stumbles upon a long-abandoned house surrounded by overgrown gardens and dense woods, and learns the terrible story ofâŠ
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, itâs not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. Itâs a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where theyâll always achieve a fair and just result and uncover the truth. All the books Iâve recommended challenge this notion in different (but equally brilliant) ways.
A young man accused of murder stands before the jury in court. Fed up with his barristerâs advice to âonly tell the jury what they can believeâ he makes his own closing speech. He tells âthe whole truthâ in his own words.
In setting out the details of his chaotic life, he aims to provide an innocent explanation for the eight pieces of circumstantial evidence against him. Itâs only if the jury can understand what itâs like to be him (echoes here of Atticus Finchâs famous line, "You never really understand a person until you⊠climb into his skin and walk around in it.") that he will receive a fair trial.
A highly original angle for the modern, courtroom drama, executed to perfection. Clearly (as is only right) thereâs a subtly-woven, social commentary agenda too.
2013 Christy Award winner! 2013 Carol Award finalist (ACFW) To everyone who knows her, Annalise Decker is a model wife and mother. Sheâs a permanent member of the PTA, never misses her kidsâ sporting events, and is constantly campaigning for her husbandâs mayoral race.
No one knows that Annalise was once Deidre OâReilly, a troubled young woman whose testimony put a dangerous criminal behind bars. Relocated through the Witness Security Program to the sleepy town of Deep Haven, Deidre got a new identity and a fresh start, which began when she fell in love with local real estate agent NathanâŠ
Iâve loved Scotland ever since I spent a year studying abroad at the University of Edinburgh. In fact, I loved it so much that I returned to the University a couple of years later to complete my masterâs degree in creative writing. Between the rugged dramatic landscapes, the stunning Gothic architecture, and the dark cold weather, Scotland was the perfect place to inspire a young aspiring suspense author such as myselfâand the ideal setting for a creepy, atmospheric thriller like my debut novel. Although Iâve since moved back to the U.S., Iâm always on the lookout for a Scottish-set thriller to take me back to the country where I left my heart butâblissfullyâfound my husband.
I was gripped from the first page of this propulsive psychologic thriller set on a windswept Scottish island.
Just thinking about it, I can feel myself being transported back to the dreary, rain-lashed shores of Angus. I can feel the claustrophobia and desperation of Sarahâs dilemma. I found myself chained to the story, my understanding of the characters and their situation yanked to and fro with every new twist and turn. I couldnât stop reading.
But like the best fiction,The Ice Twinsstayed with me long after I closed the book. It encapsulates some of my favorite literary elementsâa dark brooding atmosphere, characters at odds with their own perceptions of reality, and a suggestion of the supernatural.
In the tradition of The Girl on the Train comes the UK bestseller The Ice Twins, a terrifying psychological thriller with a twisting plot worthy of Gillian Flynn.
One of Sarah's daughters died. But can she be sure which one?
A year after one of their identical twin daughters, Lydia, dies in an accident, Angus and Sarah Moorcroft move to the tiny Scottish island Angus inherited from his grandmother, hoping to put together the pieces of their shattered lives.
But when their surviving daughter, Kirstie, claims they have mistaken her identity--that she, in fact, is Lydia--their world comes crashing downâŠ
In life and writing Iâm torn between a desire for solitude and for connection with people. As a young woman I lived in a cottage miles from friends, working from home while my husband was at work, bringing up our first child. No email, no texting, few visitors. It was idyllic, and I was desperately lonely; thatâs when I began to write. We moved, I found friends. But still I dream of solitude. Could I handle it now? Itâs surely why I found myself writing a novel about a young woman who finds herself suddenly alone in the wild, with no friends â doesnât everyone write about the things they fear?
Iâve just reread the opening of Our Endless Numbered Days and whoosh â Iâm back in the story, with so many questions, prime among them why the narratorâs father â the liar, the north London survivalist â is removed from all photographs but this last, hidden one that she cuts and conceals under her breast.
Fullerâs story is a page-turner in all the best ways, going back in time to follow nine-year-old Peggy and her father as they run from their family home to a remote cabin in a European forest and a life of barely surviving despite all his plans.
Why? Who is the strange man on the mountain? And how does she get back home? Maybe that isolated mountain hut wasnât so idyllic after all?
'Fuller handles the tension masterfully in this grown-up thriller of a fairytale, full of clues, questions and intrigue.' - The Times
'Extraordinary...From the opening sentence it is gripping' - Sunday Times
1976: Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children and listening to her mother's grand piano, but her pretty life is about to change.
Her survivalist father, who has been stockpiling provisions for the end which is surely coming soon, takes her from London to a cabin in a remoteâŠ
Iâve always loved books about the bad choices good people make, or the good choices bad people make. I like twists and turns and ugly crying and serious âwtfâ moments. Books that are like punches to the gut make me swoon. Dig up the dirt. Find the worms. Gnash your teeth, rend your garments, regret your choices and find new ways to love. Those are my favorite stories to read, but also to write. I write romance (Megan Hart), thrillers (Mina Hardy), and horror (Megan E. Hart), but to me, those different genres are all similar. Lots of screaming!
Strong women donât get that way because their lives have been easy, and Iâm a sucker for stories about women facing the worst and getting through it. It doesnât even have to be with grace and dignity! Half Past has a shattering premise â the utter rejection of a mother to her daughter. The book is a family mystery heavy with heartache, and I devoured it. While thereâs grief and angst, the book also describes the journey of a woman who thinks sheâs faced her lowest point â and how she manages to rise above it all. The book also had a really clever use of actual, simple science that I appreciated because it was so real and yet led to a horrifying reveal!
At forty-five, Hannah Smith is at a crossroads. That's her spin on it. The reality is she's divorced, jobless, and moving back to her family home in Iowa to keep an eye on her mother, who's slipping into dementia. Her return stirs up the same unnerving sense of disconnect Hannah has felt since childhood-always the odd girl out, the loner outshone by her two older sisters. Hannah knew the feelings of hurt would come back. But she never expected fear. Because when her mother looks into her eyes and whispers, "You're not my daughter," Hannah is beginning to believe it'sâŠ
As the author of a historical/mystery/romance series that has won over sixty international awards in multiple categories, Iâm attracted to books that cannot be pinned to one genre. I love sweeping sagas with elements of all three, perhaps because I was so immersed in classic literature as a kid and fascinated by stories of the past. I suspect I may have once lived in the 1930s and, having yet to discover a handy time machine lying around, I have resorted to writing about the era as a way of getting myself back there. I am, not surprisingly, addicted to period dramas and big band music.
Williams is another of my absolute favorite authors. I love anything she writes, but I chose to showcase the Schuler Sisters series because, again, it consists of an overarching saga with some fantastic mystery elements. Williamsâ strength is that she is able to place the reader directly in the scene with her perfect attention to detail without overdoing it. She expertly weaves multiple storylines in different eras to produce one delicious book. Â
A story of love and intrigue that travels from Kennedy-era Manhattan to World War I Europe from the New York Times bestselling author of Her Last Flight and The Golden Hour.
Fresh from college, irrepressible Vivian Schuyler defies her wealthy Fifth Avenue family to work at cutthroat Metropolitan magazine. But this is 1964, and the editor dismisses herâŠuntil a parcel lands on Vivianâs Greenwich Village doorstep that starts a journey into the life of an aunt she never knew, who might give her just the story sheâs been waiting for.
In 1912, Violet Schuyler Grant moved to Europe to studyâŠ