Here are 100 books that The Adventures of Tom Sawyer fans have personally recommended if you like
The Adventures of Tom Sawyer.
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The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
I read this during a confusing time—when I was seeking treatment for depression, from age 16 through 24.
Here was the third-most adapted book in history, and yet with each adaptation, the story grew further from the author’s true voice, which was that of an 18-year-old girl. How odd that this could happen, given that Frankenstein revolves around the creature finding his identity.
He only wants to do good, but when he learns how to read, he also learns how to label himself—as separate from God, and separate from man. He believes he must be bad because he’s different. The whole town agrees.
When I read this, I also felt different. This feeling didn’t go away until I finished my dad’s bucket list and saw the beauty and wonder he’d seen in me. I was different. But this was a good thing. I pray Mary Shelley found the same peace,…
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Hope, Laughter, Survival on the Refugee Trail
by
Eileen Kay,
Dramatic true story with a wacky sense of humor.
Retired English teacher in Budapest meets foreign medical students fleeing the war in Ukraine, producing a sweet and unlikely friendship, spicy soup, and wicked joking. A sense of humor, however dark, can keep us from despair.
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is a gritty depiction of a young boy whose decisions are far from a child’s resolve. The portrait McCarthy gives the reader left me with trail dust in my throat it was so gritty. I was uprooted from my easy, protected life and transformed into the world of 16-year-old Billy as he chooses the hard way.
His decisions have consequences, but his resolve is strong.
In The Crossing, Cormac McCarthy fulfills the promise of All the Pretty Horses and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth.
In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch. But instead of killing it, he decides to take it back to the mountains of Mexico. With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence…
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
What’s so neat about this book is that it doesn’t just capture a light-hearted and moving glimpse into English academia; it provides glimpses into a man’s—an institution in himself—relationships with his wife, coworkers, and students.
I enjoyed the progression of time. Several generations of students interact with the aging, albeit the same, “Mr. Chips.” There’s something neat about that.
What happens when you’re face-to-face with a truth that shakes you? Do you accept it, or pretend it was never there?
Award-winning author Mark A. Rayner smudges the lines between realist and fabulist, literary and speculative in this collection of stories that examines this question—what Homer called passing through The…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I was riveted in a world of young boys searching for more than just a body. So much of coming-of-age stories delve deep into the minds of these kids as they navigate both the familiar and unfamiliar. I was lifted to a time and place that resonates with my desire for nostalgia.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This was one of my favorite books as a child and probably one reason I became an anthropologist of mining.
Though I wouldn’t have put it this way at the time, I found it fascinating that in a place where everything is doing the same job, especially a highly dangerous and damaging job, other aspects of culture coalesce around that job and its meanings—things like religion, kinship, gender, leisure, ecology, etcetera. I was deeply moved by the description of the vast slag heap that slowly came to tower over the town, eventually engulfing the narrator’s small house.
All six episodes of the BBC adaptation of Richard Llewellyn's classic novel set in a Welsh mining community at the turn of the century. Gwilym (Stanley Baker) and Beth Morgan (Siân Phillips) work their hardest to provide for their children, but these are the years before the unions improved the miner's lot, and times are very hard indeed. However, the community in which the Morgans live is a close-knit one, and they are grateful for all the help they receive, especially from the Rev. Gruffydd (Gareth Thomas).
In the 1970s and '80s, I lived in New York, made noise in downtown bands, wrote incomprehensible texts. And obsessed about dinosaurs, ancient civilizations, Weimar, and medieval cults. The past became my drug (as I tapered off actual drugs). I couldn’t cope with the present, so I swallowed the red pill and became a historian. Took refuge in archives, libraries and museums (my safe spaces), and the history of anatomy. Because it was about sex, death, and the Body and seemed obscure and irrelevant. Pure escapism. But escape is impossible. Anatomy seems a fact of nature, what we are. But its past—and present—are tangled up in politics, aesthetics, the market, gender, class, race and desire.
No one reads this book nowadays, but in the 1840s and 50s, readers were captivated: it was the nation’s most popular novel. Published in monthly installments, the style is lurid, hallucinatory, a fever delirium, as befits a hastily improvised serial novel written by Edgar Allen Poe’s bestie.
The plot is impossible to summarize, but try this: “Monks Hall” is a place where Philadelphia’s elite—politicians, ministers, publishers, medical professors, businessmen, judges, and lawyers—go to fraternally seduce and rape virgins, torture and murder their enemies, and revel in their hypocrisy. And the ringleader, or maybe just the concierge, is Devil-Bug, a ghoulish murderer, blackmailer, thief, and bodysnatcher.
The novel consists of a succession of terrible things these terrible men do to good women, orphans, and weak men. One bad thing after another… It’s like Dickens on a bad acid trip. And, of course, anatomy figures. I’ll just cite two memorable scenes. First,…
America's best-selling novel in its time, ""The Quaker City"", published in 1845, is a sensational expose of social corruption, personal debauchery and the sexual exploitation of women in antebellum Philadelphia. This new edition, with an introduction by David S. Reynolds, brings back into print this important work by George Lippard (1822-1854), a journalist, freethinker and labour and social reformer.
My experience as a teacher of history, literature, art, and music placed me in close contact with young people and their friendships, passions, worries, and joys. Then I had children of my own. Teaching and parenting also made me more deeply aware of my own youth, and of the importance of relationships in the formation of the young. Each of my chosen books highlights these qualities through beautifully crafted prose. Their stories, characters, and settings have a special place in my heart, and have inspired me as a writer. And whenever I reread them, I realise I still have a lot to learn.
I’m not really a fan of Australian fiction, but I did enjoy Alan Marshall’s books.
Crippled by polio himself, Marshall had first-hand experience, which I found helpful for writing my book, especially since I Can Jump Puddles is also set in the early decades of the twentieth century.
More importantly, I find his gutsy approach to life in a tough rural environment, his no nonsense attitude, and his humour inspirational.
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
This is by far my favorite novel by John Grisham. I loved that he delivered a sensational narrative of Luke Chandler, the son of a poor cotton farmer. The boy must learn to deal with life faster than a seven-year-old should ever have to, as life on the farm comes with many obstacles and plenty of secrets he must manage to juggle.
It is masterfully told, and the life as Luke sees it is well depicted. I recommend this highly.
#1 NEW YORK TIMES BESTSELLER • Until that September of 1952, Luke Chandler had never kept a secret or told a single lie. But in the long, hot summer of his seventh year, two groups of migrant workers — and two very dangerous men — came through the Arkansas Delta to work the Chandler cotton farm. And suddenly mysteries are flooding Luke’s world.
A brutal murder leaves the town seething in gossip and suspicion. A beautiful young woman ignites forbidden passions. A fatherless baby is born ... and someone has begun furtively painting the bare clapboards of the Chandler farmhouse,…
Anyone who knows me knows that Christmas is my absolute favorite time of year! I devour all things Christmas, from decor to movies to music to cookies, so curling up with a magical holiday book is my idea of a very merry holiday!
A Christmas Story is my all time favorite Christmas movie so as a gift to myself I bought a copy of the short stories book that it was based on. Jean Shepard was a great writer and radio personality, and it comes through every page of this book. Such a great companion piece to the film.
A collection of humorous and nostalgic Americana stories—the beloved, bestselling classics that inspired the movie A Christmas Story
Before Garrison Keillor and Spalding Gray there was Jean Shepherd: a master monologist and writer who spun the materials of his all-American childhood into immensely resonant—and utterly hilarious—works of comic art. In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.
In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage “You can never go back.” Bending the ear…
In the 1970s and '80s, I lived in New York, made noise in downtown bands, wrote incomprehensible texts. And obsessed about dinosaurs, ancient civilizations, Weimar, and medieval cults. The past became my drug (as I tapered off actual drugs). I couldn’t cope with the present, so I swallowed the red pill and became a historian. Took refuge in archives, libraries and museums (my safe spaces), and the history of anatomy. Because it was about sex, death, and the Body and seemed obscure and irrelevant. Pure escapism. But escape is impossible. Anatomy seems a fact of nature, what we are. But its past—and present—are tangled up in politics, aesthetics, the market, gender, class, race and desire.
This book is a largely forgotten historical novel that is itself a historical artifact: a swooning love-letter to New York, published in 1927 when the city seemed to be the unique locus of urban industrial modernity.
The story goes like this: It's New York at the start of the 20th century. Through gritty determination, native intelligence, physical strength, and sheer goodness, John Breen, a penniless orphan, attains success and true love, against all odds and temptations. Though not a Jew, as “Fighting Lipvitch,” Breen becomes the hero-pugilist of the Jewish Lower East Side—and a favorite of “uptown swells.” But Breen is completely illiterate, and after tearfully confessing his shameful secret, Pug Malone, his beloved trainer, sends him to night school. Where Breen learns to read, becomes a voracious reader, and then quits prize-fighting. Aided by upper-class patrons Judge Kelly and Gilbert Van Horn (whose shameful secret is that he is…
1927. First Edition. 415 pages. No dust jacket. Blue cloth with gilt lettering. Clean pages. Notable tanning to endpapers and page edges. Previous owner's name to front endpaper. Some gutter cracking. Mild wear and bumping to spine, board edges and corners, with crushing to spine ends. Minor tanning to spine, with scuffing, staining and marking to boards.
