Books like Struck — picked by fans

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

After Ember loses her grandmother, she finds herself retreating from the Real World and going into the woods. They’re no ordinary woods though. They’re a portal to another world. One where Ember isn’t lonely. The only catch? She can never return to her real life. This book I felt had a lot of good metaphors for depression and grief mixed with the fantasy elements to give it both a powerful message and an entertaining feeling.

I have re-bought this book multiple times because I keep giving it away as a gift.

I am OBSESSED with the dynamic between the main male character and the main female character. The tricksy nature of the fae, combined with the forbidden nature of humans in the fae realm, lends such a delicious tapestry to the complicated social dynamics between Jude and Cardan, and indeed the rest of the Fairie Court.

I particularly loved the transition of Jude throughout this book – she hardens as Cardan softens, and in a dangerous world, it’s just the perfect combination.

Adore, adore, adore.

In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.

Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.

I love that the dedication is to the A to Z Challenge bloggers of 2014. (I was one of them!) Here's a well-written and comprehensive reference guide. There's a strong author voice and a great amount of information. It covers the importance of including diverse characters. I recommend The A-Zs of Worldbuilding: Building a Fictional World From Scratch to writers building a fictional world, and to writers using an unfamiliar setting. A necessary reference tool for authors.

Alan Campbell set the mixed steampunk science-fantasy genre for me, with his high fantasy worlds where machines and magic go hand in hand, to prison cities surrounded by poisonous waters that can turn you into permanent sea-dwellers, and telepathic abilities worth killing for.

This is a world where a trip to the beach might kill you if the telepaths don’t find you first.