100 Books Like The Animal Estate

This is an extraordinary study about life in and around the strait between the Pacific and Arctic oceans, home for Iñupiaq, Yupik, and Chukchi people and many other lively things, before and after the arrival of Russian and American colonial powers.

I admire the nuanced way in which Demuth exemplifies how capitalist and communist resource management transformed not only human but also animal cultures (whales, for example, strategize against whaling ships).

Anderson examines how domestic animals played into English colonization of the Chesapeake and New England in the seventeenth century.

She shows how the English conceptions of the natural world, which clashed with Native American visions, directed their territorial expansion. At the same time, the new environment transformed the English methods of livestock husbandry.

I learned from this book how to discern the role of animals in even the most commonplace legal arrangements. For example, legislation related to damages done by free-ranged cattle raised fundamental questions about the ownership of nature.  

For me, this was the book that changed everything!

Haraway does an amazing job of showing how the private lives and experiences of primate specialists were an important part of science. There’s even a chapter that shows how one of the dioramas at the American Museum of Natural History has a taxidermy gorilla whose painted landscape depicts the gravesite of the guy who shot him (you still see it in person today if you are in New York City). This and other stories in the book transformed my thinking about the lines separating “animals” from other Others.

The newest publication on my list, this book offers future directions for researching the history of human-animal relations. 

Arguing against the Eurocentrism of animal history, the book brings in multiple species into the historical inquiry of colonial Myanmar. Saha explores colonized people's interspecies relationships, with a particular emphasis on commodification processes.

I recommend the book to those who are interested not only in a captivating analysis, but also in a thought-provoking theoretical discussion about the intersection of animal studies and postcolonial scholarship.  

Philip Howell explores the place of dogs in Victorian homes and on the street.

There are familiar topics – vivisection, rabies, dogs’ homes, and dog cemeteries – but what set this book apart is that these are discussed in new ways drawing on literature and geography. Thus, we learn about Charles Dickens’s pet dog Sultan, alongside the many, many dogs in his novels, not just Bill Sikes’s Spike.

It surprised me just how many dogs roamed the streets of Victorian towns and cities, and how the police, often reluctantly, were responsible for bringing order to the streets. But public spaces were contested, with active and passive resistance by dog owners to measures requiring muzzling, leading, rounding up strays, and euthanizing unwanted curs and mutts.

Ah, a Victorian woman feeling restricted, what a shock. Thus, Lady Finchingfield decides to become Mademoiselle Noire, and enthralls Lord Henry. In something of a reaction to the excesses of the Regency period, the Victorian period had more rules than women could keep up with, and this way of addressing—or circumventing them—appealed to me as very creative. The disguise and gentlemen’s club add an aura of suspense so it was a super quick read for me. I love fast-paced books.

While reading this book, I was impressed by the skillful ability of the author to make me sympathize with the characters and begin rooting for them.

Their masterful execution of character development and the way I wanted to jump into the story to help make it one of the most amazing I have ever read and I would highly recommend it to those who are struggling to find a way to overcome sadness.

This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.

Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.

This delightful memoir/cookbook of a girl and her sisters growing up near Chicago in the late 1800s gives us a glimpse of what kinds of things a middle-class family ate--there were trendy foods back then, just like we have now!

What’s it like? Just imagine if you took all your favorite 19th-century children's books, mashed them all together, and edited out everything except talking about cake. Oh and maybe keep in a few things about fancy outfits and picnics.

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.