100 Books Like Sea of Ghosts

I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.

Tolkien ignited my love for fantasy, but after a decade of publishing failure, I quit writing altogether. When I returned to the typewriter more than ten years later it was to create something that “I wanted to read” rather than a book that I “thought could get published,” Ironically, those were the stories that made my career: one that has spanned sixteen years, twenty published books, and multiple New York Times bestsellers. In retrospect, I realize that my books and my recommendations share many of the same elements: bonds of unbreakable friendship, humor, and a grand adventure. So, if that sounds like something you’d enjoy, please check out my recommendations.

Steampunk has always been a fascinating genre to me, especially seeing how different creators play with historical elements. But the question that I’m always looking to answer is, “Why is this history different from our own?” What has allowed this alternate Victorian era to create fantastical technology? As I asked this question about my own steampunk books, I found great delight in how other authors have combined magic with their technology to create delightfully refreshing outcomes. I continue to search out these books as I am always surprised at their creativity and novelty.

I grew up on a steady book diet of child detectives, fairy tales involving monsters in the woods, and historical fiction about the black plague. The same themes go through the books I love to read and write, transporting me with world-building set in realms or historical settings with technology so strange it could be fantasy. Characters are shaped by the world around them and the more perilous the world, the more it challenges the characters. If there are monsters, I’m in. 

I’ve published eleven classic-style space opera novels, a novella, and many short stories. Before becoming a writer, I spent twenty years in US Air Force in space operations; even though my books are light on science, I really was a rocket scientist! Plus, I’ve read science fiction since I was barely a teen, starting with Heinlein and McCaffery, and am always looking for my next favorite author!

Steampunk has always been a fascinating genre to me, especially seeing how different creators play with historical elements. But the question that I’m always looking to answer is, “Why is this history different from our own?” What has allowed this alternate Victorian era to create fantastical technology? As I asked this question about my own steampunk books, I found great delight in how other authors have combined magic with their technology to create delightfully refreshing outcomes. I continue to search out these books as I am always surprised at their creativity and novelty.

I'm the product of a man who married more times than I like to admit to strangers and even family. We moved all the time. Those two elements in my life led me to run out the door immediately upon release from sorting my belongings from their thoroughly packed boxes. I made friends at once with everyone I came across. Who knew how long we’d live there? Over the years, I acquired deep friendships from around the U.S. and often daydreamed of them all being in the same place at once and loving the solidarity. It never happened, but it's a theme that runs through me. It’s what I like to write about.

In the hands of a skilled horror author, there is something powerful about a slow-burn romance. When two characters are drawn to each other against the backdrop of dread and danger, the stakes are raised. Every moment the two have together is hard-won, special. The romance doesn’t soften the horror; it sharpens it. It gives readers something to invest in and hope for. That intense emotional investment creates tension. Survival isn’t just about escaping the supernatural threat or a human monster; it’s about what might be lost if they don’t. In horror, love is a luxury because it’s risky and a vulnerability. It's a favorite element of good horror. 

I was an avid reader growing up, but I never saw myself reflected unless it was a book about the Holocaust. Those are crucial stories to tell, but I wanted a Jewish girl going through a wardrobe to a secret land or having magical adventures. So, I decided to write those stories for women and combine them with steamy romance, because I love that, too. All my main characters are Jewish, and I draw from Judaism and Jewish folklore for my worldbuilding and magic systems. It's also important for me to showcase my diverse hometown of Vancouver. To that end, my characters are of varying ethnicities and sexual identities.

I’ve been pulled to rich, deep, complex fiction all my life. And I started building my own world when I was nine, adding to The Kota Series over two decades. Even while getting an English Literature degree, I was bored by simple worlds, characters, and stories and always found myself more interested in unique books and fresh reads. Really, the weirder the world, the better! That’s what I’ve continued to look for as a reader, and I’ve been lucky to encounter new authors that a lot of people might not have heard about yet. I’ve found some real world-building gems, like these I’ve discussed. I hope to find many more!