Here are 83 books that Bernie Wrightson's Frankenstein fans have personally recommended if you like
Bernie Wrightson's Frankenstein.
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I am a retired psychotherapist and teacher, but if someone asked me what the purpose of life is, I’d say, “to become aware.” Awareness is the capacity to see without prejudice, bias, or conditioning. I don’t like being in the dark, and so I have been on a lifelong journey to become aware. I have stepped into seeing several times in my life, so now my task is to teach others. It’s who I am—my essence is to continue teaching, to set people free from societal conditioning and their upbringings. Growing up means losing certain comforting illusions, but greater understanding fills their place.
I liked the concept of man being small and adrift in the darkness of the wide world. This book taught me to see through politics, grandstanding, and the grandiose nonsense of man. Swift is my kind of guy, brutally satirical and profound. This book is really not for children. We see Gulliver travel on many adventures and experience Swift's disappointment as he engages different cultures, small and large, rational and irrational.
His adventures demolish Gulliver’s sense of humanity to the point that when he is about to be rescued, at first, he rejects the offer like a misanthrope before finally climbing aboard. Swift is very dark here. Why would anyone want to return to the same old life after having their eyes opened?
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
If there was one criticism I had of Interview With The Vampire, it was that there wasn’t enough Lestat. I can’t have been the only one because when Anne Rice decided to do a sequel, she didn’t keep following Louis, the tortured hero of the first book, but instead told us the story of his Maker.
I love that this book doesn’t try to repeat what the first part did and tell us another story of a vampire at odds with what he is. Lestat embraces the (after)life that is forced upon him. I admire the purity of his acceptance of what he is and having no regrets about what he must do to survive.
#1 New York Times Bestselling author - Surrender to fiction's greatest creature of the night - Book II of the Vampire Chronicles
The vampire hero of Anne Rice’s enthralling novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying exsitence. His is a mesmerizing story—passionate, complex, and thrilling.
Along with a decidedly dark and quirky sense of humor, one of the things that connects Vamped with my other published novels is the way each takes its premise and builds an intricate world around it. I generally like to start with the world as it currently is, introduce an element of the fantastic, and then explore how that one tweak changes everything. In the case of Vamped, the fantastic element was having a group of vampires turn the vast majority of humanity into bloodsuckers by spiking blood donations, turning influencers, and getting “Pope Peter the Last” to add a little something special to the sacramental wine.
Bloodsucking Fiends begins in the mid-1990s (the present day as of its writing) and is set in AIDS-fighting, pre-tech-boom San Francisco – a time and place rendered with great affection and plenty of humor. It’s that latter quality – the humor – that I love about this book. Beginning with the beginning, we get Moore’s take on the classic tableau of a vampire rising as the sun sets. But instead of emerging from a coffin, our vamp pops out of a dumpster that’s being peed on by a homeless, benevolent lunatic known as the Emperor. If that setup just made you smile (fangs or no fangs) then Bloodsucking Fiends is for you. It is also why, when I decided to write a funny vampire novel, I turned to Mr. Moore’s novel for inspiration.
Jody never asked to become a vampire. But when she wakes up under an alley Dumpster with a badly burned arm, an aching neck, superhuman strength, and a distinctly Nosferatuan thirst, she realises the decision has been made for her. Making the transition from the nine-to-five grind to an eternity of nocturnal prowlings is going to take some doing, however, and that's where C. Thomas Flood fits in. A would-be Kerouac from Incontinence, Indiana, Tommy (to his friends) is biding his time night-clerking and frozen turkey bowling in a San Francisco Safeway.
A hundred years in the future, in a world where technologically enhanced bodies are valued above organic ones, Complete Life Management (CLM) is selling perfection in the form of the latest and greatest bionic model, the Apogee. As an elite runner and inadvertent spokesperson for the humanism movement, NYPD Detective…
Although I can enjoy almost any kind of book that sparks my humor or imagination, the ones that do the best job are those that put familiar characters into unfamiliar situations, whether harrowing or hilarious and challenge my understanding of what I might do if put in a similar situation. When average people are called into extraordinary situations, if not also absurd or ridiculous, I want to see how they handle it, how they overcome obstacles when they have no tool in the toolbox that would simplify it, or when their adversaries try taking the tools they do have away from them. I think these five books provide that spark.
Sometimes, I just want an uncomplicated novel with endearing characters who can entertain me without spinning me with florid words or energetic action pieces, characters who can capture my imagination with simple goals and relatable decisions that become catalysts for major life transformations because I want to believe such simplicity can always lead to such beautiful and unexpected outcomes as those that happen in this book.
When even the shallowest of characters can demonstrate such depth and growth over such a short span of time after pursuing what, on the surface, seems like a shallow goal through shallow means and doing so properly and hilariously, I’m hooked. This is my second favorite book of all time.
THE MILLION COPY NO. 1 BESTSELLER THAT BECAMEAN ACCLAIMED FILM STARRING HUGH GRANT AND NICOLAS HOULT
'A very entertaining and endearing read' The Times ___________________
Thirty-six-year-old Londoner Will loves his life. Living carefree off the royalties of his dad's Christmas song, he's rich, unattached and has zero responsibilities - just the way he likes it.
But when Will meets Marcus, an awkward twelve-year-old who listens to Joni Mitchell and accidentally kills ducks with loaves of bread, an unlikely friendship starts to bloom.
Can this odd duo teach each another how to finally act their age?
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
I read this as a teenager, just as I was diving into the horror genre. I already knew at this point that I wanted to be a storyteller. What struck me while reading It was the jumping back and forth between time periods.
I had never read a book structured that way, and it seemed that every chapter ended on a cliffhanger, forcing me to keep reading. There aren’t many books that I would say I had a hard time putting down (I get bored easily), but It was certainly one of them!
This tie-in edition will be available from 16 July
TIE IN TO A NEW MAJOR MOTION PICTURE, IT: CHAPTER 2, ADAPTED FROM KING'S TERRIFYING CLASSIC
27 years later, the Losers Club have grown up and moved away, until a devastating phone call brings them back...
Derry, Maine was just an ordinary town: familiar, well-ordered for the most part, a good place to live.
It was a group of children who saw- and felt- what made Derry so horribly different. In the storm drains, in the sewers, IT lurked, taking on the shape of every nightmare, each one's deepest dread. Sometimes…
At some point in our tweens, we learn that picture books are for children, and comic books are for nerds. I personally never heard it spoken aloud. It was more that thinly disguised looks of disapproval from adults delivered the message. As a graphic novelist, it sometimes feels like an uphill battle. I find pushing a reluctant ‘grown-up’ straight to graphic novels is perhaps a step too far. A start is an illustrated book. No speech bubbles. No comic book panels. Just illustrations supporting text, and text supporting illustrations. And sometimes, just sometimes, this opens the door to graphic novels.
This book is so evocative, a marriage of poetic words and nuanced illustrations so successful that when I first read it, it immediately took me back decades to my childhood and the old barn on my parents’ property. I could almost smell the pine trees through the barn boards, hear the birds nested in the rafters, and feel the summer sun on my face.
From Pulitzer Prize-winning poet Ted Kooser and Kate Greenaway winner Jon Klassen comes a poignant tale of loss, change and nature's quiet triumph.
From Pulitzer Prize-winning poet Ted Kooser and Jon Klassen, author-illustrator of the first ever title to win both the Kate Greenaway and Caldecott Medal, comes a lovely, lyrical exploration of loss, change and the natural world, and a story about a house over the passage of time. When the house was new, not a single tree remained on its perfect lawn to give shade from the sun. The children in the house trailed the scent of wild…
At some point in our tweens, we learn that picture books are for children, and comic books are for nerds. I personally never heard it spoken aloud. It was more that thinly disguised looks of disapproval from adults delivered the message. As a graphic novelist, it sometimes feels like an uphill battle. I find pushing a reluctant ‘grown-up’ straight to graphic novels is perhaps a step too far. A start is an illustrated book. No speech bubbles. No comic book panels. Just illustrations supporting text, and text supporting illustrations. And sometimes, just sometimes, this opens the door to graphic novels.
As an animator, I first knew of Sanjay Patel through his work at Pixar before discovering his book, Ramayana, a virtual explosion of colour and sharply-edged design, exploring traditional tales from Hindu Mythology through anything but traditional means. Would I have read these tales without the artwork dragging me in? Probably not. But I’m so glad they did, opening my eyes to a whole new world of folklore I was unaware of.
One of Hindu mythology's best-loved and most enduring tales gets a modern touch: Artist and veteran Pixar animator Sanjay Patel lends a lush, whimsical illustration style and lighthearted voice to one of Hindu mythology's best-loved and most enduring tales. Teeming with powerful deities, love-struck monsters, flying monkey gods, magic weapons, demon armies, and divine love, Ramayana: Divine Loophole tells the story of Rama, a god-turned-prince, and his quest to rescue his wife Sita after she is kidnapped by a demon king.
* Illustrated tale features over 100 colorful full-spread illustrations, a…
Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
Werewolf stories are my favorite sub-genre of horror, whether it be books or movies. Brandner’s book set the stage for one of the greatest werewolf movies ever. The writing, the characters, and the setting are all top-notch.
For a fun experiment, watch the movie and then read the book, or vice versa, and compare what was changed and whether the movie made improvements. In my opinion, it did, but the book absolutely stands on its own.
This is it! Gary Brandner's famous book, "THE HOWLING." A must read!
"If you haven't read Gary Brandner you're missing a treat." STEPHEN KING.
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Karyn and her husband Roy had come to the peaceful California village of Drago to escape the savagery of the city. On the surface Drago appeared to be like most small rural towns. But it was not. The village had a most unsavory history. Unexplained disappearances, sudden deaths. People just vanished, never to be found.
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Don't forget to check out: THE HOWLING II & THE HOWLING III
Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
I’m a huge John Carpenter fan, and until recently, I’m ashamed to admit that I didn’t even know he had his own comic book label, Storm King Productions. This book is a graphic novel anthology, part of a series featuring Carpenter himself as well as other great writers. It's a fun, horrific ride in the vein of Creepshow.
From John Carpenter, the man who brought you the cult classic horror filmHalloween and all of the scares beyond comes the ultimate graphic novelanthology of tales to warm your toes by on a dark and stormy October night!Carpenter brings together storytellers from the worlds of movies, novels andcomics for a collection of tales featuring graveyards, sunken ships, creepycrawlers and ghosts to haunt your dreams at night!
