Here are 100 books that The Birds of Shakespeare fans have personally recommended if you like
The Birds of Shakespeare.
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Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.
The Book of British Birdsis one of several comprehensive reference books produced around half a century ago for the Reader’s Digest. They were written without jargon and have become classics. The illustrations in this bird volume are excellent, with bird-by-bird descriptions, followed by a range of fascinating topics, such as how birds care for their plumage, camouflage, how they sleep, and courtship displays. Some information is now itself history – who would have thought (for example) that the ubiquitous starling is now on the Red List of UK birds?
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.
The author was one of the earliest (if not the earliest) to write a history of a subject using a specific number of objects. In this book, he describes the development of observing birds through the medium of 100 objects, of which a surprising selection is presented, all well illustrated, from prehistoric paintings to more recent technology. Possibly the most curious is a stuffed extinct dodo at the Horniman Museum in London. It was actually a deceptive piece made by a leading taxidermist using plaster casts, chicken wings, and swan, goose, and ostrich feathers.
This book looks at 100 items that have profoundly shaped how people watched, studied and engaged with the avian world. Each item contains around 500 words on a double-page spread and include an illustration of the object in question. The book includes the objects listed below as well as many more.The range of items is international and cross-cultural. Subjects include:
An Egyptian 'field guide' [early tomb decorations of birds, identifiable as species] Ornithologiae libri tres: the first British bird guide [a 1676 publication that attempted to itemise all British birds known at the time] The Dodo specimen held at the…
Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.
This is a glorious bird-by-bird book, filled with photographs and lots of information and first-hand accounts, including folklore and history, with copious endnotes and references. It was first published in 2005 and reissued in 2020. The book is divided into different bird families, starting with the Diver family, the Grebe family, and the Albatross family, so it can be read systematically or by dipping in and out. Birds Britannica perhaps deserves the name ‘coffee-table book’ – being so heavy, it is almost impossible to read unless seated (with a coffee) at a table.
The British love their birds, which are inextricably entwined with every aspect of their island life. British customs, more than 1,000 years of English literature, the very fabric of society, even the landscape itself, have all been enhanced by the presence of birds. Highly acclaimed on first publication, this superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage.
Birds Britannica is a unique publication of immense importance. Neither an identification guide nor a behavioural study (although both these subjects enter its field), it concentrates on our social history and on the…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.
Numerous books were compiled in the 19th century on birds of specific counties, which are now historic documents. My favourite is The Birds of Devon, first published in 1892 by William D’Urban and Murray Mathew, who had known each other since childhood. It has wonderful, evocative descriptions of landscapes and of the immense numbers of birds that could still be seen and heard then, though the authors do give warnings about landscapes being destroyed, in particular by the railways and by the drainage of marshes and moors. Readers today may want to skip their numerous lists, but their descriptions depict a vanished world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
An electrician and his wife rescue an orphaned baby house sparrow and raise him into adulthood and beyond. This beautifully and at times hilariously told story is full of precious revelations about the rich personality of a bird routinely overlooked by us.
“There’s a special providence in the fall of a sparrow.” --William Shakespeare, Hamlet
B fell twenty-five feet from his nest into the life of Chris Chester. The encounter was providential for both of them. B and Chester spent hours together playing games like bottle-cap fetch or hide-and-seek. They learned “words” in each other’s vocabularies. B developed a fetish for nostrils and a dislike of the color yellow. He grew anxious if Chester came home late from work. At bedtime he would rub his sleepy eyes on Chester’s thumb and settle to sleep in his palm. Chester ended up turning part…
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
This volume of essays about Shakespeare and historical drama catalyzed my doctoral research and my first book. It has been, without a doubt, the single most influential book on my research and early career as an academic.
The contributions are all distinctive, engaging, and carefully researched–and the volume offers an excellent introduction to the contexts of historical drama and writing ‘history’ during the sixteenth and seventeenth centuries, covering a wide range of plays and other primary texts.
It is often one of my top recommendations for students who are starting to work on historical culture. After each encounter with this book, my mind is still left brimming with ideas to explore.
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.
Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare's plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I’ve always loved all things Elizabethan, and I especially love spending time with books and manuscripts where voices from the period speak to us directly. Wanting to understand how Shakespeare and his contemporaries understood themselves led me to investigate their ideas about relations between mind and body, about emotions, about the imagination, and about the minds of women and those of other races. I’ve learned that the Elizabethans grappled with many conflicting ideas about the mind, from classical philosophies, medieval medicine, new theologies, and more – and that this intellectual turmoil was essential fuel for the extraordinary literary creativity of the period.
Renaissance writers were trained in rhetoric: how to use language to work through a problem or convey a state of mind.
Today, theories of cognition explore how linguistic devices relate to processes in the brain; for example, metaphor replicates how the mind understands something by associating or comparing it with something else. Lyne’s radical innovation is to bring together these historical and contemporary frameworks for understanding thought and language.
He explores points of contact between Renaissance rhetorical theories and present-day cognitive theories, then applies his insights to analyse works by Shakespeare. This offers a wholly fresh approach to understanding how Shakespeare translates thoughts – his own and those of his characters – into words; and how those words in turn work on our minds as readers or listeners.
Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive…
I prefer to write historical fiction because so many fascinating stories have already happened in the past, and these tales are filled with real-life characters with rich backstories and personalities. I try to find the best historical figures and scenarios I can through exhaustive research and then stitch them together into thrillers that mesh seamlessly with the history I researched. My books are written to educate and entertain, and nothing makes me prouder than when readers follow the breadcrumb trails I leave behind for further research. I hope you enjoy the hunt!
Shakespeare the Manis not the best book out there on William Shakespeare. There are many others that are better researched and less opinionated. However, Rowse gave me the best impression of what Shakespeare has meant to centuries of dramatists and researchers. It was recommended to me by the late Dr. John M. Bell of NYU, who was the most knowledgeable man on Shakespeare I've ever known. I see why he recommended this. It's a short but thorough read, and very enjoyable. Just don't treat Rowse's every word as gospel. His book is about Shakespeare, the man and myth.
I have long been struck, as a learner of French at school and later a university professor of French, by how much English borrows from French language and culture. Imagine English without naïvetéand caprice. You might say it would lose its raison d’être…My first book was the history of a single French phrase, the je-ne-sais-quoi, which names a ‘certain something’ in people or things that we struggle to explain.Working on that phrase alerted me to the role that French words, and foreign words more generally, play in English. The books on this list helped me to explore this topic—and more besides—as I was writing Émigrés.
This is a brilliant essay in literary criticism. It traces English ambivalence towards French language and culture in the centuries that followed the Norman Conquest. It does so by delving into major literary texts—by Chaucer and Shakespeare among others—that explore that ambivalence for what it is: the symptom of a fetish. I like the way Williams writes and I find her inspiring in her desire to remain faithful to the complexity of the texts she studies and their attitudes.
What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare scholars hate discussing the “authorship question” for the same reason astronomers hate discussing whether space aliens kidnap human beings. There is no real “question.” But because guessing who wrote the plays has become such a parlor game, James Shapiro took on the challenge. His book tells the crazy history of the “authorship question” and makes irrefutably clear that yes, the fellow from Stratford really did write those plays. This should settle the issue forever—but of course it won’t.
For two hundred years after William Shakespeare's death, no one thought to argue that somebody else had written his plays.
Since then dozens of rival candidates - including The Earl of Oxford, Sir Francis Bacon and Christopher Marlowe - have been proposed as their true author. Contested Will unravels the mystery of when and why so many people began to question whether Shakespeare wrote the plays (among them such leading writers and artists as Sigmund Freud, Henry James, Mark Twain, Helen Keller, Orson Welles, and Sir Derek Jacobi)
Shakespeare scholar James Shapiro's fascinating search for the source of this controversy…