Here are 100 books that You Get So Alone at Times That It Just Makes Sense fans have personally recommended if you like
You Get So Alone at Times That It Just Makes Sense.
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I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Beginning, middle, and an end—what writer doesn’t know about these three concepts? Well, Aristotle is the guy who wrote about these ideas in his book, and thousands of years later we’re still using them and thinking about them.
The foundations of modern literature and theater rest on this book and every writer should be familiar with its ideas and concepts. Story is story, and Aristotle started the ball rolling for everyone who is interested in storytelling.
One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I've been a horror fanatic since I was a little girl. At the age of 7, I was attempting to write my first horror novel, My Teacher is a Vampire, and at age of 9, I had already read my mom’s copy of, It. By the age of 16, I read the majority of Stephen King’s novels and was fascinated with Nosferatu, the original vampire, Vincent Price - the master of horror, and George Romero. When people ask why do I love the horror genre so much…my answer is: I’d rather read about the monsters in books and in movies instead of reading the newspaper or turning on the news and see the real monsters.
Although this is a short story, I have to add this one to my list. Edgar Allan Poe’s witty and crafty way of telling this tale of murder and paranoia is by far chilling and brilliantly crafted. Of course, Poe can do no wrong in my eyes with his cryptic tales. This story was later crafted into a not-so-good movie, but I’m sure true Edgar Allan Poe fans can appreciate the modern visual.
A masquerade ball in a secluded abbey; a vendetta settled in the wine cellars of an Italian palazzo; a gloomy castle in a desolated landscape; the beating of a heart beneath the floorboards: the plots and settings of Poe's dark, mysterious tales continue to haunt the popular imagination. This new selection introduces the greatest Gothic fiction from one of the most deranged and deliciously weird writers of the nineteenth century. The tales are accompanied by the classic illustrations of Harry Clarke, an artist fully alive to the deep darkness at the heart of Poe's writing.
For as long as I can remember, it has been of the utmost importance to find meaning in life—both for myself and for everyone else. I have spent much of my time in the past few years pushing for continued discourse in the fields of philosophy and psychology. I have studied at various educational institutions in these fields, and have thus used that knowledge to discuss topics relating to such on my podcast, Think More, which can be found on Spotify. I founded an online journal titled Modern Rebellion in the hopes of assisting contemporary artists and intellectuals with getting their work out there into the public eye.
Dante Alighieri’s Inferno, by many accounts, is the most accurate and true portrayal of Hell. It has been long speculated whether or not Dante, by means of dreaming or some other metaphysical affair, was truly able to visit Hell—the ways in which he describes the deadly sins of human life proves to be both very emotional and very comprehendible, in a way that can push one to both care more for the way that they choose to live, care more for the ways that they treat others, as well as understand the burdens of life and thus realize that it could, in some way, be worse off than it presently seems.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Born into an atheist family and a psychiatrist by background, I identified as a Christian in mid-life then became an interfaith minister. I believe everyone has a birthright to discover their own personal nature and purpose and although religion can help, it’s probably only a phase through which a properly evolved consciousness passes. You can read all the non-fiction and sacred texts you like, but I find spiritual fiction to be the best medium to explore and share fundamentals like this.
A complete classic from 1923, it contains so much wisdom that I almost use it as a reference book. There’s no plot as such, the central character forming a mouthpiece for short bursts of poetic prose that cover many of life’s biggest issues.
I adore the beauty of the metaphors and the whimsical nature of the advice, and I’ve quoted it in both formal and informal moments more times than I can remember.
One of the most beloved classics of our time—a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Published in 1923, Gibran's masterpiece has been translated into more than twenty languages.
Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The…
I’ve been a hillwalker and mountaineer since the age of 1 year 10 months – and longer than that, if you consider that my family’s been at it for over 150 years now. For the last 30 years, I’ve been writing walking guidebooks, general books about UK mountains, and articles in walking magazines like Trail, The Great Outdoors, and Lakeland Walker. My Book of the Bivvy on tentless sleepouts has acquired semi-classic status among the wilder sort of outdoor enthusiasts. I care about mountains, and I care about great writing about mountains, all of which is explored in my free weekly newsletter, About Mountains on Substack.
A man walking down the Pennine Way, from Kirk Yetholm to Edale, mostly on his own but sometimes with some other people. In early summer, the reasonably dry early summer of 2010.
The difference is that he's doing it without any money at all, relying on the kindness of strangers to put a few bob in an old sock. The other difference: he was the UK's future Poet Laureate.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
This is one of those gems that can easily get lost in the literary shuffle. Poet-teacher John Fox gets into the craft of writing poetry in Finding What You Didn’t Lose, but it’s not one of those dry books that will get you all tangled up worrying about your iambic pentameters. Instead, he takes you on a beautiful journey, showing how such useful tools as imagery, sound, metaphor, and rhythm can help you express yourself. Quotes and poetry excerpts round out the rich content of this book.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
As a teacher, I often talk with my students about current events and highlight how disasters can spiral. Wildfire seasons are worsening, storms are getting stronger, wars are starting and never-ending, and sometimes, my students express some despair in the face of such cycles. Though it’s not a cure-all for this anxiety, I encourage my students to try and create something from this existential worry. Rather than scrolling through all the bad things that cross our screens, creativity can help us imagine a better world to work towards. Poetry about disasters can help us see them through.
What I love most about this book is the strident, confident way the poems tackle our expectations about prose and poetic genres. Right from the collection's first poem, the book says that language is only the beginning; it still has its limits, though it can achieve longevity in the right conditions.
However, my favorite poem of the collection is 'Shakespeare Doesn't Care,' a poem where Dove imagines Shakespeare’s confident, coy response to comments on his prolific, inimitable career. In doing so, she highlights how his work points the finger of judgment through time. Dove does this, too.
This is not a book of portents, nor is it strictly a celebration or mourning of an apocalyptic world; instead, it highlights the strange echoes of history.
In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding the world's experiments in democracy.
Whether depicting the first Jewish ghetto in sixteenth-century Venice or Black Lives Matter, this extraordinary poet never fails to connect history's grand exploits to the triumphs and tragedies of individual lives-the simmering resentment of a lift operator, an octogenarian's exuberant mambo, the mordant humour of a philosophising cricket.
Audaciously playful yet grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to apocalyptic failures…
Ever since I was a child and my father first pointed me to a few of his favorite poets (Wordsworth, Keats, Shelley), I have been passionate about poetry, particularly poems that speak plainly of the world in a very relatable way. I’ve found that I can learn something about myself and my humanity by reading my favorite poets who often teach me something new about the world. They are my guides and companions.
I love how crystalline and to the absolute point these poems are. “Where do I begin/being a minimalist?” the poet writes. These poems make me see the world in a fresh but very relatable way. “What would I/think, coming/up after/my world/had evaporated?/I’d wish/I were water."
So much said, so few words. The longing is implicit. This book is home to breathtaking lyricism–as well as narrative poems of mystery, loss, and wonder. It is a book I keep coming back to.
About Andrea Cohen’s poems, Christian Wiman has said: “One is caught off guard by their cumulative force. This is work of great and sustained attention, true intelligence, and soul.” In The Sorrow Apartments, Cohen’s eighth collection, those signature gifts are front and center, along with sly humor, relentless economy, and the hairpin curves of gut-punch wisdom. How quickly Cohen takes us so far:
Bunker
What would I think, coming
up after my world
had evaporated? I'd wish
I were water.
The Sorrow Apartments is home to spare and uncanny lyricism––as well as leaping narratives of mystery and loss and wonder.…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I lived most of my life in Hawai‘i’s multiethnic community—an amazing place, where, for the most part, people of diverse ancestries got along. The foundation of tolerance was the culture of Native Hawaiians, who lived isolated from outsiders for centuries before the nineteenth century and thus had few prejudicial ideas about others. The natives generally welcomed them and adopted their beliefs. While confrontations and violence occurred, they were limited, not long-term or widespread. Of course, outsiders brought their racial and cultural prejudices, but, today, with a high rate of intermarriages among all the ethnic groups, Hawai'i is one of the most integrated societies in the world.
Westlake, a poet of Native Hawaiian ancestry, incorporates influences from Chinese Taoist and Japanese haiku poetry, Dada concrete poetry, the writings of Kerouac and Bukowski, as well as local pidgin and Hawaiian literary traditions. Westlake’s editor and friend Richard Hamasaki writes that the early poems are “calm, contemplative, and serene, often playful, celebratory”—humans interacting with nature, from rain, moonlight, and mountains, to bugs, frogs, and dandelions: “Looks of disbelief: / I’m on my knees / Washing a rock.” The later poems are political: “Westlake blasts away at Waikiki’s rampant tourism and American materialism, which replaced the native culture in his native land. He wonders, “how we spose / feel Hawaiian anymoa / barefeet buying smokes / in da seven eleven stoa ...?”
In an all-too-brief life and literary career, Wayne Kaumualii Westlake produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. The present volume, long overdue, includes nearly two hundred of Westlake's poems - most unavailable to the public or never before published.
