Here are 76 books that The Binding fans have personally recommended if you like
The Binding.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
I thought it was great to have Circe herself narrate her love affair with Odysseus.
The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.
I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
I am the founder and principal of Work & Think, LLC., and help clients make complex decisions that include a realistic understanding of uncertainty. My Spangler Ethical Reasoning Assessment® (SERA®) is used across industries and around the world, enabling individuals to combine critical thinking and values to make complex decisions. I am a frequent keynote speaker, a corporate consultant, a researcher, and an author. My new book is Reasoning for Business. Learn more at my website.
I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.
I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?
For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
We’re Neil and Ruchin Kansal—builders, innovators, car lovers, and travelers at heart. In 2020, during the pandemic, we chased a dream: we bought a battered 1998 Acura Integra and, working in our garage, transformed it into a striking lime green showpiece. To celebrate Ruchin’s 50th birthday and Neil’s high school graduation in 2021, we drove it 5,000 miles to the summit of Mt. Evans, Colorado—the highest paved road in North America—learning along the way that, like life, the road demands resilience, adaptability, and courage to act. Our adventures are about more than cars—they’re about pushing boundaries, embracing challenges, and discovering what’s possible together.
I, Ruchin, like Zen and the Art of Motorcycle Maintenance for multiple reasons.
It is a father-son story, yet it includes how their family and friends shape their experiences. I like it because the motorcycle itself transforms into a human-like character, adding depth to the dialogue.
I also like the storytelling style; it is vivid. You can see each scene unfolding before you. And lastly, I appreciate how it draws on the Hindu and Buddhist values I grew up with, making the book even more relatable.
At the same time, I find the book a little dated in its voice and perhaps too long for readers today.
Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
When I came across this book, I was on the point of giving up reading modern novels. Everything I had read recently was such a let-down at the end that sometimes I threw the book across the room in reader rage.
At last, in Rushdie, I found someone who did not disappoint. As I approached the end, I became breathless, worrying that the story was going to sink like a soufflé, but it didn’t. It just kept on rising.
Once upon a time in Fairgrounds, there was a contraption called the Hammer and Bell. It was a test of strength to see if you could make the bell ring. Most couldn’t. Most got the marker some way up the calibrated column only to see it hesitate, then begin its descent. Midnight’s Children made it to the top.
What makes a good ending? For me, it is some transcendent statement of…
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
I learned early that information doesn’t change people’s minds and that we can’t lecture our way into people’s hearts. Real change comes through building empathy, and we do that through compelling, personal storytelling. I’ve been working on disrupting bias and building empathy my whole life. It’s why I write, and why I teach, and why I travel to speak with different groups. It’s my theory of change in the world—the first step towards moving us to a more caring, kinder global society.
I have never read a book like Babel, that is so deeply entrenched in histories of colonialism, and also sheds so much light on the inequities of our world today.
We see how well-meaning people get sucked into power, and it causes each reader to reflect on how the decisions we make daily can put us on different trajectories.
Babel is such a forceful vision, with beautiful writing and inspiring imagination.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I have always been interested in and captivated by horror and the darker genres, drawing and painting initially and later on as a writer. I am a full-time tattooist now but I still enjoy writing, and I produced several short stories as well as finished my vampire/Egyptian mythology novel Pharaoh during the coronavirus lockdown when I was unable to work in the tattoo studio. I still draw and paint, and it can be fun illustrating and producing artwork for my fiction, where sometimes one feeds off another.
A monstrous book in every sense and the one that first got me interested in writing. Metaphysical and repulsive in equal measure, it is an epic tale spanning many lives in midtown America, with the sequel Everville even better. Absolutely mind-bending from the master of beautiful and fantastical horror.
From master storyteller Clive Barker, comes this intricately woven and meticulously constructed epic where past and future meet.
In the little town of Palomo Grove, two great armies are amassing; forces shaped from the hearts and souls of America. In this New York Times bestseller, Barker unveils one of the most ambitious imaginative landscapes in modern fiction, creating a new vocabulary for the age-old battle between good and evil.
The Art, the greatest power known to humankind, is the focus of struggle between the evil spirit, Jaff, and a force for light, Fletcher. Jaffe hopes to…
I have always been interested in and captivated by horror and the darker genres, drawing and painting initially and later on as a writer. I am a full-time tattooist now but I still enjoy writing, and I produced several short stories as well as finished my vampire/Egyptian mythology novel Pharaoh during the coronavirus lockdown when I was unable to work in the tattoo studio. I still draw and paint, and it can be fun illustrating and producing artwork for my fiction, where sometimes one feeds off another.
An amazing and surprising read. When a madman is buried alive by five teenagers who take the law into their own hands, it is hardly a new idea for him to come back for revenge upon them. But Jim Brown takes it several stages further with more dark twists than you could possibly think of.
On the night of a raging electrical storm, a group of teenage boys gather on a secluded hill in Oregon to bury one of their own...alive. It isn't murder, because the "victim" is a willing participant. For sneering, knife-wielding punk Whitey Dobbs it's just a gang-initiation stunt. For the others, however, it's a carefully planned act of revenge – designed to give Whitey Dobbs the fright of his life. But even the best-laid plans can go wrong. And when this joke is over, nobody will be laughing...except maybe Whitey Dobbs.
Twenty-two years later, the events of that stormy night are…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
This is one of my favorite stories from Gaiman who I absolutely revere.
His style is a perfect whimsical blend of mythological fairy tales with the insightful science fiction grit and truth-telling of Rod Sterling’s "Twilight Zone” tales.
This particular story of Gaiman’s ushered me into this world with its poetic rhythm. A man returns to his childhood home and meets a girl named Lettie and her family. It felt like I stepped into a world where all things are possible, a homecoming is at hand, filled with the threat of danger and the loss of self. As the man remembers his past, he travels through time and crosses between our world and a darker one that brings terror as well as an understanding and protection.
It’s a beautiful story that informs my writing and deepens my love for a modern fairy tale.
A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman's first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I am a fantasy and science-fiction author with a soft spot for books cut with a sharp sense of humour, impaled on the absurd, or littered with the brutal slaughter of conventions and tropes. I love crisp one-liners and surreal worlds, awkward anti-heroes, and kick-ass heroines who bring their own ruthless horde to the fight. If I were to pick out one feature of a book, film, or television show that really catches my attention it would be “Wow. Didn’t see that one coming.”
How could I not love a book that sets its tone with “My name is Bond, Shaman Bond”?
Bond, aka Eddie Drood, has all the latest magical gadgets to help suppress the forces of magical mayhem on behalf of the ancient and powerful Drood family (and yes there’s a pun there on Druid). This is what James Bond would have been if Ian Fleming had gone easy on the Martinis and tried a few magic mushrooms instead.
The book, and in fact the whole series, is inventive, witty, and in places outright insane, with every book title a parody of a Bond book or film.
(Also, Mr Green is a very nice man – we met him once over pizza at EasterCon several decades ago.)
New York Times bestselling author Simon Green introduces a new kind of hero, one who fights the good fight against some very old foes in the first novel in the Secret Histories series.
The name’s Bond. Shaman Bond. Actually, that's just his cover. His real name is Eddie Drood, but when your job includes a license to kick supernatural arse on a regular basis, you find your laughs where you can.
For centuries, his family has been the secret guardian of Humanity, all that stands between all of you and all of the really nasty things that go bump in…
