Here are 100 books that The Book of Witching fans have personally recommended if you like
The Book of Witching.
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When I was a kid, my father bought a boat, a Boston Whaler. It wasn’t all that big, but it was enough to take our family of six out on the Pacific Ocean—to Catalina Island, and to some of the smaller and uninhabited islands off the California coast. With flashlights, we explored Channel Island sea caves, listening to the echoing barks of hidden sea lions bouncing off the cavern walls. We snorkeled in the clear waters off Catalina—past schools of fish, manta rays, and dolphins. It was magical. It’s been years since I’ve lived anywhere near the ocean, but I’ve never forgotten the adventures we had, especially the encounters with the captivating creatures of the sea.
I had never heard of the capaill uisce, the malevolent water-horses of Celtic folklore, before reading The Scorpio Races.
These creatures are magnificent, but also, as I’ve said, malicious. I just think that combination is so interesting!
We love horses; we love magical creatures; but these are something else again—mythical creatures that reflect the complexity of life in this world.
Anyway, Stiefvater makes the most of this rich tradition in a stunningly beautiful young adult novel about love, about courage, about conflicting loyalties, about dreams of glory, about the challenges of survival versus the claims of integrity. And a thrilling race!
This is one of my very favorite water-creature stories. Unforgettable!
A spellbinding novel from #1 New York Times bestselling author Maggie Stiefvater.
Some race to win. Others race to survive.It happens at the start of every November: the Scorpio Races. Riders attempt to keep hold of their water horses long enough to make it to the finish line. Some riders live. Others die. At age nineteen, Sean Kendrick is the returning champion. He is a young man of few words, and if he has any fears, he keeps them buried deep, where no one else can see them. Puck Connolly is different. She never meant to ride in the Scorpio…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
I couldn't put this book down, and I stayed haunted by the ordinary people of the town long after the last page.
What unsettled me most was the chilling reality of what people tolerate to preserve an appearance of peace. I have always been more frightened by the way a community polices its own silence while rot spreads beneath the floorboards. It forced me to see how denial is more dangerous than any haunting because it protects power instead of truth.
This story remains a low hum in my bones, proving the real horror is how easily we turn on each other.
The greats of fiction Stephen King and George R. R. Martin lead the fanfare for HEX, so be assured that Thomas Olde Heuvelt's debut English novel is both terrifying and unputdownable in equal measure.
Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed…
I’ve always had a soft spot for history—in particular, mysteries, myths, and legends. If it’s strange, unexplained, obscure, supernatural, or downright weird, I’m all in. And Celtic folklore, it turns out, excels at exploiting the dark intrigue of human antiquity. Backdropped by a landscape that makes literally anything seem impossible, these stories tell us as much about fairies, merfolk, and other mystical creatures as they do about ourselves. Like so many legends around the world, Celtic mythology is a mirror. One that exposes our deepest fantasies. Reflecting the dark, dangerous side of humanity’s desires back onto itself, and making us question who the real monsters really are.
Three sisters vanish as kids and mysteriously return with no memories of what happened and a lot of strange quirks… in other words, the perfect set-up for a modern story about changelings! Initially, I was skeptical about this one because—while I shamelessly loved Twilight back in the day—I’ve also been kinda burned out from all the froofy falling-in-love-with-magical-creatures/worlds books that surfaced in its aftermath. (And c’mon. That cover? It practically screams froofy tortured teen magic.)
But let’s just say the marketing team failed here because while this book was beautiful, it was also kinda rotten, incredibly atmospheric, and genuinely creepy in places. The perfect read for a dark, modern twist on a traditional myth.
'A gorgeous, grisly modern fairy tale.' - THE GUARDIAN
'Dark and delicious. House of Hollow hums with malice and mystery. I devoured it whole.' - KIRAN MILLWOOD HARGRAVE
** SHORTLISTED FOR THE YA BOOK PRIZE 2022 **
The Hollow sisters - Vivi, Grey and Iris - are as seductively glamorous as they are mysterious. They have black eyes and hair as white as milk. The Hollow sisters don't have friends - they don't need them. They move through the corridors like sharks, the other little fish parting around them, whispering behind their backs.
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This was the book that made me realize horror could terrify in a way that felt entirely familiar.
I read it when the cruelty of school was still a raw wound because I understood exactly how laughter is used to flatten a person until they start to disappear. It wasn’t the supernatural elements that stayed with me, but the profound loneliness of a girl shamed into a silence that eventually caught fire.
I finished it with the understanding that a "final snap" is never an accident, but the inevitable result of humiliation accumulating like a slow-burning medicine. King showed me that even the most quiet, discarded person carries a power that the world should be afraid of.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
Reading Slewfoot felt like being trapped in a suffocating room where every voice insists you are the problem.
It chillingly reminded me of awkward Sunday lunches with conservative relatives, those moments when you realize following the rules is a failing shield against a community built like a fortress. I felt a deep kinship with the desperation of trying to do everything right, only to be cast aside anyway.
What moved me most was the shift from endurance to a fierce, wild defiance because an alliance with the "monstrous" felt less like a descent and more like a homecoming. It reinforced my belief that embracing your own shadow isn’t an act of evil, but the only way to stay whole in a world that wants to erase you.
An ancient spirit awakens in a dark wood. The wildfolk call him Father, slayer, protector.
The colonists call him Slewfoot, demon, devil.
To Abitha, a recently widowed outcast, alone and vulnerable in her pious village, he is the only one she can turn to for help.
Together, they ignite a battle between pagan and Puritan - one that threatens to destroy the entire village, leaving nothing but ashes and bloodshed in their wake.
"If it is a devil you seek, then it is a devil you shall have!"
This terrifying tale of bewitchery features more than two dozen…
When I was a kid, my father bought a boat, a Boston Whaler. It wasn’t all that big, but it was enough to take our family of six out on the Pacific Ocean—to Catalina Island, and to some of the smaller and uninhabited islands off the California coast. With flashlights, we explored Channel Island sea caves, listening to the echoing barks of hidden sea lions bouncing off the cavern walls. We snorkeled in the clear waters off Catalina—past schools of fish, manta rays, and dolphins. It was magical. It’s been years since I’ve lived anywhere near the ocean, but I’ve never forgotten the adventures we had, especially the encounters with the captivating creatures of the sea.
It takes place on a small, rocky island, but its themes are huge: revenge; desire; love; jealousy; power; bondage, and transformation. It’s a multi-generational tale that traces an infinitesimally slow-bending arc toward compassion, catharsis, and the restoration of order.
There is a witch who can summon beautiful women out of their bodies as seals; there are the seal-women, themselves, and the men who love them; there are the children, part-selkie, part human.
I loved that, though much evil is done, none of the principal characters are purely evil or good. The prose itself is so beautiful, I sometimes had to stop and reread passages; I didn’t want to let them go. Many spells are cast within this story, and the story itself cast a spell on me. I felt larger after having read it. Maybe a bit wiser, too?
Rollrock is an isolated, windswept island; a wild and salty landscape where fishermen and their families must wring a living from the stormy seas. But Rollrock is also a place of eerie magic, and of powerful desire.
Down on the beach, the outcast witch of Rollrock casts her spells, and draws mysterious girls from the sea. These are girls with long, pale limbs and faces of haunting innocence - the most enchantingly beautiful creatures the fishermen of Rollrock have ever seen.
The island is envied, and many a man is lured to Rollrock with the promise of a sea wife.…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’ve always had a soft spot for history—in particular, mysteries, myths, and legends. If it’s strange, unexplained, obscure, supernatural, or downright weird, I’m all in. And Celtic folklore, it turns out, excels at exploiting the dark intrigue of human antiquity. Backdropped by a landscape that makes literally anything seem impossible, these stories tell us as much about fairies, merfolk, and other mystical creatures as they do about ourselves. Like so many legends around the world, Celtic mythology is a mirror. One that exposes our deepest fantasies. Reflecting the dark, dangerous side of humanity’s desires back onto itself, and making us question who the real monsters really are.
This book popped up randomly for me on one of those “you’ll probably like this” blurbs and ended up being one of the best “blind book dates” ever. Based on an Ireland that suddenly finds itself sharing dimensions with the fairy world, it vividly portrays just how sadistic fairy legends actually are (rather than how we often sparkle them up to be…)
These twisted, angry, revenge-bent creatures are about as far from Disney as you can possibly get and will stop at nothing in their quest to destroy Ireland’s humans—taking a few fingers (along with your sanity) while they do it. This book is for anyone who a) loves Celtic folklore, b) likes their fairies dark, and c) is so down with horror.
When THE CALL comes, you have to be ready to run or fight to the death. THE CALL will grab you by surprise - you could be studying or hanging out with friends when suddenly you're pulled into a terrifying land, alone and hunted by the ENEMY. You don't know them, but they know you and they want to kill you, slowly and painfully. Only one-in-ten return alive and no one believes Nessa can make it, but she's determined to prove them wrong! CAN NESSA SURVIVE THE CALL?
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This one hit close to the bone because it captures the specific rage of being discarded by the people who were supposed to keep you safe.
I was drawn to the way these girls, hidden away in a place meant to break them, found a way to turn their collective shame into a weapon. It reminded me that there is a sacred power in the "wayward" and the "unwanted" because they are the ones who aren't afraid to look into the dark.
It is a beautiful, terrifying testament to the fact that you can only push someone into the shadows for so long before they learn how to make the shadows move for them.
"Superb ... a perfect horror for our imperfect age.” – The New York Times
AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER
They were never girls, they were witches . . . .
They call them wayward girls. Loose girls. Girls who grew up too fast. And they're sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.
Fifteen-year-old Fern arrives at the home in the sweltering summer…
As a Contributing Writer for The Fairy Tale Magazine, I am surrounded by fairy tales and folklore! I love the ocean, and I love the miraculous transformations found in traditional and contemporary selkie tales. I chose the books on this list because each one evokes the mysteries of the sea, blending selkie magic with complex human emotions and casting new light on why we continue to tell selkie stories today. Reading is an act of transformation that helps us shed our skins and swim in new worlds, and I hope you will enjoy swimming through the books on this list as much as I have!
I was initially drawn to this title because I am fascinated by the Orkney islands north of Scotland, and Amy Sackville’s descriptions of the sea and shore made me feel like I was there!
The novel swept me away with its immersive imagery, and although the characters are sometimes disturbing, they are also compelling. A sixty-year-old literature professor brings his young, unnamed wife (a former student) to Orkney for their honeymoon. He watches her, obsessively, as she stares out at the sea.
I was both repelled by narrator and attracted to his poetic voice, and I loved the way selkie stories framed this tale of psychological drama. Layered with folklore and dreams, this novel made me contemplate the darker side of selkie-human unions.
On a remote island in Orkney, a curiously matched couple arrive on their honeymoon. He is an eminent literature professor; she was his pale, enigmatic star pupil. Alone beneath the shifting skies of this untethered landscape, the professor realises how little he knows about his new bride and yet, as the days go by and his mind turns obsessively upon the creature who has so beguiled him, she seems to slip ever further from his yearning grasp. Where does she come from? Why did she ask him to bring her north? What is it that constantly draws her to the…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
I love this book because it takes me to the far north (where I used to live).
It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.
