Books like The Bugatti Queen — picked by fans

Janet Guthrie completely changed the name of the game for women in motorsport here in America.

She was the first woman to compete in iconic races like the Indianapolis 500, and circuits even had to change their rules to allow women into the garage area because of her.

With a physics degree and a pilot's license under her belt, Guthrie changed the name of the game for women in motorsport—but her career fell short thanks to the restrictive nature of the 1970s.

Her autobiography sheds light on the pain and heartache she felt alongside all of her successes.

The setting is interwar Europe.

The players are René Dreyfus, a Jewish racing driver, and Lucy Schell, a racing driver and American heiress.

As antisemitism crept through the continent, Dreyfus' successful racing career was choked out by the might of state-funded German engineering—at least, until Schell came along.

With her ample fortune and a home in Paris, Schell began funding her own racing team and immediately signed Dreyfus. Later, when the pressures of Nazi ideology threatened Dreyfus' life, Schell funded a "trip" to the Indianapolis 500 in America in order to help him start a new life.

Faster highlights the complex ways that politics, religion, money, and motorsport intertwine, told so compellingly that you won't want to put this book down.

Back when AAA sanctioned auto racing events in the 1920s, Black men were barred from racing at the highest competitive levels and were subjected to scathing remarks and racism at smaller local venues.

The Brown Bullet tells the story of Rajo Jack, one of the first Black drivers in America who broke down barriers just for a chance to show up at the track.

Even today, Black racers face undue prejudice when attempting to enter a predominately white sport; this book sheds light on the origins of that entrenched discrimination.

Roberta Cowell made history as the first British transgender woman to undergo gender-affirming surgery, but that isn’t the extent of her story.

She was also a fighter pilot in World War II who survived five months in a prisoner-of-war camp and a race car driver.

Though she was able to find doctors willing to provide her with the surgery that would affirm her gender identity, she gave up so much in the process, including a race car engineering company and her motorsport career.

Her autobiography is a poignant reminder of how far we've come in the subsequent decades.

In 1909 Etorre Bugatti founded his auto brand. Through wars, different ownerships, and locations Bugatti has produced classic cars that today rival any in beauty, performance, and price. Look closely at recent models, and you will spot bas relief decorations of animals. These are inspired by Etorre’s brother, animal sculptor Rembrandt Bugatti. This novel presents the mostly true account of the sculptor’s last decade (1906-1916).

R. Bugatti is obsessed with wild beasts. He even keeps two antelopes in his apartment over a summer. The Great War is horrible for zoo animals and their admirers. The inhumanity of humans exacts the ultimate toll, and, at age 31, the sculptor takes his own life. Photographs of eight masterful Bugatti animal sculptures enhance the story. Though short, The Animal Gazer will appeal to any reader interested in the life and troubled times of a masterful, not widely-known, artist from a famous family.

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

I read this book as a boy, and I couldn’t put it down. It’s the story of American PT boats in the South Pacific during World War II, and the story behind the title captivated me. Every soldier knows that he or she might be sacrificed by a commander to gain time for a retreat or as part of a super-dangerous mission.

The sailors on the boats in White’s story were living examples of how they could be expendable. Even as a boy, this book made me grateful for what I had and grateful to the members of the uniformed services who protected us. That they would make such a commitment makes me love America even more. 

An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

This story has won many awards including the Geoffrey Bilson Award for historical fiction but I love it for looking at the German side of World War II, not the battle but the prejudices a 12-year-old Canadian German and a 17-year-old German prisoner of war face in rural Alberta. Karen creates compelling fiction that humanizes instead of demonizes “the enemy.”