Here are 100 books that The Blue Jay's Dance fans have personally recommended if you like
The Blue Jay's Dance.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in a family that was focused on people, poetry, and politics. My parents both worked with children with disabilities in Massachusetts and my mother ran a daycare center in our house. As a reader, student, poet, and then editor, I’ve drawn on those experiences and expectations, and have searched through books looking for their echoes. Since 2007, I've edited books at Yale University Press where I'm currently Senior Executive Editor. I have a BA from Cornell University and an MFA in Creative Writing from the Iowa Writers’ Workshop. I've also worked in various publishing roles at ICM, Continuum, and Harvard University Press.
First published in 1958, this is one of Hannah Arendt’s most influential books and in it she attempts to define the human condition in the aftermath of World War II, developing her concept “natality.”
It’s a challenging book that I’ve wrestled with and argued with and never forgotten. It includes some of her most powerful and frequently cited passages about birth. Lately, I’ve been returning to its opening pages, in which she discusses the launch of Sputnik into space.
She saw this launch not as an exciting technological breakthrough, but as a fateful repudiation of our earthly existence, an existence that was defined by birth with possibilities and limitations.
The past year has seen a resurgence of interest in the political thinker Hannah Arendt, "the theorist of beginnings," whose work probes the logics underlying unexpected transformations-from totalitarianism to revolution.
A work of striking originality, The Human Condition is in many respects more relevant now than when it first appeared in 1958. In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then-diminishing human agency and political freedom, the paradox that as human powers increase through technological and humanistic inquiry, we are…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Tracing the thread of mystery and meaning through our lives can be so hard! Here’s a trick of the memoir trade: The world has a tendency to give us the metaphors we most need.
When I first read Terry Tempest Williams’ book, I was amazed by the parallels she drew between threats to her beloved Bear River Migratory Bird Refuge, her family history of breast cancer, and her soul’s experiences in the Mormon church. Now, I know the perfect images to illustrate our inner world are always in plain sight. This is beautiful and enduring.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
In an afterword, Dillard writes that, as she aged, she came to regret the grandeur of the sentences in this book. But I’m grateful that she wrote it—a chronicle of two years in the Shenandoah Valley—exactly as she did.
I carry this book around like a bible, reading its paragraphs like poems.
Pilgrim at Tinker Creek has continued to change people's lives for over thirty years. A passionate and poetic reflection on the mystery of creation with its beauty on the one hand and cruelty on the other, it has become a modern American literary classic in the tradition of Thoreau. Living in solitude in the Blue Ridge Mountains near Roanoke, Virginia, and observing the changing seasons, the flora and fauna, the author reflects on the nature of creation and of the God who set it in motion. Whether the images are cruel or lovely, the language is memorably beautiful and poetic,…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
For me, this novel combines the best of three sharply different types of books: It's a dystopian novel that paints an enthralling (and terrifying) portrait of an invented world. It's a page-turner.
And it's a story that hit some deep emotions in me. The basic narrative is that Frida, the harried and divorced mom of toddler Harriet, leaves Harriet alone while she dashes off to get herself a latte. Okay, that's stupid and risky, though Harriet is unharmed.
But in this book's world, that's enough to land Frida in a "reform school" from which it's almost impossible to prove yourself "perfect" enough to be released. As the story spiraled worse and worse, I couldn't believe this was happening.
I couldn't read another word; no, I couldn't put it down.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a longtime host of The Moth, I know the power of personal storytelling. During the early days of the pandemic, I decided to write down all my favorite family stories so my kids would always have them. But how? I knew I didn’t want to write it chronologically or as a series of separate stories. After months of experimenting, I stumbled upon a format that let me pick and choose which stories I wanted to tell but also weave disparate family members together. I was greatly inspired by the books on this list, and I hope you are too!
This is an incredibly intimate and thought-provoking book that marries the story of the author’s relationship and pregnancy with her partner, along with history, philosophy, and even critical theory. What makes the book so fascinating is how quickly she’s able to shift between these different modes of writing.
So, one minute, she’s talking about being a parent, and in the next paragraph, she’s revisiting how the philosophical approach to child-rearing evolved over the 20th century. It really shook me out of thinking a memoir had to be approached one way or be just one thing.
An intrepid voyage out to the frontiers of the latest thinking about love, language, and family
Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender, and "family." An insistence on radical individual freedom and the value of caretaking becomes the rallying cry for this thoughtful, unabashed, uncompromising book.
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
I loved this book when I initially read it, and return to it time and again. Adrienne Rich is, quite simply, the mother of motherhood studies.
This book strongly resonates with me and my experiences as a mother, particularly how Rich defines mothering and motherhood as two distinct states of being: Motherhood–the patriarchal institution (this is where we get all the do’s and don’ts of what society expects of us as mothers)–and mothering–the actual affective labor of bringing up children.
One section in particular–where Rich compares the freedom of the summer break with the return to restrictions of term time and the ‘rule of the father’–is as true now as it was then. This is a personal take on motherhood infused with passion and intelligence. I highly recommend it.
In Of Woman Born, originally published in 1976, influential poet and feminist Adrienne Rich examines the patriarchic systems and political institutions that define motherhood. Exploring her own experience-as a woman, a poet, a feminist and a mother-she finds the act of mothering to be both determined by and distinct from the institution of motherhood as it is imposed on all women everywhere. A "powerful blend of research, theory, and self-reflection" (Sandra M. Gilbert, Paris Review), Of Woman Born revolutionised how women thought about motherhood and their own liberation. With a stirring new foreword from National Book Critics Circle Award-winning writer…
Becoming a mother reshaped me in ways I’m still wondering at now, two decades on. I’ve had to find ways to resist the repressive cultural mythology surrounding motherhood—the pressure I felt to suddenly become a perfect, self-sacrificing vessel for my children’s optimized development. When I read stories about flawed mothers—women, queer and straight, struggling beneath the magnitude of the job, yet fiercely loving their children all the way through—I felt I could breathe a little bit, could handle the task with a little more good humor and forgiveness, for myself, my partner, and my kids. Read a book, bust a myth, go hug your mom.
I devoured Ferrante’s Neapolitan Quartet (four novels that trace a lifetime friendship between two women living in a deeply patriarchal mid-twentieth-century Italy) in a single summer a few years back, and when I got to the end of those few thousand pages, I felt as though I wanted to start right over at the beginning again. Those Who Leave and Those Who Stay is the third novel in the series, and I name it here because it’s the novel in which Elena—the book’s protagonist, and a writer herself—becomes a mother. Elena has a modern marriage compared to her friend Lina’s, but still, she finds the expectations and demands of motherhood difficult to reconcile with her own creative ambitions. Ferrante represents that central struggle with arresting honesty—a captivating read.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
My seven novels all celebrate the natural world—while, I hope, telling a good story. Nature has always been my solace and delight. I’ve also had the honor of developing and directing an MFA in Nature Writing at Western Colorado University, one of the few nationwide programs to focus on cutting-edge environmental writing. While I mainly write novels, I’m the author of two nonfiction books and one play and the editor of three environmental anthologies. When not writing or teaching, I can be found sauntering around the West, especially in my home state of Colorado. I love travel and adventuring, and I like looking at birds, stars, clouds, and sea glass.
Memoirs can be delightful, too, although they also have a bad rap for being depressing! This is one of my favorite Earth-based recent nonfiction reads. It focuses on the joys of gardening—even in a small suburban plot—and focuses on being a black gardener in a predominately white town.
The plants she grows are used as a metaphor to discuss cultural diversity, particularly in how we must cultivate diverse and intersectional language to protect our planet. Dungy is also the editor of an anthology entitled Black Nature, which covers decades of poetry by Black writers.
A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage.
In Soil: The Story of a Black Mother’s Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens.
In resistance to the homogenous policies that limited the…