Here are 100 books that That Kind of Mother fans have personally recommended if you like
That Kind of Mother.
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I am a tumbleweed writer—one who moves from town to town every few years—and I have learned to adapt to new communities and break into new friend groups. In a sense, one could say I reinvented parts of myself as I moved from place to place, and I changed hats regarding what job I would get. Although challenging at times, the scope of this atypical lifestyle has provided me with a wealth of experiences to draw on when drafting a story, not only in setting and career, but also the psychological rollercoaster that comes with blowing with the wind.
This is such a beautiful novel from so many angles.
Although not specifically a suspense story, this book has many suspenseful elements. The character work in it is lovely, and the backstory of the girl, Ursa, is doled out in fragments to a final heart-wrenching reveal.
I love books where characters face their demons and push through challenges. Every character in this book is struggling with something significant, yet their individual challenges round out the story rather than overwhelm it.
An Amazon Charts, Wall Street Journal, and Washington Post bestseller, and a Goodreads Choice Award finalist.
In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.
After the loss of her mother and her own battle with breast cancer, Joanna Teale returns to her graduate research on nesting birds in rural Illinois, determined to prove that her recent hardships have not broken her. She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot…
A compelling and unforgettable tale of humanity, resilience, and the lengths we will go to for love. When the end comes, what will you wish you had done?
In 2050s London, a deadly virus sweeps the globe, and the British government decides to evacuate children from the cities while a…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
I read this book during a camping trip with my family, and I got so sucked into the story that I kept sneaking off to read in the tent (which seems appropriate, given the plot). We’ve all read stories about husbands and fathers who hide secret second families, but in this case, it’s a mother who is secretly married to two different men.
The story illustrates how mothers are human and flawed like everyone else, and it made me reflect on all the ways our culture expects women to sacrifice for their families. I found myself questioning what we mothers owe to our children versus what we owe to ourselves.
Lore Rivera was married to two men at once. She led a secret double life - until one man shot the other. That's the story the world knows.
But true-crime writer Cassie Bowman wants to know more - about the mysterious woman at the heart of it all, and about what really happened the night of that tragic murder. How did Lore lead two lives? How did it feel when it all came crashing down?
After years of hiding, Lore is finally ready to tell her story. But as her tragic tale unfolds, will either woman be ready for the…
I grew up in a family that avoided expressing any emotion. A happy house was one where anger and frustration were unheard of. Even laughter was suspect. Books allowed me to experience joy and sorrow. Books allowed me to express my feelings, even though it was behind my closed bedroom door, clutching a handful of sodden tissues, exhausted from the novelty of letting my emotions out. These books are not the books of my childhood. Instead, they are the books of the grown-up me who no longer has to hide behind her bedroom door. I think you will love them just as much as I do.
This is a story about adoption. But not the story of the poor child no one wants. Instead, it is the story of the joy of growing up knowing that the child is blessed to have been chosen by their adoptive family.
Laurie Frankel’s main character, India Altwood, wants people to know that family is complicated. Love is complicated. And maybe people shouldn’t be too quick to judge.
This book is an excellent example of why I love this author. She is brave and honest, tackling stories that need to be told.
India Allwood grew up wanting to be an actress. Armed with a stack of index cards (which, torn into pieces, also function as make-shift confetti) and a hell of a lot of talent, she goes from awkward 16-year-old to Broadway ingenue to tv star.
But while promoting her most recent project, a film about adoption, India does what you should never do - she tells a journalist the truth: it's a bad movie. Like so many movies about adoption, it tells only one story, a tragic one. But India's an adoptive mum herself and knows there's so much more to…
This is a novel about choices. How would you have chosen to act during the Second World War if your country had been invaded and occupied by a brutal enemy determined to isolate and murder a whole community?
That’s the situation facing an ordinary family man with two children, a…
As a mom of three who's struggled to find a balance between parenting, career, and meeting my own needs, I'm intensely interested in the way our society views motherhood. There are so many different ways to become a mother and so many different opinions about what makes a “good mom.” On the one hand, our culture has incredibly high expectations and seems to judge women no matter what choices they make. At the same time, we don’t offer struggling moms basic supports like low-cost childcare, mental health benefits, or paid maternity leave. I love reading novels that recognize this paradox and take a generous view of the many definitions of motherhood.
I couldn’t put this one down! I kept asking myself what I would have done if I was in the same situation as Sarah, who found herself accidentally kidnapping a child to protect her from an abusive mom. The story made me think deeply about whether biology or bonding should matter more when deciding who deserves to raise a child.
I love it when authors aren’t afraid to dive into the perspective of unlikeable characters, and I appreciated that Frey gives us chapters from the perspective of the biological mom, whose misery and overwhelm I found relatable even as her parenting choices made me cringe.
Emma Grace Townsend. Five years old. Gray eyes. Brown hair. Missing since June.
Emma Townsend is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.
Sarah Walker. Successful entrepreneur. Broken-hearted. Abandoned by her mother. Kidnapper.
Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal - and when a second-chance encounter with Emma presents itself, Sarah takes her, far away from home. But if it's to rescue a little girl from her damaging mother, is kidnapping wrong?
Motherhood blindsided me. I was 37 and living my childhood career dream as a foreign correspondent when I serendipitously smelled the head of a friend’s newborn. Next thing I knew, I was up all night singing old Beatles' songs to a baby who needed to eat every half hour. Amazed by the power of rudimentary biology to reshape my conscious experience, I couldn’t help but start writing about it, first in essays and then in two shameless motherhood books of my own: The Mommy Brain: How Motherhood Makes You Smarter (heavily inspired by SarahHrdy) and Buzz: A Year of Paying Attention (about sharing an ADHD diagnosis with my son).
Beginning in 1970, with “Up the Sandbox,” Roiphe was part of the first wave of shameless motherly truth-tellers. There are few more truer sentences than her acknowledgment that “feminism, despite its vast accomplishments, has not cured me of motherhood” in this poignant and prescient book about the impossible expectations that continue to bedevil working mothers.
The author of the best-selling novel Up the Sandbox offers a critical account of the feminist stance on marriage and motherhood, arguing for renewed support for the needs of working women trying to bring up children. 40,000 first printing. Tour.
I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
Deciding to place a child for adoption is one of the most excruciating decisions in the human experience. When Amy Seek, a promising architecture student, becomes pregnant, she’s not yet ready to become a parent. But she’s also not ready, completely, to hand over her child to a perfectly lovely family. Her tale of love, heartbreak, and acceptance is a reminder to parents and non-parents of all circumstances that there are lots of ways to make a family—and in this case, it was the best, most perfectly imperfect option. I think this is a really important book for everyone in the adoption triad (birth parents, adoptive parents, adoptees) to read, because it really gets up close and uncomfortably personal with the struggle some birth mothers undergo, despite the unlimited love they have for their babies.
God and Jetfire is a mother's account of her decision to surrender her son in an open adoption and of their relationship over the twelve years that follow. Facing an unplanned pregnancy at twenty-two, Amy Seek and her ex-boyfriend begin an exhaustive search for a family to raise their child. They sift through hundreds of "Dear Birth Mother" letters, craft an extensive questionnaire, and interview numerous potential couples. Despite the immutability of the surrender, it does little to diminish Seek's newfound feelings of motherhood. Once an ambitious architecture student, she struggles to reconcile her sadness with the hope that she's…
I bought a bookstore when I was twenty-five, knowing nothing about business but knowing I loved books. It was the happiest I’ve ever been, professionally, and also the most broke. At some point, I came to my senses, sold my store, and got a job working in a library. I’m a library director now, and I don’t get to recommend books as much as I used to when I didn’t have to do things like think about the budget and remove dead mice from the cellar. Still, I get to work around books, and I overhear and occasionally insert myself into a fair number of book-related conversations.
Talk about a complicated mother-daughter relationship! Almost as soon as her daughter is born, Blythe suspects something is…off. And no kidding, is it ever? This book takes the idea of not being able to connect with your kid to a whole other, really terrifying level.
What I particularly love about this book is how much it challenges the idea of who is in charge in the mother-daughter relationship, and what it means if your kid is really, truly, bad. This book actually made me gasp. The title refers to the central incident of the book, but I like it because the book also pushes against all kinds of societal norms.
A Good Morning America Book Club Pick | A New York Times bestseller!
"Utterly addictive." -Paula Hawkins, author of The Girl on the Train
"Hooks you from the very first page and will have you racing to get to the end."-Good Morning America
A tense, page-turning psychological drama about the making and breaking of a family-and a woman whose experience of motherhood is nothing at all what she hoped for-and everything she feared
Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had.
Becoming a mother rocked my world in countless ways, drawing me to books that explore the raw, unfiltered truth about how challenging motherhood can be. The complexities—the love, guilt, and frustration—resonate deeply with me. Motherhood is also why I started writing; initially, I wanted to process the overwhelming emotions I was feeling. When I began sharing my writing with friends, their “Yeah, me too's” made me realize I wasn’t alone. I have deep respect for authors who can capture the messiness of motherhood so honestly, and I’m inspired by their ability to put into words what so many of us experience.
I loved this book'sraw, unflinching exploration of a taboo topic: the quiet regret some mothers carry. Through Sadie, a fierce Broadway star and feminist icon, and her daughter Jude, an actress on the brink of her own fame, Reimer paints a portrait that's complex and so intimate it’s almost uncomfortable at times.
I appreciated how neither woman was cast as the villain, and in their struggle, I found I could relate to both of them at different moments. Cleverly structured as a play in six acts, this novel is a beautifully written, compulsive read that asks the hard question: can a woman truly be both a devoted mother and a devoted artist?
Set against the sparkling backdrop of the theater world, this propulsive debut follows the relationship between an actress who refuses to abandon her career and the daughter she chooses to abandon instead.
Sadie Jones, a larger-than-life actress and controversial feminist, never wanted to be a mother. No one feels this more deeply than Jude, the daughter Sadie left behind. While Jude spent her childhood touring with her father’s Shakespearian theater company, desperate for validation from the mother she barely knew, Sadie catapulted to fame on the wings of The Mother Act—a scathing one-woman show about motherhood.
A professor of television, I had my first child at 28 and was the first of my friends to give birth. The mothering support I received came from my mother, who (bless her heart) was convinced that all women should stay home with their children and devote their lives to mothering. A lifelong feminist, I knew that something was amiss (particularly for a single parent), and as I learned more about feminism and mothering, I realized there was something at odds with the way mothers were treated in the media and society. Learning why became my passion.
I loved this book when I initially read it, and return to it time and again. Adrienne Rich is, quite simply, the mother of motherhood studies.
This book strongly resonates with me and my experiences as a mother, particularly how Rich defines mothering and motherhood as two distinct states of being: Motherhood–the patriarchal institution (this is where we get all the do’s and don’ts of what society expects of us as mothers)–and mothering–the actual affective labor of bringing up children.
One section in particular–where Rich compares the freedom of the summer break with the return to restrictions of term time and the ‘rule of the father’–is as true now as it was then. This is a personal take on motherhood infused with passion and intelligence. I highly recommend it.
In Of Woman Born, originally published in 1976, influential poet and feminist Adrienne Rich examines the patriarchic systems and political institutions that define motherhood. Exploring her own experience-as a woman, a poet, a feminist and a mother-she finds the act of mothering to be both determined by and distinct from the institution of motherhood as it is imposed on all women everywhere. A "powerful blend of research, theory, and self-reflection" (Sandra M. Gilbert, Paris Review), Of Woman Born revolutionised how women thought about motherhood and their own liberation. With a stirring new foreword from National Book Critics Circle Award-winning writer…
I have always been a devoted reader of fiction, and I especially enjoy novels and short stories that delve into characters’ interior lives and motivations. I find people fascinating, both in books and in real life, and I am always trying to figure out why people do or say certain things. I should probably have become a psychologist or a detective instead of a musicologist. I am passionate about doing as much of that kind of sleuthing as a scholar as possible.
I listened to this audiobook about motherhood while pushing my newborn second child in a stroller. Sarah Knott takes the reader through the stages of becoming a mother–conception, miscarriage, pregnancy, birth, newborn care, childcare, and resuming work–and then doing it again with a second child.
Throughout, Knott contrasts her own experiences with those of women in the past, especially in North America and Britain. The differences are striking, not just in healthcare but also in social support. I thought about the women I'd written about who had many children and how important familial support was.
As a fellow professor, I was heartened to read about Knott's experience returning to work and re-finding her academic mind. She writes poignantly about how motherhood is a constant interruption. It is so true!
Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity―the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How?
In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate…