Books like The Call — picked by fans

I had never heard of the capaill uisce, the malevolent water-horses of Celtic folklore, before reading The Scorpio Races.

These creatures are magnificent, but also, as I’ve said, malicious. I just think that combination is so interesting!

We love horses; we love magical creatures; but these are something else again—mythical creatures that reflect the complexity of life in this world.

Anyway, Stiefvater makes the most of this rich tradition in a stunningly beautiful young adult novel about love, about courage, about conflicting loyalties, about dreams of glory, about the challenges of survival versus the claims of integrity. And a thrilling race!

This is one of my very favorite water-creature stories. Unforgettable!

Three sisters vanish as kids and mysteriously return with no memories of what happened and a lot of strange quirks… in other words, the perfect set-up for a modern story about changelings! Initially, I was skeptical about this one because—while I shamelessly loved Twilight back in the day—I’ve also been kinda burned out from all the froofy falling-in-love-with-magical-creatures/worlds books that surfaced in its aftermath. (And c’mon. That cover? It practically screams froofy tortured teen magic.)

But let’s just say the marketing team failed here because while this book was beautiful, it was also kinda rotten, incredibly atmospheric, and genuinely creepy in places. The perfect read for a dark, modern twist on a traditional myth. 

This young adult novel knocked me out.

It takes place on a small, rocky island, but its themes are huge: revenge; desire; love; jealousy; power; bondage, and transformation. It’s a multi-generational tale that traces an infinitesimally slow-bending arc toward compassion, catharsis, and the restoration of order.

There is a witch who can summon beautiful women out of their bodies as seals; there are the seal-women, themselves, and the men who love them; there are the children, part-selkie, part human.

I loved that, though much evil is done, none of the principal characters are purely evil or good. The prose itself is so beautiful, I sometimes had to stop and reread passages; I didn’t want to let them go. Many spells are cast within this story, and the story itself cast a spell on me. I felt larger after having read it. Maybe a bit wiser, too?

What a stunning book!

This story felt like a heavy conversation with long-dead relatives because it captures how ancestral memory is both a gift and a haunting.

I connected with the idea that our blood carries stories we didn’t ask for but are forced to finish. It reminded me that the "magic" we inherit is never simple because it demands we look at the parts of our history that others would rather keep buried in the smoke.

I loved how it treated magic as something visceral and ancient, a bond reaching through time to guard the present when everyone else has turned their backs.

Dark Inside centers around a series of powerful earthquakes that shake every continent on Earth and awakens a supernatural inner rage within people. The concept of this novel is incredibly fascinating and is another novel that shows the power of Mother Nature - with a twist. After the earthquakes, the world descends into a hellish landscape that, at times, eerily mirrors events that have taken place in the real world. The apocalypse is brought on by the evilness of humanity, which makes it an interesting read. 

This was a truly unputdownable story. The science fiction concept was interesting in itself, especially watching the characters try to figure it out, but the suspense was strong. The plot had a lot going on, but it was well done and worked pretty well.

I really got to know the characters and particularly enjoyed the well-done romance between Sam and Astrid. It’s a very character-driven story, including the conflict between tyranny and freedom.

This is a classic “I Can’t Put It Down” book.

Ashley is lost in the woods, an emotional and physical wreck, and she’s got to figure a way out. The two things she has going for her are serious survival skills and a fierce determination to never give up. Some of her challenges border on the unbelievable, but then, so do so many real-life stories we’ve all read about.

The reader gets to know and understand Ashley, with all her flaws exposed, as the worsening events force her to dig deep into who she is and what she’s capable of. The author might push the limit of what qualifies as YA, and as an adult I loved it, but when I was fifteen, I would have loved it even more.

A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes of The Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I read Mr. Burns and saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.

Steven Callahan not only survived this harrowing sea adventure but also wrote about it in such a powerful way. His unique descriptions constantly made me smile. I love how he was able to capture his evolving relationship with the ocean, his spirituality, himself, and the creatures he encounters during the 76-day saga of being adrift in a life raft on the Atlantic after his sailboat sunk.

I didn’t want to put this book down, he was just so courageous not to give up. It was fascinating to be in his head through this radical journey, especially as he questions the meaning of life while fighting to hang on to his own. 

In my search for a survival novel with a young female protagonist, I came across this gem set on a fictional island in the Pacific Northwest, close to where I live.

Thirteen-year-old Hannah is new to babysitting when disaster in the form of an earthquake strikes. I appreciated the way the protagonist constantly evaluates her situation, finding resilience and strength when there are no adults to turn to.