Here are 79 books that Plausible Prejudices fans have personally recommended if you like
Plausible Prejudices.
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A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
What I love about this short story collection by a true master of the writing craft is how psychedelic it is, without any actual references to drugs or counterculture.
Every story is a mind-bending trip delivered straight to the dome through innovative language and upended logic. I love the rabbit holes Borges sends his readers down, like the first story’s development of an entire other human civilization through the discovery of its never-ending encyclopedia.
The title Labyrinths is so fitting – reading these stories is like making your way through a literary maze with psychic surprises and twists around every turn of the page.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
This is the work of a cultural sage with deep wisdom to offer on how political issues affect culture, especially literature.
It illuminated to me how significant cultural artifacts of high modernity like the short story as a phenomenon, the work of Charles Baudelaire in relation to the city, the plays of Bertolt Brecht, and the stories of Franz Kafka - that I had once been uncomfortable with because of their density - mattered and needed to be engaged with to make sense of the intellectual currents of the age.
To take my place among a culturally aware Benjamin is a writer I could not sidestep.
Essays and reflections from one of the twentieth century’s most original cultural critics, with an introduction by Hannah Arendt.
Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht’s epic theater. Illuminations also includes his penetrating study “The Work of Art in the Age of Mechanical Reproduction,” an enlightening discussion of translation as a literary mode; and his theses on the philosophy of history.
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
My adult life can be characterized as a quest to make sense of the larger ecosystem around me, chiefly society, politics, and culture, within a single framework since knowledge is power; knowing and relating is what makes me strong.
I was stunned by the connections that Wallerstein makes across so many disciplines, and how his book empowered me in interactions with the culturally educated and politically knowledgeable.
In World-Systems Analysis, Immanuel Wallerstein provides a concise and accessible introduction to the comprehensive approach that he pioneered thirty years ago to understanding the history and development of the modern world. Since Wallerstein first developed world-systems analysis, it has become a widely utilized methodology within the historical social sciences and a common point of reference in discussions of globalization. Now, for the first time in one volume, Wallerstein offers a succinct summary of world-systems analysis and a clear outline of the modern world-system, describing the structures of knowledge upon which it is based, its mechanisms, and its future.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
Theatre is an area that interests me although more as literature than as performance. Bentley's criticism in this book has been one of my role models since my college days because of the unsparing way in which he writes about the most celebrated figures in the field while being deeply sensitive to society, culture, and politics.
I have myself tried to cultivate his kind of approach as a critic of cinema and literature, and perhaps more than the other writers cited, echoes of his style may (hopefully) be found in my book, where I have tried to be as honest and eclectic.
As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.
My Lovely Mamá! parodies the decadence and ennui of Bonjour Tristesse. The narrative toys with the sort of decadence Sagan captures, by having Mathilde believe her mother is having an affair and hence attempt, unsuccessfully, to seduce her mother’s lover. The very funny novel hyperbolizes the world-weariness of Sagan’s characters. “I was terribly immature last September,” Mathilde writes, “I’ve aged a lot since then. Inwardly I’m an old, old woman now.” While it parodies certain tropes of teen girl fiction, My Lovely Mamá! nonetheless gives voice to authentic adolescent feelings, especially about sexual desire. When Mathilde receives a marriage proposal, she opts to keep things open-ended, maintaining her freedom: “I was only seventeen and everything was only just beginning, after all.”
First U.S. edition. A near fine copy in a VG- dust jacket. Sticker pull to the jacket's front panel near the upper right corner. Chips/frays to the spine tips and corners. Creasing and some tears to the panels' edges.
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
W.E. Bowman’s comic novel, The Ascent of Rum Doodle, has achieved a cult status among mountaineers as well as aficionados of spoof adventure stories. But the sequel is much less well-known, and that’s a shame, for it is absolutely its equal in terms of humour and invention and, if anything, even more absurd and fantastical in the development of the plot, which concerns a voyage on a raft (in the manner of Thor Heyerdahl) in search of a fabled school of talking fish. I am convinced that Michael Palin’s Ripping Yarns was influenced by Bowman’s work, and if not, then this is a case of great minds thinking alike.
Having brought the highest mountain in the world to its knees, Binder, leader of the expedition to conquer Rum Doodle, soon sets off on a new adventure, aboard the raft Talking Fish. With only two cats, one frog, one oyster and five fellow-adventurers as crew, he is determined to master the challenges of the deep.
As a longtime reader and writer of artsy erotic fiction, I love it when erotic stories mix sexiness with humor. But not too much – that would probably kill the mood. Besides, isn’t sex already a cringeworthy topic as it is? Stories in my book are thoughtful and evocative, but each one is followed by a philosophical dialogue between a man and a woman about what they have just read. (I call these dialogues “Erotic Interludes.”) To my surprise and delight, almost all these interludes have turned out to be funny (and entertaining to write). Here is my list of sexy stories which always make me laugh.
This bawdy 1958 novel reads like a bizarre porn script (or a parody of one).
Like the hapless hero of Voltaire’s Candide, Candy Christian is an intelligent and generous-minded (albeit naive) college student who lets herself be taken advantage of by all sorts of sophisticated perverts whose only goal (they claim) is to assist Candy on her spiritual journey.
It’s probably asking a lot of the contemporary reader to continue with this absurd (and sexist) premise, but I admit it – I laughed a lot and on almost every single page.
Candy is prurient, amoral, and silly, but easy and fun reading. Such novels upend the stereotype of 1950s American society as prudish and straight-laced and herald a more relaxed attitude towards sex.
I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book because I love Jane Austen. Although Northanger Abbey is ostensibly a gothic novel, I would call it light gothic or a parody of Gothic.
The heroine, Catherine Morland, is slightly naïve and is obsessed with gothic literature so when she gets a chance to stay at Northanger Abbey, her imagination goes wild. This is part of the fun of the novel but I also love Austen’s insights into character and English society.
A dazzling pocket-sized special anniversary edition bound in real cloth with foiling, sprayed edges and a ribbon marker to celebrate the 250th anniversary of Jane Austen's birth. Part of a collectable series inspired by Jane Austen's life and work.
Northanger Abbey tells the story of Catherine Morland, a naive young woman whose perceptions of the world around her are greatly influenced by the romantic gothic novels which she is addicted to. When she moves to Bath she sees mystery and intrigue all around her, not least of all in Northanger Abbey itself, the home of General Tilney and his handsome…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am the author ofThe Best of Iggy, which is the first in a series of middle-grade books about nine-year-old Iggy Frangi, who never met an impulse he didn’t like, and therefore is often in trouble with cold, calculating types like, for instance, grownups. In Iggy’s opinion—and mine—he is creative, brave, resourceful, hardworking, and absolutely full to the brim of good intentions. He’s also really really sorry about the thing he did to his teacher. He thought it would be funny. But it wasn’t. He knows that now, and he’ll never do it again. Though he’ll probably do something else. Oh well. At least he has the following heroes for company.
Obviously, the Cat in the Hat is the King of Mayhem. But is he a hero?
I have to admit, The Cat in the Hat made me nervous as a kid—the Cat’s a force of chaos; the house is ruined; Mom will be mad! Even the happy ending seemed too precarious to enjoy and also involved lying to Mom, which, in my experience, never turned out well.
But when the Cat returns in The Cat in the Hat Comes Back,he seems, after a spate of insanity, to become sympathetic to the protagonists’ fears (they are awfully law-abiding, those kids), and he reforms to the extent of providing a solution to the problem he’s created: VOOM, which in my opinion is a metaphor for nuclear power, is a great cleaning agent and soon everything returns to its original tranquility, proving that the while the Cat in the Hat is…
The riotously funny follow-up to The Cat in the Hat!
The Cat is back-along with some surpise friends-in this beloved Beginner Book by Dr. Seuss. Dick and Sally have no time to play. It's winter and they have mountains of snow to shovel. So when the Cat comes to visit, he decides to go inside and to take a bath. No problem, right? Wrong! The pink ring he leaves in the tub creates is a very BIG pink problem when he transfers the stubborn stain from the bath onto Mother's white dress, Dad's shoes, the floors, the walls, and ultimately,…