Here are 89 books that Quichotte fans have personally recommended if you like
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As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and
the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.
From the first chapter, I could not put this book down.
When a lethal and highly transmittable virus turns its victims blue, and the Russians blame America for unleashing a deadly virus, I knew I was about to dive into a true medical thriller. I also thought the timing of this novel was disturbing, reminding me all too well of recent disease outbreaks and then taking me on a journey into a world where plagues and pandemics can easily become commonplace.
To his credit, Lawrence Wright managed to weave science and fiction into a plot that frightened as well as entertained.
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize-winning author of The Looming Tower—a riveting thriller and “all-too-convincing chronicle of science, espionage, action and speculation” (The Wall Street Journal).
At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an…
The Great West Wood is a magic realist thriller set in Westwood - a vibrant urban village set upon a hilltop, looking out across London, in an area once covered by an ancient forest.
This is a place where magic is taken for granted; where trees can talk; and children…
My passion for this topic of women overcoming the odds stems from having worked with powerful, resilient women as a life coach and therapist for the past 15 years. I witness and continue to be inspired by women who surpass what they or those around them believe is possible internally and externally. Women are powerful in unimaginable ways, and I love to read a great story that depicts this truth.
Kaya Clark is the wild child I longed to be growing up. Although her family story is tragic and well-explored, how she inhabits her world of nature and allows it to inhabit her is stunning. Once again, she is a young woman who is an outcast who manages to rise above her limitations and those placed on her by society.
Beyond the incredible storytelling and intriguing plot lines, I was mesmerized by the natural world of the North Carolina marshes, being as much a main character as Kaya herself. The intricate details of the lushness and cruelty of the natural world were incredible. In looking back at my favorite novels, one of the commonalities is the writing’s ability to come alive in my head and to take up a permanent space as much as my own lived memories. This novel is one of those.
OVER 12 MILLION COPIES SOLD WORLDWIDE NOW A MAJOR MOTION PICTURE A NUMBER ONE NEW YORK TIMES BESTSELLER
For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
I like books in which there are moral stakes, which sometimes draws me to stories with criminals, and I like when the character at the center of the problem is complex or destabilizes things. Dark humor always helps. Average people should be able to see themselves in some way in the criminal’s bad behavior or at least in their desires. I have published two story collections and two novels. My first collection of short stories won the Great Lakes College Association New Writers Award. My fiction has appeared in Tin House, Southern Review, The Missouri Review, and elsewhere. I'm a professor of English at Kalamazoo College.
Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.
I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.
**SHORTLISTED FOR THE MAN BOOKER PRIZE 2018** **A NEW YORK TIMES BESTSELLER AND CRITICS' TOP BOOK OF 2018**
'An unforgettable novel.' DAILY TELEGRAPH 'More knowing about prison life [than Orange Is The New Black]... so powerful.' NEW YORK TIMES 'One of America's finest writers.' VOGUE
Romy Hall is at the start of two consecutive life sentences, plus six years, at Stanville Women's Correctional Facility. Outside is the world from which she has been permanently severed: the San Francisco of her youth, changed almost beyond recognition. The Mars Room strip club where she once gave lap dances for a living. And…
Embark on a riveting journey into Washington State’s untamed Olympic Peninsula, where the threads of folklore legends and historical icons are woven into a complex ecological tapestry.
Follow the enigmatic Petr as he fearlessly employs his pirate radio transmitter to broadcast the forgotten and untamed voices that echo through the…
When I was six, I wrote an eleven-page epic about an adventurous otter named "Ottiga." The causality between that early effort and my career as a novelist is uncertain, but it did establish a pattern. I was the perpetual new kid on the block, and novels provided a pathway to escape the difficulties of being young and introverted. I learned that fiction is an antidote to loneliness; that it has the power to transport us to entirely new worlds, or to show us the familiar world in entirely new and unexpected ways. The speculative novels on this list did that for me, and I hope they do the same for you!
In a near-future world where one can purchase emotionally intelligent androids or “artificial friends” (AFs) to keep children company, we take the AF’s perspective. Klara, who begins as a display item in a department store, is adopted by Josie, a girl with what seems to be a fatal illness, and dedicates herself to trying to save Josie’s life.
Like all AF's, Klara has been programmed to observe and learn, and she seems to have exceptional abilities in this regard. She also possesses an especially kind disposition, keen emotional intelligence, and a number of other qualities that make her feel more human than most of the actual humans in the story.
For me, Klara is one of the great characters in recent literature, and her unique perspective is one of the things that make this immersive speculative novel such a pleasure to read.
*The #1 Sunday Times Bestseller* *Longlisted for the Booker Prize 2021* *A Barack Obama Summer Reading Pick*
'A delicate, haunting story' The Washington Post 'This is a novel for fans of Never Let Me Go . . . tender, touching and true.' The Times
'The Sun always has ways to reach us.'
From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse, and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges…
I am an intrepid traveler and appreciate the perspective that traveling affords and the humanity it can engender. I have had the good fortune of traveling to over 60 countries, and for all my books, I have not only traveled to the country or place where they have been set but spent time learning and living the culture. I am a book and world lover, and if I can’t physically go there, I can be transported there through books.
I have to say, hands down, this is one of my favorite authors.
This humorous but philosophical book challenges our understanding of death and the afterlife. It is told from the protagonist's point of view after he dies from a heart attack. It’s a laugh-out-loud satirical recanting of Heaven while making significant political, social, and religious commentary
Oddball sexuality, acts of perversion, and out-of-order behavior from the acclaimed Jamaican author of The Lunatic and Dog War.
How funny is this social satire? Akashic Books’s pledge to our readers: Laugh out loud at least once or your money back. Seriously.
“This book is laugh-out-loud, hold-your-side funny. You don’t even realize the message in this poignant and philosophical story until you stop laughing . . . Winkler is a wonderful writer with a sharp pen and amazing pedagogy.” ―Today (NBC), “Cover to Cover”
Baps, a Jamaican shopkeeper, drops dead unexpectedly one Saturday morning and finds himself being transported to…
The sixty books I’ve written wander in and out of existential thought, as that breakthrough thinking, where man was told to take personal responsibility for his life and stop looking up or elsewhere for purpose and meaning, has informed everything I do and write about. Over the years, I’ve been a family therapist, a creativity coach, an existential wellness coach, and an advocate for critical psychology and critical psychiatry, points of view that dispute the current pseudo-medical “mental disorder” paradigm.
Apart from the existential fiction that I love (Dostoevsky, Kafka, Camus, etc.), this is one of my favorite books of all time. The editor, Walter Truett Anderson, gathered together the best collection ever of essays on the topics of postmodernism, deconstruction (and reconstruction), the wobbly nature of truth in the twentieth century (and now, the twenty-first century), and how we might go about reconstructing the truth now that we have so beautifully and mercilessly deconstructed it.
Authors included are Umberto Eco, Michel Foucault, Jean Baudrillard, Richard Rorty, Bell Hooks, and a ton of other great thinkers on the subject of our postmodern malaise and the difficulties of belief … in anything. If you don’t know this book, you will really, really want to get to know it.
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A sweeping study and critique of modern culture! If you are looking for a comprehensive and passionate analysis of time and space in the “late capitalist era,” this is the one to read. Nobody has written more authoritatively on modern and post-modern “time-space compression” (you have to read the book to see what this means). Harvey’s intellectual breadth and depth are astonishing. No wonder he is one of the most cited scholars of our time.
In this new book, David Harvey seeks to determine what is meant by the term in its different contexts and to identify how accurate and useful it is as a description of contemporary experience.
Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.
Fredric Jameson’s Postmodernism, or The Cultural Logic of Late Capitalism was one of the first accounts of “postmodern aesthetics” and why it continues to matter today.
Circa 1990, Jameson showed how a new age of high-tech and transnational corporations fundamentally transformed how we create and experience art, design, and aesthetics.
Now in paperback, Fredric Jameson's most wide-ranging work seeks to crystalize a definition of "postmodernism". Jameson's inquiry looks at the postmodern across a wide landscape, from "high" art to "low" from market ideology to architecture, from painting to "punk" film, from video art to literature.
When writing about sexuality it is important to me to write about true intimacy. Especially for those who have broken their wedding vows and for those who have been betrayed, who still long for real intimacy with spiritual and sexual maturity. My book, False Intimacy: Understanding the Struggle of Sexual Addiction (1992), was the first Christian book published on the subject of sexual addiction.I have for over thirty years counseled 1000s of sexually broken people from all across the U.S. who came to see me for a week of intensive counseling. I have taught on the subject of sexuality in all fifty states as well as over twenty foreign countries. No subject is more important to our spiritual maturity and sexual maturity.
This is one of the best critiques of our postmodern culture that you can find from a writer who can make an analysis from both a theological and historical perspective. He also gives an analysis of the evangelical church and how it has been captured by that culture. David Wells points out that there is a conflict within the church today between the plague of postmodernism and the Christian gospel. We must get this sorted out, and this book not only helped me do that, but helped me guide others in accomplishing that goal. So relevant and valuable was the information in this book, I simply could not put it down until I had read it cover to cover.
I am a professor of philosophy, specializing in the philosophy of art at the Graduate Center of the City University of New York. When I was a practicing critic, notably of cinema, I backed into philosophy insofar as being a practitioner forced me to ask abstract questions about what I was doing. I have written over fifteen books as well as five documentaries. I am also a former Guggenheim fellow.
This book is an amazing combination of the philosophy of art, the philosophy of art history, and art criticism. The late Arthur Danto was not only a distinguished philosopher but also an award-winning art critic. In this book, Danto tracks the decline and fall of Modernism (which he describes as “the end of art”) and the advent of our present artistic moment which can be critically characterized as an era of post-historical pluralism. Danto, following GFW Hegel, proposes a partial definition of the artwork as an embodied meaning – thereby addressing the challenge to say what art is -- as it was posed by Clive Bell.
Originally delivered as the prestigious Mellon Lectures on the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities. This Princeton Classics edition includes a new foreword by philosopher Lydia Goehr.