100 Books Like The Art of Losing

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

This immediately immersed me in another time and place. Apparently, I’m very clear in my bookish likes, because it was recommended to me multiple times due to the combination of nuns and sapphic content. Luckily, it lived up to the recommendations!

It is very well written and extremely atmospheric, and it drew me right into its medieval world. Groff managed to create characters who feel appropriate to their era but who are also accessible to a modern reader, which is not an easy task. This helped me to become emotionally invested in the book.

As a writer, each time I read anything by James Baldwin, it´s like I´m getting a master class in how to capture a feeling and translate that into an articulate thought. When a friend told me to read this book over 30 years ago, shortly after I came out, they said this was “the best, and perhaps the most tragic novel about bisexuality ever written.”

Years later, it still kicks me in the gut each time I read it. Baldwin´s detailed examination of David´s desire for Giovanni while simultaneously being engaged to his fiancé, Hella, remains achingly beautiful.

I love “Persepolis” because the author very accurately and with a great amount of humor describes, and through graphics, portrays the very heavy topic of the 1979 Iranian Revolution. 

She makes it easy for people who weren’t there at the time and are not a part of the culture or history to imagine what happened. I like how she describes family relationships, especially with her parents, in a tribal culture. In a very transparent way, she accurately describes the differences between private family life and the one that is portrayed publicly.

Not a book that covers the legion directly but the war in Algeria is a big part of the Legions history, and notably the Legion’s 2e régiment étranger de parachutistes. The Algerian War lasted from 1954 to 1962. It came close to provoking a civil war on French soil. For those interested in the Putsch, then get into this book. More than a million Muslim Algerians died in the conflict and many European settlers were driven into exile. Above all, the war was marked by the unholy marriage of revolutionary terror, and repressive torture. 

This is a powerful memoir. First published in French in 2016, one year after Mokhtar Mokhtefi’s death, it is an eyewitness account of twentieth-century Algeria, tracing his political journey from a poor village south of Algiers, through to the French secondary education, one of the few Muslims to do so, and his eventual engagement in the FLN in 1957. Graphically portraying the anger and disaffection that drives Algerians to rebel against French rule, the book is equally unsparing about the divisions and authoritarianism which riddle the National Liberation Front and shape post-independence Algeria. Beautifully translated by his widow, the writer and anti-imperialist activist Elaine Mokhtefi. 

This intensely personal diary conveys the savage day-to-day reality of this colonial conflict like no other and is a must-read for anyone interested in Algerian perspectives. By November 1954, the moment when the National Liberation Front (FLN) launches the armed national liberation struggle that will achieve independence eight years later, Mouloud Feraoun is already a very well-established novelist, writing while simultaneously working in the French education administration in French Algeria. Through his journal entries, therefore, he tries to make sense of the cycles of violence and counter-violence as they unfold around him which means that the diary is not a dry, detached account.

It is written in the very eye of the storm and brilliantly conveys how ordinary Algerians sought to navigate one of the most brutal episodes of the whole decolonsation process. Assassinated by a right-wing terrorist group, the Secret Army Organisation (OAS), just days before the official cease-fire… show more.

Psychiatrist, philosopher, revolutionary, Frantz Fanon is born in Martinique in 1925 and comes to work in French Algeria in 1953 as a doctor in a hospital in Blida, just south of Algiers. Angry at the way in which treatment of Algerian patients is shot through with institutionalised racism, Fanon resigns his post in 1956 and joins the FLN in Tunisia. Working as a journalist, his writings are a piercing attack on French colonialism which feed directly into A Dying Colonialism. Published in 1959, the fifth year of the Algerian Revolution, each chapter analyses how the liberation struggle is transforming Algerian society at every level, from attitudes to technology and medicine through to the role of women—perspectives that decisively frame Gillo Pontecorvo’s depiction of the Algerian War in his 1966 cinematic masterpiece Battle of Algiers. 

Fanon dies of cancer two years later, shortly before independence, but this book, translated… show more.

This is not only a beautifully written book, it is an important one. Why? Because it poses challenging questions about the promise of post-independence freedom for Algerian women through a collection of short stories written between 1959 and 1978. First published in French in 1980, the writing style is at once innovative, lyrical, and unsettling as Assia Djebar explores the condition of Algerian women across the pre-colonial, colonial and immediate post-colonial periods. The inspiration for the book is Eugène Delacroix’s 1834 painting of women in an Algerian harem because, as Djebar explains in the post-face, this picture leads her straight to the conundrum of 1970s Algeria: “What would Delacroix see if he entered into contemporary Algerian apartments?” And for her the depressing conclusion is that he would still find women locked up and shut away just as in the 1830s. One of the most significant voices to emerge from Algeria,… show more.

Latefa Guemar’s powerful research on the Algerian Diaspora from a woman’s perspective shows to the world the terrible experiences of violence against women in the Algerian Black Decade of the 1990s.

This harrowing conflict forced women into exile via a broken European asylum system that failed, and still fails, women in so many ways.  Her work on diasporic networks of women’s groups and associations, inspired work we recently did together during Covid on Algeria diaspora activism.

The book’s beautiful and mesmerizing front cover, designed by one of our students, Ikram, was part of our arts-based training on Imagining the Future. I still get shivers when I see this.