Here are 100 books that Snow Crash fans have personally recommended if you like
Snow Crash.
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What other topic brings together human behavior, culture, business, the media, and more? And what other career allows you to use that understanding to produce compelling, entertaining, and persuasive communications across broadcast, streaming, social, outdoor, in-store, new product development, and other channels? That’s why I’m passionate about it. And that’s the passion I want to instill in my students, readers, and clients. So, who am I? I’m a professor and marketing consultant (copywritnig, creative direction, and marketing strategy) with large and small clients, and nearly 10 books on the topic. Read these books and I think you’ll become passionate about this topic too!
By now, you might have noticed a theme: if I don’t enjoy reading a book, I don’t trudge through it for the deep insights or how-to information. The storytelling needs to be as strong as the concepts are useful.
Just like The Copy Workshop Workbook, I read an earlier edition of this book when I was just starting out – and it formed the basis for some of my thinking around how to influence – i.e., persuade – consumers and the role psychology and behavioral economics play in crafting effective marketing and brand development programs.
I also recommend this book if you are a consumer, too (who isn’t), because it will help keep you from falling into many of the traps that Cialdini identified.
The foundational and wildly popular go-to resource for influence and persuasion-a renowned international bestseller, with over 5 million copies sold-now revised adding: new research, new insights, new examples, and online applications.
In the new edition of this highly acclaimed bestseller, Robert Cialdini-New York Times bestselling author of Pre-Suasion and the seminal expert in the fields of influence and persuasion-explains the psychology of why people say yes and how to apply these insights ethically in business and everyday settings. Using memorable stories and relatable examples, Cialdini makes this crucially important subject surprisingly easy. With Cialdini as a guide, you don't have…
“A non-stop action thrill ride of fantasy meets sci-fi meets cyberpunk.”
Camber Maypole was human once, an avid climber and chief medical officer aboard the Vera Rubin, a colony ship headed for a distant planet. But the day before launch, she was scrubbed for "insubordination." Against her will, her consciousness…
I am a retired university professor who taught creative writing at the Faculty of Philology, University of Belgrade, and a not-yet-retired author, although I have on several occasions solemnly stated that I have written my last prose book. I believe these two qualities make me competent to create a list of 5 books that I have reread the most often.
This is, in my humble view, the best science fiction novel ever written. I have read it no less than ten times so far and intend to keep rereading it. What nowadays seems incredible is that it was written back in 1961, when most science fiction was still in its age of innocence, full of naïve assumptions about extraterrestrials and their malevolent ambitions.
It will be many years before the first ideas of benevolent aliens appear and even more before we fully realize Lem's wisdom from Solaris: there isn't going to be any First Contact because Others are neither bad nor good, but indifferent, as it is the planetary intelligent ocean on Solaris. We aren't still mature enough even for contacts with ourselves, let alone Others.
When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . .
Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what…
I am a retired professor of philosophy, but my academic training was in modern languages. I am also an active jazz saxophonist. My dissatisfaction with many established approaches to literature led me to look at literary theory, which then made me focus on philosophy. Academic philosophy, though, seemed to me too often to concentrate on questions about theorising knowledge that neglected questions about how we actually make sense of the world. This led me to reassess the importance of art, particularly music, for philosophy. My chosen books suggest alternative ways of looking at the concerns of philosophy at a time when humankind’s relationship to nature is clearly in deep crisis.
I like books that change the very ways in which I see and understand the world.
Polanyi’s The Great Transformation from the end of WW2 made it much clearer to me how a world which regularly finds technological solutions to humankind’s problems could also descend into barbarism. Modern capitalism’s subordinating the functioning of society to the demands of the market changes the status of nature itself in ways that I am increasingly aware of, as the ecological crisis threatens the very survival of humankind.
The book appeals to me not least because of the ways in which it draws important philosophical conclusions from a detailed historical narrative rather than just stating theoretical positions.
In this classic work of economic history and social theory, Karl Polanyi analyzes the economic and social changes brought about by the "great transformation" of the Industrial Revolution. His analysis explains not only the deficiencies of the self-regulating market, but the potentially dire social consequences of untempered market capitalism. New introductory material reveals the renewed importance of Polanyi's seminal analysis in an era of globalization and free trade.
A test of leadership, loyalty, and legacy. Rylie Addison faces the greatest leadership challenge of her life. As climate change ravages the world, leaving millions displaced, Rylie is handpicked by the enigmatic Maja Garcia of Gaia Enterprises to govern Terra Blanca, an unprecedented man-made island community for climate refugees.
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Sci-fi has been part of my life since Sunday afternoons in front of the radio listening to Journey to the Moon and the original Quatermass serial. Then it was Doctor Who and Star Trek. Despite this, I have never written a serious sci-fi book until now, but I can boast of knowing all the characters in both the radio and TV sci-fi shows. I guess I can admit to being a Trekkie.
This book tells a strong story about censorship and has perhaps a "light" dystopian feel.
I liked this book because Bradbury’s characters are well drawn and, like Orwell, he creates a strong story. It reminded me of past events in the 30’s. A fireman, following orders to confiscate and destroy books because the authority does not want people to develop constructive thinking. Gradually turning against his boss, the fireman kills his boss and joins a group of people who memorise books and store content for the future.
I found this a thought-provoking story and hope that, considering the censorship laws we have today at home and in countries like Russia and Iran, this is one story that does not come true.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
An ancient Roman temple terraforming Mars. An android longing for his human wife. Will their epic clash bring Earth to its knees?
Android Y1 is heartbroken. He was once a neuroscientist who uploaded his own brain to study it. Now he hates watching his human self take his wife and…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.
She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
Sci-fi has been part of my life since Sunday afternoons in front of the radio listening to Journey to the Moon and the original Quatermass serial. Then it was Doctor Who and Star Trek. Despite this, I have never written a serious sci-fi book until now, but I can boast of knowing all the characters in both the radio and TV sci-fi shows. I guess I can admit to being a Trekkie.
This is a dark, scary story about a world ruled by fear.
Orwell is the father of the dystopian novel, in my opinion. I loved this book not only because Orwell created a great atmospheric novel, but his words create vivid pictures of such a society – better than the film.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.
This is the first book I’ve read where I truly believed in a world existing alongside our own.
One where the ordinary and the supernatural live side by side and quietly shape each other, even if they don’t fully realise it. I absolutely loved the humour.
It’s a remarkable book that made me feel like I’d been pulled into another world entirely. One that’s dirtier, stranger, more magical, and just a little bit beyond understanding.
