Here are 100 books that I Can Jump Puddles fans have personally recommended if you like
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I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
I know it’s a bit cliché, but I can never stop myself from talking about my favorite novel of all time—Jane Eyre.
Not only does Jane’s voice sweep me off my feet every time I reopen the novel, but the novel itself always gets me thinking. It’s one of those rare books that somehow contains every genre, and does it well.
I get sucked into the mystery of the noises in Rochester’s house. My heart breaks when Jane’s only friend, Helen, dies. But most of all, I feel the romance, the chemistry between Mr. Rochester and Jane. All of it keeps me coming back for more.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
What’s so neat about this book is that it doesn’t just capture a light-hearted and moving glimpse into English academia; it provides glimpses into a man’s—an institution in himself—relationships with his wife, coworkers, and students.
I enjoyed the progression of time. Several generations of students interact with the aging, albeit the same, “Mr. Chips.” There’s something neat about that.
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This was one of my favorite books as a child and probably one reason I became an anthropologist of mining.
Though I wouldn’t have put it this way at the time, I found it fascinating that in a place where everything is doing the same job, especially a highly dangerous and damaging job, other aspects of culture coalesce around that job and its meanings—things like religion, kinship, gender, leisure, ecology, etcetera. I was deeply moved by the description of the vast slag heap that slowly came to tower over the town, eventually engulfing the narrator’s small house.
All six episodes of the BBC adaptation of Richard Llewellyn's classic novel set in a Welsh mining community at the turn of the century. Gwilym (Stanley Baker) and Beth Morgan (Siân Phillips) work their hardest to provide for their children, but these are the years before the unions improved the miner's lot, and times are very hard indeed. However, the community in which the Morgans live is a close-knit one, and they are grateful for all the help they receive, especially from the Rev. Gruffydd (Gareth Thomas).
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
In the 1970s and '80s, I lived in New York, made noise in downtown bands, wrote incomprehensible texts. And obsessed about dinosaurs, ancient civilizations, Weimar, and medieval cults. The past became my drug (as I tapered off actual drugs). I couldn’t cope with the present, so I swallowed the red pill and became a historian. Took refuge in archives, libraries and museums (my safe spaces), and the history of anatomy. Because it was about sex, death, and the Body and seemed obscure and irrelevant. Pure escapism. But escape is impossible. Anatomy seems a fact of nature, what we are. But its past—and present—are tangled up in politics, aesthetics, the market, gender, class, race and desire.
I was 10 when I read Tom Sawyer. Which I loved but didn’t entirely get. To boy Mike, the midnight graveyard scene, featuring two thuggish bodysnatchers and a young unthuggish doctor, was mysterious, unmotivated. I didn’t know why bodysnatchers snatched bodies. But 19th-century readers, even children, did know: bodysnatchers stole cadavers for medical students to dissect. (Anatomy was in vogue, and medical schools lacked a supply of legal bodies.) But that’s not all.
A few chapters later, Twain presented boy Mike with another anatomical episode to puzzle over: Mr. Dobbins, Tom’s ill-tempered schoolmaster, discovers that some student has managed to unlock the drawer in his desk where he keeps his prized anatomical atlas. Dobbins is furious: a page has been torn. Unbeknownst to Dobbins, the culprit is Becky Sharp (Tom’s crush), who thereby gets to see something naughty that only anatomy books can show: “a handsomely engraved” color illustration…
"The Adventures of Tom Sawyer" is the first of Mark Twain's novels to feature one of the best-loved characters in American fiction, with a critical introduction by John Seelye in "Penguin Classics". From the famous episodes of the whitewashed fence and the ordeal in the cave to the trial of Injun Joe, "The Adventures of Tom Sawyer" is redolent of life in the Mississippi River towns in which Twain spent his own youth. A sombre undercurrent flows through the high humour and unabashed nostalgia of the novel, however, for beneath the innocence of childhood lie the inequities of adult reality…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
Finally, a campus novel with a female protagonist who’s also an undergraduate. Batuman does a wonderful job of immersing the reader in her main character’s point of view. And what a fascinating perspective she offers–I was so enthralled with her way of thinking and the amusing things she notices about the people and places around her!
The writing constantly surprised and engaged me while taking me along on the journey of Selin’s first year of college.
I’ve loved portal fantasies since childhood—after all, who has never imagined being swept away to another world, particularly one in which magic is more than mere illusion? (The trick, of course, is then finding your way back…) Since the wardrobes in my life have thus far refused to open onto snowy forests, however, I write my own stories these days.
The Magicians is what happens when a kid who’s obsessed with a series like The Chronicles of Narnia grows up, is accepted into a magical university, and discovers along the way that the fantasy world he so loved reading about is real…but not quitewhat he imagined. This novel, the first in a trilogy, offers a more jaded look at some of the beloved aspects of children’s fantasy and how they might play out with young adults discovering themselves and seeking purpose.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
This book is just pure, sexy, chaotic fun (with sapphic monster ladies, of course). I’m an absolute sucker for a good genre-bender, and this one is not only chock-full of a variety of monsters, but it’s also a mystery, a comedy, an erotica, and a kind of Bildungsroman all rolled into one.
I laughed out loud more than once when reading this, and certain twists were executed so well that they had me flipping back to the beginning to find the clever foreshadowing. Also, the monsters are plentiful and their interactions are an absolute blast.
This was the book that made Jemma Topaz an insta-buy author for me.
Rosemary Dulahan, answering a strange job posting, arrives in Monstertown – a place inhabited by magical beings from another world.
Navigating the politics of sphinxes, lamias, and secrets, she must learn how to get along with her non-human coworkers and maybe romance a few monster girls along the way.
There's nothing she wants less than getting caught up in a murder mystery troubling all of Monstertown... but the mystery doesn't care what she wants, and she's about to discover the darker side of her new world.
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
Given that this novel is set in Mississippi in the 1950s, I was intrigued by the teen-aged friendship at its center. When Cassie, who’s black, and Judith, who’s white, learn that they have the same father, they decide to join forces in claiming their share of the family inheritance. The result is a sometimes perilous and even other-worldly road trip from Mississippi to Virginia, during which the girls’ budding relationship is sorely tested.
A spellbinding debut about half sisters, one black and one white, on a 1950s road trip through the American South
Self-educated and brown-skinned, Cassie works full time in her grandmother’s laundry in rural Mississippi. Illiterate and white, Judith falls for “colored music” and dreams of life as a big city radio star. These teenaged girls are half-sisters. And when they catch wind of their wayward father’s inheritance coming down in Virginia, they hitch their hopes to a road trip together to claim what’s rightly theirs.
In an old junk car, with a frying pan, a ham, and a few dollars…
I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
Even though this book has some major plot issues, when I read it a decade or more ago it instantly became one of my favorites. I don’t think Laymon writes about kids much, but he did a good job with the three friends in The Traveling VampireShow. The budding, awkward romance between the two of them was realistic, and the comic relief that the third provided was great. The story gets a bit wild at the end with the excessive violence and nudity, but that’s what Laymon got off writing about (sadly he passed away a number of years ago), and if you’re okay with those types of things, you’ll certainly enjoy the ride.
On a hot August morning in 1963, the rural town of Grandville is covered with fliers announcing the coming of something extraordinary - a one-night-only performance of The Travelling Vampire Show, featuring Valeria, the only known vampire in captivity. For three local teenagers, it's a show they don't want to miss. The trouble is, the show starts at midnight and they're supposed to be home by then. And in any case, Janks Field, where the show will take place, has been declared off-limits because of its own sinister history. But they can't just sit at home and let Valeria do…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.
Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.
An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's shadow.
When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she makes rebellious friends and frequently challenges authority; and most frighteningly, her mother, seeing Annie as a 'young lady', ceases to be the…
