Here are 77 books that The Casebook of Victor Frankenstein fans have personally recommended if you like
The Casebook of Victor Frankenstein.
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Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
Another meticulously researched work of nonfiction, this book opened my eyes to the connection between real-life murders in Victorian England and the start of the public’s obsession with detective fiction.
As a fan of mysteries and thrillers in which not all characters survive, I was fascinated to see how the genre literally began. I’ve read a bunch of the old serialized tales, the “Penny Dreadfuls” talked about in this book, and I loved seeing them placed into their larger historical and cultural context.
'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch
Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts.
In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder - both famous…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
As a child, I lived in 1950’s London. Despite the ravages of WWII, the city retained many of its Victorian buildings and its foggy atmosphere. I found it enchanting. Reading books sent in England around the 19th century connected me to the city long after my family moved to Ireland. If I felt homesick for the Angel or Camden Town, a book would take me back. Thanks to The Hound, I became captivated by Gothic tales and by what my mum called ‘A juicy mystery.’ This apple didn’t fall far from that tree. It’s a good thing I became a writer, or who knows how I would have ended up!
I read this one when I was very young, too. Around eight or nine, I think. I grew up in a reading household, and my parents never suggested a book was too old for me. This one is Stevenson at his creepiest, scariest best.
The idea that a person could completely change their personality and turn into a homicidal manic just by drinking a potion often invaded my dreams. If I were in a wicked mood, I’d read excerpts to my brother, who was about four at the time. Hey, why should I be the only one afraid to go to sleep? Ah, happy days.
Dr. Henry Jekyll is a well-liked and respected physician. When he calls upon his lawyer, Mr. Utterson, to draw up a new will to include a strange new beneficiary, Mr. Utterson takes it upon himself to investigate the identity of this strange man. But nothing sufficiently prepares him for the truth he will uncover! Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom or at home to further engage the reader in the work…
When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come.
This book is such a smart novel. It draws its inspiration from Frankenstein, and although it is very different from the original (with its likable lesbian protagonist), it loses none of the original novel’s gothic themes and atmosphere.
The story moves quickly yet manages to convey rich language and explore complex themes.
A gothic adventure story, a classic tale with a feminist twist, a story of ambition and obsession, forbidden love and sabotage...
'It is not the monster you must fear, but the monster it makes of men...'
Mary is the great-niece of Victor Frankenstein. She knows her great uncle disappeared in mysterious circumstances in the Arctic but she doesn't know why or how...
The 1850s is a time of discovery and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary, with a sharp mind and…
Actress Katherine Parr narrates the audiobook of Only Charlotte, speaking as Lenore James and a whole cast of eccentric characters, her voice rich with mystery and menace, ardor and innuendo.
In post-Civil War New Orleans, Lenore suspects her brother, Dr. Gilbert Crew, has been beguiled by the lovely and…
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
This is such a fascinatingly researched book about the science during the time Mary Shelley created Frankenstein. I was surprised and enthralled to learn how many real-life Victor Frankensteins there were in Victorian England, all trying to be the first to reanimate a dead corpse. The accounts of grave robbery and, yes, even murder (The fresher the corpse, the better the experiment!) had me hooked throughout.
Also intriguing was how this macabre practice was deemed by many to be the cutting edge of science. I feel the theme is especially resonant today as we face our own life-creating hubris with Artificial Intelligence.
The Lady and Her Monsters by Roseanne Motillo brings to life the fascinating times, startling science, and real-life horrors behind Mary Shelley’s gothic masterpiece, Frankenstein.
Montillo recounts how—at the intersection of the Romantic Age and the Industrial Revolution—Shelley’s Victor Frankenstein was inspired by actual scientists of the period: curious and daring iconoclasts who were obsessed with the inner workings of the human body and how it might be reanimated after death.
With true-life tales of grave robbers, ghoulish experiments, and the ultimate in macabre research—human reanimation—The Lady and Her Monsters is a brilliant exploration of the creation of Frankenstein, Mary…
I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I’m mostly known for my zombie/post-apocalypse novels and being a prepper. So why did I choose the revenge topic and what qualifies me as an expert? Zombies and apocalypse storytelling were never my first love. My first has always been reading stories of revenge both true-life and fictional. This helped inspire and drive me as a writer in my early days in this genre. The stories by the authors I have listed here not only influenced me in my writing style but also fueled me to write my own revenge story anthology. But mostly, I have a very twisted mind!
As a reader of Mary Shelley’s Frankenstein, I believed when the Creature drifted away on an ice raft and was never to be seen again, the Creature did not die. I even thought about writing a sequel myself. Well, Dean Koontz beat me to it in 2004 with the first novel of his Frankenstein trilogy.
This is a modern update and sequel to Shelly’s book that uses elements of not only horror but also fantasy and science fiction. The novel is set in present-day New Orleans and follows the activities of Victor Frankenstein, now going by the name of Victor Helios, who is using modern technology to create more creatures. Unbeknownst to Victor, his original Creature is still alive and looking for revenge.
Dean Koontz is the King of Exposition and in-depth storytelling. If you like an imaginative, updated take on a classic horror tale with detailed plots and…
From the celebrated imagination of Dean Koontz comes a powerful reworking of one of the classic stories of all time. If you think you know the legend, you know only half the truth. Here is the mystery, the myth, the terror, and the magic of . . .
Every city has its secrets. But none as terrible as this. He is Deucalion, a tattooed man of mysterious origin, a sleight-of-reality artist who has traveled the centuries with a secret worse than death. He arrives in New Orleans as a serial killer stalks the streets, a killer who carefully selects his…
Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
This book is an endearing and beloved classic, and deservedly so. Here, the marriage of its exquisite prose with black-and-white illustrations from one of the greatest artists who ever lived is truly something to behold. If you’re like me, you’ll spend quite a bit of time gazing in awe at Wrightson’s composition, lighting, and brush strokes.
If all of this wasn’t enough, the book features an introduction by Stephen King!
Few works by comic-book artists have earned the universal acclaim and reverence that Bernie Wrightson's illustrated version of Mary Wollstonecraft Shelley's Frankenstein was met with upon its original release in 1983. Twenty-five years later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. Now, Wrightson and Dark Horse Books are collaborating on a beautiful new hardcover edition of the book, published in a larger 9' x 12' format intended to show off the exquisitely detailed line art of one of the greatest living artists in…
I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I am generally not a big fan of hardcore academic theory, but this collection of essays edited by Jeffrey Jerome Cohen gave me a steady stream of "aha!" moments when I first read it about twenty years ago.
I struggled a bit with some of the jargon here, not to mention the fact that it only deals with monsters in the Western tradition, but I know of no better book for helping readers understand why humans create (and need) monsters, what roles monsters play in affirming (and undermining) social norms, and what the study of monsters can reveal about the anxieties and fault-lines in the cultures that spawn them. “Monsters are our children,” Cohen writes at one point: that still blows my mind after two decades of chewing on it.
Monsters provide a key to understanding the culture that spawned them. So argues the essays in this wide-ranging collection that asks the question, what happens when critical theorists take the study of monsters seriously as a means of examining our culture? In viewing the monstrous body as metaphor for the cultural body, the contributors consider beasts, demons, freaks, and fiends as symbolic expressions of very real fears and desires, signs of cultural unease that pervade society and shape its collective behaviour. Through a sampling of monsters as a conceptual category, these essays argue that our fascination for the monstrous testifies…
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
Ireland Crane’s under a curse. If she doesn’t sort it quickly, she’ll be doomed to become the Headless Horseman.
Ha. Maybe I just have a type. This woman’s personal life is also a bit of a mess. The stakes couldn’t be higher. If she fails, she’s doomed to become a monster.
The Horseman is unending, his presence shan’t lessen. If you break the curse, you become the legend.
Washington Irving and Rip Van Winkle had no choice but to cover up the deadly truth behind Ichabod Crane’s disappearance. Centuries later, a Crane returns to Sleepy Hollow awakening macabre secrets once believed to be buried deep.
What if the monster that spawned the legend lived within you?
Now, Ireland Crane, reeling from a break-up and seeking a fresh start, must rely on the newly awakened Rip Van Winkle to discover the key to channeling the darkness swirling within her. Bodies are piling…
I absolutely adore fantasy! I love leaving our world and being transported to another. I love that characters might have magic or crazy heritages. I love the creatures that come with the genre. I adore everything about fantasy. Throwing romantic elements into the story just makes it all that much sweeter. Having a hero with a weakness for a heroine is so comforting to read. Giving the characters someone else to fight for is also a heart-warming, sometimes gut-wrenching, affair. But in the end, having romance in a fantasy just gives it a little extra push to the readers.
This book was a pleasant surprise for me. The covers look a little bit cheesy, which might be off-putting to some. However, and that’s a big however, I adored this trilogy. The main characters gave off Feyre and Rhysand vibes, the main characters from my first pick. I love a book that is inspired by a popular book, but can hold its own. This can definitely hold its own. And it has the ever-popular “enemies to lovers,” which is my favorite trope to write.
