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I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
I couldn't put this book down, and I stayed haunted by the ordinary people of the town long after the last page.
What unsettled me most was the chilling reality of what people tolerate to preserve an appearance of peace. I have always been more frightened by the way a community polices its own silence while rot spreads beneath the floorboards. It forced me to see how denial is more dangerous than any haunting because it protects power instead of truth.
This story remains a low hum in my bones, proving the real horror is how easily we turn on each other.
The greats of fiction Stephen King and George R. R. Martin lead the fanfare for HEX, so be assured that Thomas Olde Heuvelt's debut English novel is both terrifying and unputdownable in equal measure.
Whoever is born here, is doomed to stay until death. Whoever comes to stay, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth-century woman whose eyes and mouth are sewn shut. Blind and silenced, she walks the streets and enters homes at will. She stands next to children's beds for nights on end. So accustomed…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I suppose it began at age 10 as a transplant to Southern California from Minnesota. That awkward transition begged for an escape, and I found it in the supernatural. I watched the original Twilight Zones, tore through The Chronicles of Narnia one summer, discovered Ray Bradbury and Stephen King, and then picked up a pen and wrote. Creating new worlds became a calling. Then life and adulting got in the way, as they do, but over time, I’ve written three novels dealing with the supernatural. They’re the books I would have loved as a kid. They’re a leap into my head—care to try? It’ll be fun, he says.
What? Something inhuman is stalking through the New York Museum of Natural History? Yes, please! This book started a phenomenal run for Preston and Child, and they continue to hatch more gems to this day. You really can’t go wrong with anything these guys write, whether as a pair or individually.
Its gripping narrative made me quickly rip through it and want much more. Fortunately, there’s a treasure trove of subsequent novels from these guys. This is just the kind of story I love—an intellectual mystery mixed with some good old archaeology/anthropology and a pinch of supernatural monster horror. It has strong characters, it’s fast-paced, and often spooky. And isn’t there something about museums that makes the creative mind wander?
I loved that about the novel’s main setting. The movie was not as good, so I recommend just reading the book.
The New York Museum of Natural History is built over a subterranean labyrinth of neglected specimen vaults, unmapped drainage tunnels and long-forgotten catacombs.
And there's something down there.
When the mutilated bodies of two young boys are discovered deep within the museum's bowels, Lieutenant Vincent D'Agosta of the NYPD fears a homicidal maniac may be at large. FBI agent Aloysius X.L. Pendergast believes they may be facing something much worse.
As the death toll mounts, and with the opening of the museum's new 'Superstition' exhibition just days away, the two men must work together to prevent a massacre.
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This was the book that made me realize horror could terrify in a way that felt entirely familiar.
I read it when the cruelty of school was still a raw wound because I understood exactly how laughter is used to flatten a person until they start to disappear. It wasn’t the supernatural elements that stayed with me, but the profound loneliness of a girl shamed into a silence that eventually caught fire.
I finished it with the understanding that a "final snap" is never an accident, but the inevitable result of humiliation accumulating like a slow-burning medicine. King showed me that even the most quiet, discarded person carries a power that the world should be afraid of.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’ve been a fan of horror and dark fantasy for as long as I can remember. There’s something irresistible about slipping into stories that could happen, however unlikely. The closer a tale inches toward reality, the more thrilling it becomes. As a writer in this genre, my appreciation has only deepened. I’ve learned how delicate the balance is walking that fine line between realism and fantasy, all while keeping the darkness close enough to unsettle, but not so overwhelming that it drives the reader away. These books walk that line better than any I’ve read.
This book messed with my head in all the right ways. I expected scares, but I didn’t expect the emotional gut-punch.
It’s not just about death; it’s about grief, denial, and how far someone will go to outrun the pain.
You feel the characters trying to escape what’s coming, running from fear, from loss, from truth, but it always catches up. The horror creeps in slowly, then hits like a truck, literally. Once the line between life and death is crossed, there’s no turning back.
It’s one of the few books that left me genuinely unsettled because I understood the choices, even when they led straight into darkness.
Now a major motion picture! Stephen King’s #1 New York Times bestseller is a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and frightening novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the…
From the first time I saw the sitcoms of the 1960s that featured paranormal characters like Bewitched, The Munsters, and I Dream of Jeannie, I have been fascinated by what it would be like to have supernatural powers like telekinesis, teleportation, shapeshifting, and clairvoyance. When I started writing fictional novels, after a long career of writing fact-based scientific articles for the academic press, I knew the genre of paranormal fantasy was the one that I wanted to contribute to. Every one of my novels thus far has included characters with supernatural powers like those that I observed and studied on television as a child.
I love that a normal human being, Ig Perrish (awesome character name), wakes up one morning and notices he is physically transforming into a supernatural being. The progressive growth of the horns (excellent anatomical descriptions of their extension from the cranium) coinciding with his gradual distaste and rejection of all things Judeo-Christian is brilliant.
I also love that Joe Hill turned the idea of what a demon is on its head, that they are not inherently evil but become that way because they can detect the hypocrisy of human thought, which drives them mad. They are so mad that they want to harm the very beings that tell them one thing but believe in another. Something I believe is responsible for all that is truly evil in the natural world.
Now a major Hollywood film starring Daniel Radcliffe: read it first, if you dare ...
Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with one hell of a hangover, a raging headache ... and a pair of horns growing from his temples.
Once, Ig lived the life of the blessed: born into privilege, the second son of a renowned American musician, and the younger brother of a rising late-night TV star, Ig had security and wealth and a place in his community. Ig had it all, and more - he had the…
I suppose it began at age 10 as a transplant to Southern California from Minnesota. That awkward transition begged for an escape, and I found it in the supernatural. I watched the original Twilight Zones, tore through The Chronicles of Narnia one summer, discovered Ray Bradbury and Stephen King, and then picked up a pen and wrote. Creating new worlds became a calling. Then life and adulting got in the way, as they do, but over time, I’ve written three novels dealing with the supernatural. They’re the books I would have loved as a kid. They’re a leap into my head—care to try? It’ll be fun, he says.
History and the supernatural are my literary biscuits and gravy—it doesn’t come around often, but I readily devour it when offered. (Well, now I’m hungry, dang it.) I haven’t often encountered a tale like this featuring an abandoned mining town (thus the book’s title) that isn’t exactly abandoned. I could tell things weren’t going to go well in this novel, but like a gawker at a car accident, I went ahead and looked anyway. I’m really glad I did.
I loved the premise of a crew investigating an abandoned mining town. Folks, I can’t think of many uglier places to have lived in history than a mining town, and that’s bound to leave some residue. Needless to say, the setting was amazing, and the action was intense. A setting like that is begging for the supernatural to come out, and yes, it does.
On Christmas Day in 1893, every man, woman and child in a remote gold mining town disappeared, belongings forsaken, meals left to freeze in vacant cabins; and not a single bone was ever found. One hundred and thirteen years later, two backcountry guides are hired by a history professor and his journalist daughter to lead them into the abandoned mining town so that they can learn what happened. With them is a psychic, and a paranormal photographer - as the town is rumoured to be haunted. A party that tried to explore the town years ago was never heard from…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This story felt like a heavy conversation with long-dead relatives because it captures how ancestral memory is both a gift and a haunting.
I connected with the idea that our blood carries stories we didn’t ask for but are forced to finish. It reminded me that the "magic" we inherit is never simple because it demands we look at the parts of our history that others would rather keep buried in the smoke.
I loved how it treated magic as something visceral and ancient, a bond reaching through time to guard the present when everyone else has turned their backs.
'Chilling and beautifully written ... C.J. Cooke's finest novel yet' Emilia Hart
'A spellbinding thriller' Scots Magazine
Four hundred years separate them.
One book binds them.
Glasgow 2024: Clem waits by her daughter's hospital bed. Erin was found on an idyllic beach in Fynhallow Bay, Orkney with catastrophic burns and only one memory: her name is Nyx.
But how did she get these burns? And how did her boyfriend end up burned alive?
Orkney 1594: accused of witchcraft, Alison Balfour awaits trial. The punishment? To be burned alive.
I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This one hit close to the bone because it captures the specific rage of being discarded by the people who were supposed to keep you safe.
I was drawn to the way these girls, hidden away in a place meant to break them, found a way to turn their collective shame into a weapon. It reminded me that there is a sacred power in the "wayward" and the "unwanted" because they are the ones who aren't afraid to look into the dark.
It is a beautiful, terrifying testament to the fact that you can only push someone into the shadows for so long before they learn how to make the shadows move for them.
"Superb ... a perfect horror for our imperfect age.” – The New York Times
AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER
They were never girls, they were witches . . . .
They call them wayward girls. Loose girls. Girls who grew up too fast. And they're sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened.
Fifteen-year-old Fern arrives at the home in the sweltering summer…
Ever since I started reading the Little House series at the age of ten, I’ve been in love with women’s history. In college I had the opportunity to write a paper on the topic of my choice and I chose women of the American colonial period. I found that while our daily life is now very different, our feelings as women are much the same. The more primary sources I discovered, the more I could feel the fears, sorrows, and joys of the determined women who came before us, unwittingly creating records of their experiences in their correspondence and journals as they built homes and businesses from the raw, wild land.
I love reading about women from the past who asserted themselves in a world where there was little was expected from them besides obedience to the men in their lives. Founding Mothers is a story of influential women prior to and after the American Revolution, with many quotes from personal correspondence, from Abigail Adams to Martha Washington. Not only do we read of the activities in which they participated, including births and deaths of their own children, but the emotions that kept them company as well. Touching on the lives of those less renowned as well, Founding Mothers is a springboard for deeper research into the lives of women living in young America.
From #1 New York Times bestselling author Cokie Roberts comes New York Times bestseller Founding Mothers, an intimate and illuminating look at the fervently patriotic and passionate women whose tireless pursuits on behalf of their families—and their country—proved just as crucial to the forging of a new nation as the rebellion that established it.
While much has been written about the men who signed the Declaration of Independence, battled the British, and framed the Constitution, the wives, mothers, sisters and daughters they left behind have been little noticed by history. #1 New York Times bestselling author Cokie Roberts brings us…
I am a lifelong history lover. I was the kid who hung around the feet of the elders, listening to their stories and learning about the past. That led to a deep interest in tracing family history, which has been a passion since about the age of ten. I still can get lost for hours finding ancestors or reading about their lives. That interest led me to a double major in college and I earned a Bachelor of Arts in both history and English with a two-year degree in journalism. I live a short distance from Oklahoma and one of my favorite pastimes is to go to powwows whenever possible.
This is based on an actual captive woman in the early Colonial years. Since the topic was the subject of my thesis (Captive Or Captivated) I was enthralled in the way that the author brought the true story to life as fiction. Great historical accuracy and detail as well as a story sure to be remembered for a very long time.
From the author of Emily's House comes a “compelling, emotionally gripping”* novel of historical fiction—perfect for readers of America’s First Daughter.
Massachusetts Bay Colony, 1676. Even before Mary Rowlandson was captured by Indians on a winter day of violence and terror, she sometimes found herself in conflict with her rigid Puritan community. Now, her home destroyed, her children lost to her, she has been sold into the service of a powerful woman tribal leader, made a pawn in the ongoing bloody struggle between English settlers and native people.
Battling cold, hunger, and exhaustion, Mary witnesses harrowing brutality but also unexpected…
