100 Books Like Roberta Cowell's Story

Janet Guthrie completely changed the name of the game for women in motorsport here in America.

She was the first woman to compete in iconic races like the Indianapolis 500, and circuits even had to change their rules to allow women into the garage area because of her.

With a physics degree and a pilot's license under her belt, Guthrie changed the name of the game for women in motorsport—but her career fell short thanks to the restrictive nature of the 1970s.

Her autobiography sheds light on the pain and heartache she felt alongside all of her successes.

Hellé Nice had lived a full life before she ever sat behind the wheel.

A career as a model and dancer in Paris enabled her to live a life of luxury in the 1920s, but when she injured her knee skiing in 1929, she turned to a new career: Motor racing.

She went on to compete in races around Europe, setting world records behind the wheel of her bright blue Bugatti.

A freak accident nearly killed her in 1936, and the onset of World War II brought racing to an end. Nice's lush lifestyle saw her accused of being a Nazi collaborator, and records of her accomplishments were scrubbed from the racing world.

Miranda Seymour tracks down Nice's complex legacy and reports it in vivid fashion.

The setting is interwar Europe.

The players are René Dreyfus, a Jewish racing driver, and Lucy Schell, a racing driver and American heiress.

As antisemitism crept through the continent, Dreyfus' successful racing career was choked out by the might of state-funded German engineering—at least, until Schell came along.

With her ample fortune and a home in Paris, Schell began funding her own racing team and immediately signed Dreyfus. Later, when the pressures of Nazi ideology threatened Dreyfus' life, Schell funded a "trip" to the Indianapolis 500 in America in order to help him start a new life.

Faster highlights the complex ways that politics, religion, money, and motorsport intertwine, told so compellingly that you won't want to put this book down.

Back when AAA sanctioned auto racing events in the 1920s, Black men were barred from racing at the highest competitive levels and were subjected to scathing remarks and racism at smaller local venues.

The Brown Bullet tells the story of Rajo Jack, one of the first Black drivers in America who broke down barriers just for a chance to show up at the track.

Even today, Black racers face undue prejudice when attempting to enter a predominately white sport; this book sheds light on the origins of that entrenched discrimination.

Nobody has done more than Stryker to document the modern history of trans people or to fashion trans studies into an academic field. Transgender History is a work of substantial scholarship and also an accessible introduction to the field and the issues on which it’s centered. Each chapter of this short-ish book is really valuable, whether it’s the opening that explains important terms and concepts or the final one assessing what Time declared the “transgender tipping point” in 2014. Stryker is a historian of twentieth-century America, so that’s the focus of her central chapter documenting a century of trans history. Understanding that early history is crucial for the liberatory gains and backlashes that follow, and Transgender History concludes with resources that can help turn its readers into informed and committed activists.

This is the first book I’ve ever read written by a Japanese sub commander that describes submarine warfare from the Japanese point of view. Few Japanese sub commanders survived the war, so how Orita lived to tell the tale is just one of the many remarkable stories he recounts in his book. Not only does it read like a suspense thriller, you’ll have newfound respect for the suffering he and his crews went through. Bottom line: The Japanese version of Das Boot!

I love reading true stories of WWII told by people who lived through it. I find it difficult to understand how ordinary men could live, fight, and die in a foreign land without questioning in order to protect the United States; they were certainly true patriots. In the fall of 1944, two hundred true patriots of K Company, 333rd Infantry, 84th Division landed in Europe. For the next one hundred days, they were on the edge of the Allied spearhead into Nazi territory. If you ever wanted to be in the infantry, you need to read this book. 

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

This book takes the lives of very ordinary Canadians and throws them into the maelstrom of war. I love that it carefully sets up a world few know about—Toronto in the 1930s—and shows the ambiguity of the times, how anti-Semitism was at home as well as across the water in Europe.

I so enjoyed the Romeo and Juliet love affair at the novel's heart, and I was moved by the trials love is subjected to—as well as shocked by excellent descriptions of war's brutality.

Even though I lived across the country from San Diego where this story takes place, and even though I was several years younger than Millie McGonigle, the picture of home front USA during WW2 is familiar in many ways. Soldiers and sailors filled the streets of Chicago, and kids scanned the sky for “enemy planes.” There was the fear of polio, the struggles with rationing, and the shortage of bubble gum. 

This story is filled with humor and memorable characters. But most memorable of all is Millie, who tries to deal with the death of a grandmother and her worries about the war getting closer to home. And even though she’s obsessed with drawing in her Book of Dead Things, she comes to understand what her grandmother had told her when she said, “Whatever is lost stays alive if you remember it.”