Books like Plausible Prejudices — picked by fans

I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.

As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.

As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.

As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.

As a feminist and cultural historian, I'm interested in recovering aspects of the past that we have forgotten, especially when the past turns out to challenge our taken-for-granted views. We often have a nostalgic vision of the fifties that portrays our mothers and grandmothers as innocent and naïve. In contrast, we attribute notions of freedom and authenticity to masculine figures like the Beats. When doing research on the film Gidget, and the novel that inspired it, I found myself re-reading these books, all of which suggest in different ways that, long before the sexual revolution, girls were curious, sexually aware, and desiring freedom. These books make me remember how hip those girls could be.   

The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.

I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.

As a longtime reader and writer of artsy erotic fiction, I love it when erotic stories mix sexiness with humor. But not too much – that would probably kill the mood. Besides, isn’t sex already a cringeworthy topic as it is? Stories in my book are thoughtful and evocative, but each one is followed by a philosophical dialogue between a man and a woman about what they have just read. (I call these dialogues “Erotic Interludes.”) To my surprise and delight, almost all these interludes have turned out to be funny (and entertaining to write). Here is my list of sexy stories which always make me laugh.

For over a decade, I’ve helped women shift from feeling uncertain or ashamed about money to building real wealth. As a first-generation immigrant who didn’t inherit wealth or insider knowledge, I had to confront my own excuses, fears, and limiting beliefs. The books on this list challenged me to think bigger, act bolder, and stay disciplined. I know firsthand that wealth-building isn’t just about numbers; it’s about belief and consistent action. As a Certified Financial Education Instructor (CFEI) and founder of Clever Girl Finance (recognized by the National Financial Educators Council), I’ve built my work around helping women turn that mindset into measurable financial results.

Everyone wants to find romance. Some of us find it within the pages—or more than once. I also think romance gets a bad rap, but I for one love to fall in love repeatedly. It doesn’t matter if they’re fictional because when you read a story; you get lost in their world, as though you’re their friend, too. That is what I strive for when I write my characters. I write them as someone you could go out for a drink with and just have a good time. However, most of my characters experience life or death situations, but that just makes them stronger in the end, especially when I base them on my real-life experiences like in Tattooed Dots.