Here are 100 books that The Cloistered Lady fans have personally recommended if you like
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My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
How can I write about fierce women of the Middle Ages and not include the woman referred to by the sobriquet She-Wolf of France?
Carol McGrath’s The Stone Rose presents the story of Queen Isabella’s strength and determination framed around her ill-fated marriage to King Edward II in a beautiful tapestry threaded with both painstakingly researched historical fact and masterfully imaginative fiction.
The author’s extensive knowledge of the time period is evidenced by the accuracy of detail that is interwoven into the narrative. Since Edward’s reign forms the backdrop for my series, my own interest is obvious; however, the tale of Isabella’s struggle to protect herself and those she loves in the face of rampant intrigue and treachery will appeal to all.
'A real tour de force of gripping writing, rich historical detail and complex, fascinating characters. Superb!' NICOLA CORNICK on The Stone Rose _________________
EARLY READERS ARE GRIPPED BY THE STONE ROSE!
* 'Springs to vivid life for the reader . . . A compulsive read' ANNE O'BRIEN
* 'An enticing and intriguing tale of a woman who is driven to desperate and ruthless lengths to protect those she loves' ALEXANDRA WALSH
* 'Carol McGrath really got into Isabella's head . . . Enlightening' SHARON BENNETT CONNOLLY
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
Civil war has threatened ruling monarchs several times in English history.
The first instance is the bloody 12th-century conflict between King Stephen and the rival claimant, his cousin Matilda. Yet, the woman known as Empress Maud had already experienced an incredible life before returning to England in 1139 to challenge Stephen’s rule.
The early years of this truly remarkable woman's life are masterfully recounted in Amy Mantravadi’s The Girl Empress. Despite being a first-person narrative, the author has deftly interwoven a myriad of twelfth-century minutiae that should satisfy both readers enamored with historical detail as well as those craving a rollicking adventure story.
I especially liked how the author incorporated other historical figures into the story; each of these encounters was like finding a little jewel.
The history books remember her as Empress Mathilda, but her path to sovereignty began when she was just a girl named Maud. Engaged, estranged, and crowned by the age of twelve, this is her story . . . As the firstborn legitimate child of King Henry I of England, Princess Maud is faced with the fiercest crisis of her eight-year-old life when she learns that she will be sent to Germany to marry the Holy Roman Emperor. To make matters worse, her husband-to-be is in the midst of a disagreement with the Pope, and the threat of civil war continuously…
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
For medieval women, the right to assume title and property upon the death of their fathers or husbands could not be taken for granted. Most succumbed to the pressure to marry and relinquished their right to rule to conniving husbands, trapping themselves in loveless relationships.
A few, such as Matilda of Canossa, refused to be cowed into submission. Lara Byrne’s Lotharingia: Charlemagne’s Heir, is a wonderfully engaging blend of scholarly research and rich storytelling detailing the early life of this courageous woman. The characterizations are beautifully well-developed; I found some to virtually leap off the page and into the reader’s heart.
Like Christina Kohl in my series, Comitissa Matilda is a woman unafraid, whether to pursue forbidden love or to wield a sword in battle.
A unique tale of love and politics, betrayal and survival, male and female power, relics and prophecies, against the Machiavellian backdrop of the Investiture Controversy.
A.D. 1062. The Holy Roman Emperor is dead, and his underage son, snatched from his mother, is a puppet in the hands of regents. The fate of the empire lies in the hands of three women. Surprisingly, the Church takes their side, but Rome’s support has a price. Matilde refuses to be a pawn in the marriage game. Is she the child of Charlemagne’s prophecy? HFC 2021 BOOK OF THE YEAR AWARD WINNER (WORLD HISTORICAL…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
During my years in Germany, a favorite getaway was a stroll through the vineyards above the town of Rüdesheim am Rhein to the Abbey of St, Hildegard.
Well-familiar with the life of this brilliant, multi-faceted woman, I was hesitant to undertake P.K. Adams’ novel The Greenest Branch, especially when I discovered it was written in the first person. To my delight, I found my fears to be unfounded. The author has masterfully captured what I believe to be the spiritual essence of Hildegard in both her narrative and dialogue.
Adams’ portrayal of Hildegard’s struggle against the misogyny of the 12th century Church, as personified by Prior Helenger, forms a central conflict to the novel; as does her self-denial of worldly pleasures of the flesh while embracing the pain of self-mortification.
"Hauntingly beautiful and meticulously researched. P.K. Adams writes about the Middle Ages like someone who has lived there. Hildegard’s story is inspiring, and her voice feels so real that it’s almost spooky.” – Jessica Cale, author of Tyburn.
In The Greenest Branch the medieval era comes vividly to life in all its romanticism and splendor, but the societal strictures that prevent women from being able to access education and live independent lives are also on display.
The year is 1115, and Germany is torn apart by a conflict between the Emperor and the Pope over who should have the right…
I have been studying and teaching medieval literature and history for over 30 years, and I am an avid devourer of novels, so novels set in the Middle Ages are a particular favorite! One of my passions is to teach my students texts that counter stereotypes of the Middle Ages (women were powerless, peasants were helpless and downtrodden, everyone blindly believed their priests, etc), so I love this list because the characters in these novels reflect the actual intelligence and agency of actual people in the medieval period.
I have always loved the lais of Marie de France and have taught them for years, introducing students to her proto-feminism and sly humor (check out Lanval for a send-up of the conventional medieval romance).
So when I came across this novel, I snapped it up, and it didn’t disappoint. I was captivated by Groff’s depiction of Marie: a rebel against religion and conventional gender roles, an exile in a convent who becomes the hero and hones her craft of writing.
Groff swept me into the book with her luminous descriptions of atmospheres and landscapes. I loved the gawky and ungainly Marie’s lonely fascination with Queen Eleanor of Aquitaine and the way she turns heartbreak into art.
THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR
'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN
Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey.
Lauren Groff's modern masterpiece is about the establishment of a female utopia.
'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid,…
After enjoying Josephine Tey’s wonderful Daughter of Time, in which she exonerates Richard III from the crime of murdering the princes in the tower, followed by the Brother Cadfael mysteries, I became hooked on historical crimes and decided to try writing them myself! It was quite a challenge researching both the history and the settings from Australia, but the novels became a wonderful excuse for lengthy visits to travel around Great Britain and France. As well as writing the Janna Chronicles, my passion for history has also prompted several other published novels and series, including the Shalott trilogy.
Bastard-born Justin de Quincy becomes ‘the Queen’s Man’ after carrying an important letter from a dying man to Eleanor of Aquitaine. He is charged by Eleanor to keep her son John out of mischief and thwart his efforts to become king while she sets about raising the ransom money to bail Richard the Lionheart out of his prison in Austria. As a roving trouble-shooter, Justin is supported by the under-sheriff of Hampshire and a sergeant, Jonas, but things become complicated after he falls for the Lady Claudine, who is close to John, while the Queen’s double agent, Durant, also poses a threat. I enjoyed reading about all the intrigues of the court as Justin solves crimes and murders.
England, 1193: a land rife with rumours about the fate of its missing king. Justin de Quincy travels from Winchester to London. With a promise to a dying man, he is plunged into the conspiracy surrounding the disappearence of Richard the Lionheart, and under oath to reveal the truth to the Queen.
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
Since early childhood I have had a passion for medieval times. I can remember climbing my first castle keep at 4. I became particularly interested in lesser-known medieval queens and noblewomen when I moved to Amesbury in Wiltshire—and found out that Eleanor of Provence, wife of Henry III, was buried somewhere in the grounds of the nearby rest home, her grave lost since the Reformation. I wrote a novel on her life which became more successful than I could have ever imagined, and now I am a full-time author writing further novels about medieval women, as well as the Wars of the Roses…and Stonehenge.
Sharon Bennett Connolly’s book covers important women who lived throughout the Middle Ages, including many who are very little known. The style is easy to read and never dry, and leaves you eager to research these women more. Included are Nicholaa, a woman Sheriff and Constable, and Maude who spoke out against ‘bad King John’ and paid with her life. Some of the stories almost feel like fiction they are so dramatic…but all are true!
These are the stories of women, famous, infamous and unknown, who shaped the course of medieval history. The lives and actions of medieval women were restricted by the men who ruled the homes, countries and world they lived in. It was men who fought wars, made laws and dictated religious doctrine. It was men who were taught to read, trained to rule and expected to fight. Today, it is easy to think that all women from this era were downtrodden and obedient housewives, whose sole purpose was to give birth to children (preferably boys) and serve their husbands. Heroines of…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.
The Ebony Tower, comprising a novella, three stories, and a translation of a medieval French tale, echoes themes from John Fowles's internationally celebrated novels as it probes the fitful relations between love and hate, pleasure and pain, fantasy and reality.
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
I love this classic study in which Huizinga vividly portrays the colorful era in which my heroin, Christine de Pizan, lived. Huizinga shows that late medieval society was full of striking contradictions, among them chivalry vs cruelty, courtly love vs vengeance, blissful visions of heaven vs horrific visions of Hell.
“To the world when it was half a thousand years younger,” Huizinga begins, “the outline of all things seemed more clearly marked than to us.” Life seemed to consist in extremes—a fierce religious asceticism and an unrestrained licentiousness, ferocious judicial punishments and great popular waves of pity and mercy, the most horrible crimes and the most extravagant acts of saintliness—and everywhere a sea of tears, for men have never wept so unrestrainedly as in those centuries.
First published in 1924, this brilliant portrait of the life, thought, and art in France and the Netherlands in the 14th and 15th centuries…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
Chibnall was a fantastic writer, and she was the authority on Orderic Vitalis, one of the most important historians of the early twelfth century.
I love this book because Chibnall uses Orderic’s history to explore the world he wrote in, a world in which monks mingled with knights and kings, and she examines the rapid social changes taking place in the early twelfth century. This book is at once an examination of Orderic’s work, a biography of a famous chronicler, and an exploration of Anglo-Norman society in the early twelfth century.
It’s a fantastic place to start if you’ve never read anything on Anglo-Norman England, and it’s a great way to deepen your knowledge if you’re already familiar with this corner of the past.