Books like The A.I. Who Loved Me — picked by fans

This book is bonkers in the best way.

Beryl is accidentally abducted by Zylar, an alien from the planet Barath, and the two end up competing in a series of deadly trials to win the right to be together.

If you’d told me how invested I would become in the romance between Zylar, a chitin-armored extraterrestrial who’s sweet but a little lacking in confidence, and Beryl, a no-nonsense former childcare worker from Missouri, I wouldn’t have believed you. 

Their journey is both funny (Zylar calls Beryl "Terrible One" after misreading her smile as a threat display) and touching, as they work with each other to explore their differences and find compromises.

Oh, and did I mention there’s a talking dog?

This is the first romance book I ever read.

It’s possible this is the reason behind my deep-seated belief that all romances should include comedy and science fiction, because Douglas Adams is the master of both.

But it’s not just hilarious and full of great SF ideas (like dolphins saving humanity by retrieving a replacement Earth from a parallel universe) – the romance between Arthur and Fenchurch is genuinely swoonworthy, to the point where I picked a passage from the book as a reading at my wedding.

When I heard the words "Regency romance in space," I was already sold, but A Civil Campaign exceeded my expectations to become one of my favorite books of all time.

It’s hard to overstate the joy I experienced watching Miles Vorkosigan, military strategist and genius, fall flat on his face as he tries to woo quiet, intense widow Ekaterin Vorsoisson.

Navigating the complex social dynamics of the feudal colony planet of Barrayar, Miles’s romantic quest culminates in a proposal that rivals Darcy’s first attempt in its fist-in-mouth awfulness, and a love confession via letter that’s learn-by-heart-worthy.

This book is like nothing I’ve ever read.

Fraimow combines a con-job storyline, a space diaspora setting, a 1920s aesthetic, and an unexpected sapphic romance, and somehow, it all works. I found myself totally immersed in the fragile glitz of New Monte, a kind of Monaco-in-space clinging to a satellite, where debutantes wear breathers as fashion accessories and extravagance masks the threat of scarcity.

And I fell in love with the characters: Ruthi, the cool, competent protagonist with a gift for wisecracks and a tender underside, and Sol, the chivalrous, sharp-suited, hoverbike-riding love interest, who develops from an intriguing antagonist into a fully-rounded human being who is Ruthi’s perfect match.

This book presents a not-uncommon theme of humans discovering wondrous alien technology. But rather than this technology being sequestered in top secret labs or carefully reverse-engineered, it is given to risk-takers and thrill seekers for the promise of riches.

I love the way Pohl builds his characters, both human and non-human. Set in a vastly overpopulated Earth, humans remain plagued by poverty, national barriers, class distinctions, and the full gamut of the best and the worst we have to offer. 

The gateway series offers two unique views of artificial intelligence. 

Early in the series, the story takes a deep dive into the actual psychology of the protagonist through an artificial intelligence therapist. It's easy to simply enjoy this subplot, but this theme deserves a good, hard look. Our world is rife with mental issues that range from personal questions to dangerous pathology. Human expertise and resources are inadequate to meet… show more.

This is a book that asks all the hard moral questions, and isn't shy about not having all the answers, but leaving the reader to try and come up with their own. The worldbuilding is—pardon the pun—out of this world. And if, like me, you can't get enough of it, there are more books set in the same universe.

I am so impressed by Pirateaba’s worldbuilding. While there are some fantasy staples in the series, like dragons and dwarves, there are also plenty of lesser-seen races, like gnolls and djinni, and some that are completely unique creations, like the Antinium and the Gazers.

What’s more, all of these races feel like they have their own identities and shared culture, and then, on top of that, individuals from each race are distinct! Two gnolls won’t necessarily see eye-to-eye just because they’re gnolls.

The character work in this book is so good.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

I discovered the Pearl Saga (a trilogy) via Van Lustbader taking up the reins on Robert Ludlum’s Bourne novels. While I was reading these books, I was waiting to hear from Voyager (Harper Collins) regarding an epic fantasy novel I wrote, which featured in its climactic scenes a girl using crystals to trap a dragon in a cage-like device inside a mountain. There was a delay in the publication of the third book of the Pearl Saga, and when it came out, it featured a girl holding a ‘crystal’ before a dragon, and it was called The Cage of Nine Banestones. My heart sank, but it turned out that the delay was related to the death of Van Lustbader’s father.

The trilogy begun in ‘Ring’ is for some brooding and self-indulgent, but for me it was a triumph of worldbuilding and alien realia, with technology and sorcery vying… show more.

This is one of the very few books that made me yelp out loud in surprise when the twist happened, and I will forever recommend it because of how unique it was. The feel is reflective of The Road with the main part of the story showing a pained journey through a dangerous landscape. It also feels post-apocalyptic as these survivors struggle to cross the abandoned world that’s been overtaken by nature. The author wrote in a unique language that makes Idyll feel otherworldly but familiar too. All this blends together for really great world-building. I don’t want to give anything away, but there is a definite twist where the whole story flips into something different. You go from feeling like this is a Western to suddenly — Oh, yep, there’s the sci-fi!