100 Books Like The Chosen Place, the Timeless People

This 1937 novel centers on a Black woman in the contemporary American South seeking to find freedom and love as she leaves her grandmother's farm to explore three romances.

In the process, she finds herself—and recovers it as a dark, shocking twist at the end creates a stumbling block she triumphantly surmounts.

I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.

But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.

The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.

It’s hard to know quite where to begin with this book–there is so much to love.

This book tells the story of the Great Migration of African American people out of the South across the United States to Chicago, New York, California, and beyond; it transforms and fills in a crucial part of American history that every American should know to understand our present day. But for me, what I love most starts with the way Isabel Wilkerson cares for people’s stories. 

Wilkerson tells this decades-long, sweeping, under-told story through individual stories that are so detailed and compelling, so thoroughly contextualized with historical research, that I was completely enmeshed in these people’s lives, their struggles, their loves, and their feelings. I cared. In the years since I read it, stories from the book often come to my mind, teaching and guiding me like the words of a beloved relative. 

Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.

This new book realizes much of my wish to see histories of the Caribbean take seriously its importance as a site of diverse groups and unexpected exchanges. The Creole Archipelago focuses on five little-studied islands—Dominica, Grenada, St. Lucia, St. Vincent, and Tobago. Tessa Murphy reveals an interconnected maritime world, shaped by the use of canoes that allowed mobility free of the prevailing winds. Alongside consideration of the space itself and movement within it, Murphy explores the region’s diversity, its indigenous peoples, African, and Europeans of various stripes. She gives special attention to the indigenous peoples whose traditions, presence, and legacy determined much about these islands. In this watery borderland—a region within the larger Caribbean—interisland, intercolonial, and interimperial interactions were everyday occurrences.

Move over New York and Providence, Julio Capó illuminates in this dazzling book about queer life in Miami before World War II how an important early twentieth-century gay community emerged at the intersection of tourism, migration, and trade around the Caribbean. He not only provides a fascinating account of gay Miami but uses that community to tell a wider story about the history of the region.

This book explains a lot of my automatic behaviors—things I knew were a thing but didn’t know why they were there. For example, I change the way I speak around white people or step onto the shoulder when a white person is walking toward me on the sidewalk.

Since reading about the origins of these ingrained behaviors, I practice not doing them. It’s crazy how hard they are to overcome. 

There are many wonderful, useful and thoughtful books on the subject from local studies to broader political and philosophical overviews, and while I wish I could recommend them all, I want to highlight Marc Dollinger’s book because he turns so many widely held beliefs on their heads.

He argues that far from alienating Jewish allies, Black Power actually animated them and spurred them to rethink “Jewish Power,” revitalizing Jewish political action within a civil rights context.

If there has been a divide between African American and (white) Jewish American leaders or agendas, it has at least partly been caused by losing sight of that story and ignoring the impact of white privilege on Jewish communal responses to civil rights challenges.

What a gift of a book.

This book is a foundational text in Black women’s studies and includes the statement by the Black lesbian feminist Combahee River Collective, which just celebrated 50 years. In the statement, they write, "We believe that sexual politics under patriarchy is as pervasive in Black women's lives as are the politics of class and race."

I appreciate the book because it shows the rich history of Black women’s writing and movement building, including the important role of Black lesbian feminist sisterhood. It was so exciting to read the letter written by Lorraine Hansberry to the lesbian periodical The Ladder in 1957, in which she links homophobia to the sexual oppression experienced by all women. I can’t help but scribble in the margins: see, lesbians have always been here! 

Although queer organizing is so often presented as something that is new or emerging, this book challenges… show more.

Kevin Young’s anthology is the latest in a long line of Black poetry anthologies; the first was James Weldon Johnson’s Book of American Negro Poetry (1922), which Young duly acknowledges. Most of Young’s choices I agree with; some I don’t (at least one of Paul Laurence Dunbar’s great sonnets should have been included); but in the main it is a terrific anthology of poets historical up to the present day. I counted almost 40 sonnets among the poems included. Readers who are interested in the dates the poems were published can turn to an extensive set of notes in the back, which are really helpful.