Books like The Bold Dry Garden — picked by fans

We love a garden book that works hard as a guide, and this book does just that!

It’s a handbook that feels like a trusted magazine with real-life garden tours and lifestyle tips such as “Steal This Look” (our fave!) for everything from stone and ironwork to plants and water features. We couldn’t appreciate more the way an author can break down a garden’s style and feel and help us replicate that look we love at home.

Gardenista is a go-to when we want a design refresh!

As plant lovers who live in Santa Barbara, where succulents and aloes are ever-present, we love this book as it feels like a big authority on such a specific subject.

The book offers a crash course in choosing and planning succulents, and reading it makes even a novice feel like an expert. In addition to learning plant names and growing tips, Baldwin offers fun ideas like covering the top of a henhouse with low-maintenance plants.

Plus, the book is bursting with color, so every page is a visual thrill.

It’s hard to find a good garden book that’s useful and yet gorgeous enough to keep on the coffee table. We found these two to be wildly true in The Art of Outdoor Living, which is stunning and aspirational, with full-page photos of outdoor spaces that have a dream-like quality.

We want to step into many of the book’s vignettes, from gravel courtyards to cozy fireplace pits to patios designed to perfection. Best of all, there are high to low tips, so while it reads aspirational, it also has an approachable quality to it, which makes us want to curl up with a cup of coffee by the outdoor fire pit we’re now suddenly dreaming up!

As longtime lovers of Lotusland, one of the country’s most stunning gardens that happens to be located in our own backyard, we love seeing its corners brought to life in this gorgeous book. Most of all, we love the stunning photography here by the talented Lisa Romerein, who magically captured this enchanted place we call Eden.

While we always look for written guides and tips when it comes to garden inspiration, this book pulls you in for its beauty, and it is impossible not to get transported in the pages.

A flat-out clinic on how to infuse humor in mystery! Author Catriona McPherson is hilarious, both in person and on the page.

I am continually amazed by her ability to create fully realized characters, like series star Lexy Campbell, who read so true on the page while being laugh-out-loud funny. Oh! And I also greatly admire the plotting of each terrific installment in this long-running Last Ditch Mystery series.

To me, the discovery of a top-notch series is a gift that keeps on giving. I hope this one keeps it up for a long time.

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.

I stumbled on this book in a free box outside a bookstore when I was a teenager and the family I had moved across the country to be with had collapsed.

My sisters and stepmother moved out of state, my brother moved to California, and my dad, after borrowing my student loan money for truck driving school, went over the road.

Bloodsport was rain-rippled—with a gigantic, dried fly smashed flat in the middle, sliding like a secret toy over the page.

An entire world opened up. I felt no less alone, but the experience changed my understanding of realism, the mythic, and the surreal: a book of immense oddness about a father and son journey up an apocalyptic river, toward Ratnose, the leader of a motorcycle gang.

John Steinbeck wrote the Working Days... journals while writing The Grapes of Wrath.

The intent of the journal was to establish a schedule, including a completion date for the novel. What he reveals about his self-doubt is tonic for any writer who is haunted by the same malaise.

Here is the entry for June 18, "…I am assailed with my own ignorance and inability. Honesty. If I can keep an honesty to it… If I can do that it will be all my lack of genius can produce. For no one else knows my lack of ability the way I do. I am pushing against it all the time."

Sometimes, I seem to do a good little piece of work, but when it is done it slides into mediocrity…John Steinbeck’s honesty and humility remind me that self-doubt is a part of the creative process.

I sometimes read entries from … show more.

It’s a stretch to call this true crime, but I found this a compelling detective story, wrapped in geological and human mystery. It felt like true crime.

Iconic author John McPhee tags along with geologist Eldridge Moores on field research trips, searching the rocks of the disruptive San Andreas fault for clues to where geological history and human history collide. I was driving through California myself while I was reading the book, and the chapters alternated deep geological time with the march of human time—the frenzy of the Gold Rush, the Donner Party disaster. McPhee pulls these together.

The story reaches a climax with a vivid, hair-raising account of one of the great earthquakes of our time and the overwhelming power of nature.

I’ll end with a book that started it all for me!

I still remember, in the year 2010, reaching the end of the essay "Goodbye to All That" where the date of publication is noted—1967—and how startled I was to realize something that feels so contemporary and alive had been written decades earlier. As in so much of her work, in this collection Didion offers vivid details from her life and brings her extraordinary powers of analysis to understanding their meaning.

As she once put it herself—in another essay, "Why I Write"—"Had I been blessed with even limited access to my own mind there would have been no reason to write. I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means.”