Here are 74 books that The Binding fans have personally recommended if you like
The Binding.
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I’ve been interested in stories about power, exploitation, and female resilience for as long as I can remember. As a former professional dancer, I grew up in a world where the body was watched, judged, disciplined, and expected to perform, no matter the circumstance. My later experience as a physician scholar and as a mother has deepened my interest in the systems that shape girls’ and women’s ideas about their own lives. Finally, as a survivor, I also understand how these experiences can distort a girl’s sense of herself. I come to these books from the intersection of art, medicine, feminism, and lived experience.
For millennia, we’ve heard the stories in Greek mythology about gods who come down to earth to rape women (Zeus got around), women as seductive sirens who lure sailors to their doom, or goddesses and mortal women alike being exiled.
Because of that, I was intrigued to read this book, a retelling of the familiar narrative, but from the perspective of a woman. I found this book to be very empowering.
I identified with the main character, a woman named Circe (in actuality a goddess) who is exiled because of her powers of witchcraft. However, in her exile, she finds that leaning into her power without the judgment of others makes her stronger.
I loved reading classic Greek mythology, complete with all the familiar characters, told from a woman’s perspective.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have loved fantasy and history since I was a child, and a blend of the two creates a new sort of magic! In addition to reading historical fantasy, I’ve been passionate about writing in the genre and bringing new “what if?” questions to life with historical settings and mysticism and magic in my writing, some of which are inspired by ancient traditions around the world. Fantasy can be more than imaginative creation, but a delve into the mysterious side of history as well, and I find that books that delve into this aspect of fantasy really capture my interest when they’re done well.
At 782 pages, including numerous footnotes, it might seem a daunting task for a reader, but I would have easily enjoyed a novel twice its length. The style of writing is beautifully detailed and has a wry British humour that is a pleasure to read.
The magic is seamlessly woven into the land and culture of England. We learn about the history of the Napoleonic Wars with a bit of a fantastical spin, showing how magic was used in the war and the consequences of its presence in history.
An alternative history that truly captures one’s imagination and sense of “what if?” Jonathan Strange and Mr. Norrell is one that I’ll definitely read again and again.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
In today’s world, where negativity and dire situations can easily bombard us, I need to consistently ground myself in hope and light. Real stories about transformation and unconditional love are not only uplifting and hopeful, they are also around every corner. Every one of us is capable of transformation and the giving and receiving of unconditional love. It’s through transformation and unconditional love that we may better understand what it means to be human and, thus, build our capacity for compassion for one another. Through compassion, we can create a better world.
What does it mean to be human, and what happens to us when we don’t receive unconditional love?
The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.
Shelly’s use of a frame story pulled me in from the first page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
It doesn’t patronise the reader as it weaves a history of Western philosophy into the narrative. The story is a semi-autobiographical motorcycle road trip undertaken by the writer as he recovers from a nervous breakdown caused by his obsession with philosophical questions.
I really enjoyed this book even though I didn’t agree with all the author’s ideas. And the first time I read it, the moment his alter ego first appears was one of the creepiest things I had ever read in a novel. It freaked me out.
Acclaimed as one of the most exciting books in the history of American letters, this modern epic became an instant bestseller upon publication in 1974, transforming a generation and continuing to inspire millions. A narration of a summer motorcycle trip undertaken by a father and his son, the book becomes a personal and philosophical odyssey into fundamental questions of how to live. Resonant with the confusions of existence, Zen and the Art of Motorcycle Maintenance is a touching and transcendent book of life.
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
When I came across this book, I was on the point of giving up reading modern novels. Everything I had read recently was such a let-down at the end that sometimes I threw the book across the room in reader rage.
At last, in Rushdie, I found someone who did not disappoint. As I approached the end, I became breathless, worrying that the story was going to sink like a soufflé, but it didn’t. It just kept on rising.
Once upon a time in Fairgrounds, there was a contraption called the Hammer and Bell. It was a test of strength to see if you could make the bell ring. Most couldn’t. Most got the marker some way up the calibrated column only to see it hesitate, then begin its descent. Midnight’s Children made it to the top.
What makes a good ending? For me, it is some transcendent statement of…
*WINNER OF THE BOOKER AND BEST OF THE BOOKER PRIZE*
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
'A wonderful, rich and humane novel... a classic' Guardian
Born at the stroke of midnight at the exact moment of India's independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other 'midnight's children' all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem's story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most…
I learned early that information doesn’t change people’s minds and that we can’t lecture our way into people’s hearts. Real change comes through building empathy, and we do that through compelling, personal storytelling. I’ve been working on disrupting bias and building empathy my whole life. It’s why I write, and why I teach, and why I travel to speak with different groups. It’s my theory of change in the world—the first step towards moving us to a more caring, kinder global society.
I have never read a book like Babel, that is so deeply entrenched in histories of colonialism, and also sheds so much light on the inequities of our world today.
We see how well-meaning people get sucked into power, and it causes each reader to reflect on how the decisions we make daily can put us on different trajectories.
Babel is such a forceful vision, with beautiful writing and inspiring imagination.
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I have always been interested in and captivated by horror and the darker genres, drawing and painting initially and later on as a writer. I am a full-time tattooist now but I still enjoy writing, and I produced several short stories as well as finished my vampire/Egyptian mythology novel Pharaoh during the coronavirus lockdown when I was unable to work in the tattoo studio. I still draw and paint, and it can be fun illustrating and producing artwork for my fiction, where sometimes one feeds off another.
A monstrous book in every sense and the one that first got me interested in writing. Metaphysical and repulsive in equal measure, it is an epic tale spanning many lives in midtown America, with the sequel Everville even better. Absolutely mind-bending from the master of beautiful and fantastical horror.
From master storyteller Clive Barker, comes this intricately woven and meticulously constructed epic where past and future meet.
In the little town of Palomo Grove, two great armies are amassing; forces shaped from the hearts and souls of America. In this New York Times bestseller, Barker unveils one of the most ambitious imaginative landscapes in modern fiction, creating a new vocabulary for the age-old battle between good and evil.
The Art, the greatest power known to humankind, is the focus of struggle between the evil spirit, Jaff, and a force for light, Fletcher. Jaffe hopes to…
I have always been interested in and captivated by horror and the darker genres, drawing and painting initially and later on as a writer. I am a full-time tattooist now but I still enjoy writing, and I produced several short stories as well as finished my vampire/Egyptian mythology novel Pharaoh during the coronavirus lockdown when I was unable to work in the tattoo studio. I still draw and paint, and it can be fun illustrating and producing artwork for my fiction, where sometimes one feeds off another.
An amazing and surprising read. When a madman is buried alive by five teenagers who take the law into their own hands, it is hardly a new idea for him to come back for revenge upon them. But Jim Brown takes it several stages further with more dark twists than you could possibly think of.
On the night of a raging electrical storm, a group of teenage boys gather on a secluded hill in Oregon to bury one of their own...alive. It isn't murder, because the "victim" is a willing participant. For sneering, knife-wielding punk Whitey Dobbs it's just a gang-initiation stunt. For the others, however, it's a carefully planned act of revenge – designed to give Whitey Dobbs the fright of his life. But even the best-laid plans can go wrong. And when this joke is over, nobody will be laughing...except maybe Whitey Dobbs.
Twenty-two years later, the events of that stormy night are…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
This is one of my favorite stories from Gaiman who I absolutely revere.
His style is a perfect whimsical blend of mythological fairy tales with the insightful science fiction grit and truth-telling of Rod Sterling’s "Twilight Zone” tales.
This particular story of Gaiman’s ushered me into this world with its poetic rhythm. A man returns to his childhood home and meets a girl named Lettie and her family. It felt like I stepped into a world where all things are possible, a homecoming is at hand, filled with the threat of danger and the loss of self. As the man remembers his past, he travels through time and crosses between our world and a darker one that brings terror as well as an understanding and protection.
It’s a beautiful story that informs my writing and deepens my love for a modern fairy tale.
A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman's first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I am a fantasy and science-fiction author with a soft spot for books cut with a sharp sense of humour, impaled on the absurd, or littered with the brutal slaughter of conventions and tropes. I love crisp one-liners and surreal worlds, awkward anti-heroes, and kick-ass heroines who bring their own ruthless horde to the fight. If I were to pick out one feature of a book, film, or television show that really catches my attention it would be “Wow. Didn’t see that one coming.”
How could I not love a book that sets its tone with “My name is Bond, Shaman Bond”?
Bond, aka Eddie Drood, has all the latest magical gadgets to help suppress the forces of magical mayhem on behalf of the ancient and powerful Drood family (and yes there’s a pun there on Druid). This is what James Bond would have been if Ian Fleming had gone easy on the Martinis and tried a few magic mushrooms instead.
The book, and in fact the whole series, is inventive, witty, and in places outright insane, with every book title a parody of a Bond book or film.
(Also, Mr Green is a very nice man – we met him once over pizza at EasterCon several decades ago.)
New York Times bestselling author Simon Green introduces a new kind of hero, one who fights the good fight against some very old foes in the first novel in the Secret Histories series.
The name’s Bond. Shaman Bond. Actually, that's just his cover. His real name is Eddie Drood, but when your job includes a license to kick supernatural arse on a regular basis, you find your laughs where you can.
For centuries, his family has been the secret guardian of Humanity, all that stands between all of you and all of the really nasty things that go bump…
