60 Books Like The Beach of Falesa

OK, I’m a historian. I think the origins are interesting. Herman Melville’s book was there at the start of intruder tales. It is also a virtual time transformer, transporting the reader to a vivid other time and place. The narrative is based on Melville's experiences on the island of Nuku Hiva in the Marquesas Islands, where he deserted the ship to hang out.  The prose, like Stevenson’s, has that considered, flowing, Victorian narrative style I find refreshing—the type of prose you wrote slowly with a quill pen.

This book and its subsequent sister volume Omoo were Melville’s most famous books in his lifetime, far better known than Moby Dick. It is considered a classic in travel and adventure literature.

In Samoan, white people are called papalagi, which means skybreaker. All the other books on this list are by papalagi, intruders, or outside observers, I called them.  John Kneubuhl was a native Samoan.  His father was a U.S. sailor. So, in a way, his observer/observed situation—the interface, the dialogue between the two disparate cultures—was internal. In these three acclaimed plays, Kneubuhl brings to life memorable characters who embody—and sometimes resolve—that conflict.

These three plays—Think of a Garden, Mele Kanikau: A Pageant, and A Play, A Play—portray the true lives of twentieth-century, “post-colonial” Polynesians. They are the culminating works of this stage, screen, and TV dramatist’s long and accomplished career, and they deserve to be read.

Before M*A*S*H and Catch 22, Michner’s book gave American readers a captivating view of the human side of U.S. soldiers and sailors at war in the South Pacific. This sequential series of interconnected short stories set in Vanuatu and the Solomon Islands works like the best TV mini-series. There are not just sailors and marines; there are locals and colonial characters. 

A great read. Don’t just take my word for it: it won a Pulitzer in 1947. And yes, the highly successful musical play South Pacific by Rodgers and Hammerstein is based on stories from this Michener classic. 

Look, if you have read this far about South Seas books—admit it—you would not mind going there, at least on the page and probably on the beach. I spent 26 years in the islands, and I can tell you that this book is the best travel guide for both the body and the imagination. I once reviewed all the available island handbooks for a newspaper column, after which I discarded all the rest.

For each island nation and territory, Stanley provides impeccably researched info on their history, government, economy, people, climate, geography, flora, and fauna, along with up-to-date tips on accommodations, services, events, and cautions.  An encyclopedia of South Seas skivvy unmatched by its competitors.  

This trilogy, grounded in Sāmoan mythology, has been called ‘the pacific Twilight.’ It is a thrilling dive into the world of Sāmoan magic and mystery, with an exciting adventure, a compelling love story and it vividly brings Sāmoa’s exotic beauty alive with a supernatural twist. It’s claimed to be ‘the first ever YA novel with an all-Pasifika cast, set in Sāmoa and around the Pacific'. Push out your boundaries and enter Lani Wendt Young’s wonderful imagination . . .

I like to think of Patrick Kirch as “Mr. Pacific Archaeology”—no one has written more, or more winningly, about Polynesian prehistory—and On the Road of the Winds is his introduction to the field. First published in 2002 and reissued in an updated edition in 2017, this elegant, eminently readable survey not only covers the history of archaeology in Polynesia, Melanesia, and Micronesia but explains how the archaeological findings of the past half-century relate to discoveries in biology, linguistics, cultural anthropology, botany, and countless other fields.

We have focused our recommendations on Melville’s (and other people’s) takes on Polynesian islands, but Melville also wrote about another crucial Pacific archipelago, the Galápagos Islands. His collection of sketches, “The Encantadas,” explores a very different world from Nukuhiva, Maui, or Tahiti, one nearly empty of human inhabitants, given over to birds, tortoises, iguanas, and insects. Yet here as elsewhere, Melville finds plenty to satisfy his “itch for things remote.” And here as elsewhere he meditates on human nature: the misfits, petty tyrants, and exiles who might find a home in such a forbidding place. If you think of Melville as an entertaining chronicler of the Pacific world, you will find much in that vein here—but also philosophy, history, and a sort of melancholy romance.

Author Doug Mack took the time to visit and immerse himself in various communities in the US' "not quite states:" American Samoa, Guam, Puerto Rico, the Commonwealth of the Northern Mariana Islands (CNMI), and the U.S. Virgin Islands. I know because I was one of the people who showed him around and shared my own story when he visited Saipan, CNMI. When I received my copy of the book several months later, I was as captivated by the stories of the expats and "locals" in the other outposts as I was by those here on Saipan. Doug's attention to detail, respect of local norms and inquiring mind makes for a great read. The Not-Quite States of America offers on-the-ground insight you won't get from any text book on the territories.

I found this book a very exciting read about sailing alone on the ocean with little or no knowledge about sailing or the ocean. All problems he encountered were of his own making, and survival was largely due to good luck rather than good management.

Little did I realize he painted a more romanticized version of his misadventures.

As if a plague of memory loss that eventually makes you forget how to breathe isn’t scary enough, Cutter takes us deep under the ocean, to a lab where something has gone terribly wrong with our potential saviors. This is the most claustrophobic book I’ve ever read. You can feel the crushing weight of the water and the dark just outside the lab’s walls. There’s a wonderful sort of madness to the whole thing, and one scene, in particular, continues to haunt me.