100 Books Like A Sand Book

Rumi is one of those writers that transcends time and space. He is more of a spiritual writer and when he writes about love and longing, you can feel the words plant a seed inside your soul. If someone asked me which poetry book they should begin reading without any knowledge of poetry, Rumi would be a start. The simplicity of his words taught me that you don’t need to use a thesaurus to express yourself. His simple words and poems about soul mates carry his work over centuries. This poetry book tells you how lovers don’t finally meet somewhere, they’re in each other all along. These famous quotes of Rumi’s will be instilled in you again and again. Easy book to read and carry with you anywhere. It taught me to find my spirituality and soul and let it flow like a river with words as waves. It taught… show more.

Sylvia Plath is having a moment, and it’s about time. In recent years, I’ve seen an outpouring of Plath-inspired literature and scholarship, so much of which I’ve devoured and would love to include on this list. But let’s start at the source: the inimitable, the iconic, the patron saint of pissed-off women everywhere.

This is Plath at her most intense and raw. The restored version reinstates her original selection and arrangement before it was infamously edited by Ted Hughes. It’s a work of art and a piece of history.  

I recently discovered Kim Addonizio and wanted to include her to share with you a modern poet I am recently obsessed with. I am also reading her book of memoirs at the moment and I am loving her raw style. I was going to put Bukowski in my five picks but I wanted to make it about women. Hench here is a modern poet who comes close to that raw and in-your-face poetry. Confessional poetry, like Plath and Sexton’s, has been my favorite genre, but Addonizio gives it a raw twist with a shot of vodka. I love how Addonizio’s poems slap you in the face with truth. Her poems teach me how to be comfortable sharing my own stories with strangers. Her poems teach me it’s okay to lie about it too. A place where reality and fantasy merge. I would recommend this book to anyone who wants to… show more.

I’ve been fascinated by poetry ever since I picked up this book for seven dollars at the second-hand bookstore near my university at the age of nineteen. Anne Sexton’s Selected Poems taught me how to write confessional poetry. They taught me how to write narrative poetry. They taught me to not be afraid to speak my truth, no matter how ugly.

I love how Anne Sexton writes about marriage, affairs, love, loss, family, and relationships with depth into herself and her psyche. Her poems in this collection encompass all her most remarkable work from her array of poetry books. Here you have all the classic poems as well as some obscure ones. Her famous, "Black Art" and the classic lines, "A woman who writes feels too much." As well, "For My Lover, Returning to His Wife," and the last two lines, "As for me, I am a watercolor. I wash… show more.

Czesław Miłosz was awarded the Nobel Prize for Literature in 1980. But that isn’t the reason to seek out this book. In fact, the book contains none of his poems; it’s an anthology of poems he selected from across the ages and across the globe. The poems are idiosyncratic to Miłosz’s taste—and he has excellent taste, offering us brief personal header notes to guide our reading. Most of the poems are less than half a page long, none more than a page and a half—and some just a handful of lines. These are delicate, thoughtful poems that never become syrupy or stringent. Even after decades of reading poems, I’ve returned again and again to this book when I want to remind myself of why I turned to poetry in the first place.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

This is my favorite novel in Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey. 

Once, on a weeks-long gig far from home, I stayed in a bare attic room with no TV, no internet, not even a radio. I didn’t mind. I had this translation of the Odyssey to settle down with every evening after work. I would think about it all day long: the vivid language, the fantastical events, the struggle and suffering of the protagonist. Reading it was like going to a technicolor movie every night, except that the movie was inside my head.

Talk about an essential human story—the Odyssey is four thousand years old, but its characters have the same emotions, fears, vices, and virtues we have today. Their struggles make my heart race and my eyes tear up. My imagination goes into overdrive, and I revel in the wonder.

A heroic poem woven around the tides and spires of North Norfolk.

Jess Streeting tells her own story of returning as an adult to Cawston in Norfolk and remembering fun-filled childhood days with her father, an inspirational vicar, in the mid-70s. One single terrible event ripped her father away from her, and only now is she confronting what happened. There are shy girls, smart lads, and a great hammer beam church roof with carved angels.

The foreword is by one of those smart boys, Sir Stephen Fry.

If you love Borges, and thought you’d read everything he wrote, this is the book for you—a collection of his “lost lectures,” delivered at Harvard in 1967-68 and finally published in 2000. And if you want to hear the actual voice of a creative genius, as if risen from the dead, the recordings are also available. Best known for his intricate short stories and essays, Borges was also—perhaps foremost—a poet. As he puts it in the book, “The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.” Starting from the creation of poems, Borges explores the creation of metaphors, meaning, and life’s irreducible mystery.