Books like Struck — picked by fans

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

After Ember loses her grandmother, she finds herself retreating from the Real World and going into the woods. They’re no ordinary woods though. They’re a portal to another world. One where Ember isn’t lonely. The only catch? She can never return to her real life. This book I felt had a lot of good metaphors for depression and grief mixed with the fantasy elements to give it both a powerful message and an entertaining feeling.

I have re-bought this book multiple times because I keep giving it away as a gift.

I am OBSESSED with the dynamic between the main male character and the main female character. The tricksy nature of the fae, combined with the forbidden nature of humans in the fae realm, lends such a delicious tapestry to the complicated social dynamics between Jude and Cardan, and indeed the rest of the Fairie Court.

I particularly loved the transition of Jude throughout this book – she hardens as Cardan softens, and in a dangerous world, it’s just the perfect combination.

Adore, adore, adore.

In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

I read this before I read the preceding trilogy: Phèdre’s Trilogy, and was well drawn in without the background knowledge that may have come from reading the two series in order. I later did read Phèdre’s Trilogy and enjoyed it, but it was Imriel’s Trilogy that really captured me. I love that while most Fantasy series will focus on aggressive politics and war, these series are more about the arts and diplomacy and humans being very human in all their facets. Imriel was a captivating character who I was eager to follow along with as I discovered the world he lived in.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

This book is a masterclass on how to write fantasy. The worldbuilding is immaculate, the characters are complex with big personalities, and I was laughing out loud (not an exaggeration) from the first page.

Rasia and Nico are Black girls who know what they want. They constantly clash with each other, never giving an inch when they can take a mile, and I want every lover of fantasy to read this book.

Madeline Hunter is the pseudonym of an art historian who teaches at the university level, and that expert knowledge translates well in her books.

The little bits and pieces of art detail she adds to her story worlds really bring them to life. There’s also an element of mystery that deepens the plot. The Seducer is the first book in The Seducer series, and while it’s not the first of her books that I’ve read, the story of Diane Albret and Daniel St. John is the one that made me a fan.

The heroine is a recent boarding school graduate, and the hero is her far more experienced guardian. In the modern-day world, this premise is all kinds of creepy. The power dynamics between this couple were so far off, I wasn’t sure how Hunter could make this a romance.

But based on the historical details built into the world,… show more.

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.