100 Books Like Super Sad True Love Story

I devoured this book in a day, and it has kept me thinking for years. Say you can buy a stuffed animal equipped with a camera, and an anonymous user somewhere on the planet can see through that camera, move the toy, and make a rudimentary noise. What could possibly go wrong?

I was fascinated by the range of stories Schweblin imagines: fun, sweet, silly, and absolutely awful. Why can’t people in Silicon Valley think outside the box like this before they release the latest gadget that’s supposed to make our lives better? 

I’ve tried my hand at street poetry with a typewriter and been surprised by the hugs and tears my little efforts sometimes provoke. This book shows me why: people are hungry for someone to listen and care. And something about a mechanical intermediary promotes attention, while digital tech pushes us apart.

I was absorbed by Sonia-Wallace’s stories and jealous of his chance to be Amtrak’s writer-in-residence, typing poems on a train across America.

I could use some hope for the future, and this story by a polymath and “deindustrial” sci-fi writer made me hope. It’s an actual utopia, not the much more popular dystopian genre. Greer lets me imagine how a low-tech, 1950s-ish economy could provide a more sustainable and meaningful life for all. He makes sensible points that cut across our usual political divisions.

After reading Retrotopia, I walked through a 19th-century neighborhood in Cincinnati, admired the small businesses and streetcars, and felt that this is the way things ought to be.

Birkerts’ essays make me beautifully sad and newly defiant. Like me, he’s an analog native living in a digital world who has felt his ability to concentrate on the written word erode over the years.

But boy, can he write: “Imagination, the one feature that connects us with the deeper sources and possibilities of being, thins out every time another digital prosthesis appears and puts another thin layer of sheathing between ourselves and the essential givens of our existence, making it just that much harder for us to grasp ourselves as part of an ancient continuum.” To the typewriter, I go!

I’m also a personal friend of Jim C. Hines, but we became friends because I was a fan of his work. 

This book is the first of a trilogy (which is different than a never-ending series) and takes a new, different, and funny spin on the zombie apocalypse.

Earth was hit by a plague that zombie-fied those humans it didn’t kill. Then the aliens came and cured some humans, who had to join their space fleet. Mostly as janitors and other menial laborers. Marion “Mops” Adamopoulos goes from head janitor to captain of the Earth Mercenary Corps Ship Pufferfish.  She can barely fly the ship, but now must fight it.

Definitely a case where an ordinary person gets put in an extraordinary situation.

This is a cyberpunk classic, but what I really love about it is the combination of modern computer technology with Sumerian mythology, the Tower of Babel myth, and how well Stephenson is able to integrate them, so we have hackers throwing around Sumerian terms like 'me' and 'nam-shub'.

And for me, I love that there’s just a lot of cool stuff happening here, like a biker with an atomic bomb on a deadman switch, a nuclear-powered needle gun. And our lead character is named Hiro Protagonist. But probably the biggest point for me is that despite the dystopian setting, there really is more hope in this story than one would think.

I love Pratchett’s work so much in general that it’s really hard to pick just one. His work was side-splittingly funny but also the very best kind of satire. He had pointed things to say about society while also making you care deeply about his characters and making you laugh until your face hurts. Do you know how hard that is?

In this book, the protagonist is a con man forced into trying to resuscitate a dying postal service. He’s petty evil, the kind of selfish who has never thought about what happens to his victims. By the end, you can’t help but root for him to triumph over the much less petty but equally hidden evil of systems and big money. But you also can’t look away from the chaos of ravening stamp collectors, hapless wizards, and a literal avalanche of dead letters.

I love this author, but I could have chosen any of Jennifer’s books.

She writes contemporary romantic comedies with everything I want from a romantic comedy, good plot lines great characters you can really identify with. If her hero and heroine were real, they would be people I could imagine wanting to spend time with. 

A friends to lovers trope – Nick and Quinn have such a powerful connection, they absolutely must get together by the end of the book despite all the problems along their way. All Jennifer’s books are written with a light touch and great humour.

Spoiler alert Nick and Quinn get their Happy Ever After. And there is a dog! I happily go back and read this again and again.

Doing slapstick in prose is so hard, and this succeeds brilliantly. It's a cozy murder mystery with rom-com flair and is a delight to read. I love the way the family comes together to help one another, even if it’s not always welcomed.

It’s funny and charming and had me laughing out loud. The story has so many ridiculous moments and, at the end of the day, it’s about the strength of the relationships.

A Kirkus review aptly described this novel as “mysterious, bizarre, frustrating, weirdly smart and pretty cool”. 

It’s mostly a fiercely intelligent exploration of both political and personal crises in 2017, the year of Trump and Brexit. Radical feminist Kathy has also fairly inexplicably agreed to get married. Pre-wedding she travels to a resort in Italy with her fiancé where she tumbles through a range of highly-emotive stances on intimacy and closeness.

After an argument about prosciutto and fig ciabattas with her husband “she hated him, she hated any kind of warmth or dependency, she wanted to take up residence as an ice cube in a long glass of aqua frizzante.”  Her fury quickly dissolves “anyway they sorted it out” and the novel travels brilliantly onwards.