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I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.
Alexei Yurchak was part of the last Soviet generation—the last citizens born in the USSR who also lived through its collapse as adults. As the title suggests, Everything Was Forever Until It Was No More is a profound and poetic work about truth and what we come to accept as real. Yurchak wants to explain the paradox that, while Soviet people knew by the 1970s that their government was telling them almost nothing but untruths, they were still shocked to their core by their country’s demise. What I loved most about the book was Yurchak’s descriptions of ordinary life among his generation (their intriguing taste for the operatic qualities of metal, the elaborate public pranks they staged, the way they treated life like performance art). With pathos and humor in equal measure, Everything Was Forever Until It Was No More paints a brilliant portrait of a world that millions of…
Soviet socialism was based on paradoxes that were revealed by the peculiar experience of its collapse. To the people who lived in that system the collapse seemed both completely unexpected and completely unsurprising. At the moment of collapse it suddenly became obvious that Soviet life had always seemed simultaneously eternal and stagnating, vigorous and ailing, bleak and full of promise. Although these characteristics may appear mutually exclusive, in fact they were mutually constitutive. This book explores the paradoxes of Soviet life during the period of "late socialism" (1960s-1980s) through the eyes of the last Soviet generation. Focusing on the major…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Daniel Treisman is an expert on post-Soviet Russia, whose articles have appeared in Foreign Affairs, the New York Times, and CNN.com, among other publications. A professor of political science at the University of California, Los Angeles, he is the founder of the Russia Political Insight project, an international collaboration to analyze Kremlin decision-making. He is the author of The Return: Russia’s Journey from Gorbachev to Medvedev and editor of The New Autocracy: Information, Politics, and Policy in Putin’s Russia.
The Brezhnev era was when the Soviet elite decided not to come to terms with Stalin. This “fictional” memoir by one of Russia’s most interesting living writers is a penetrating meditation on fathers and sons, set against the backdrop of post-War Moscow. Erofeyev senior was Stalin’s official French interpreter, a believer in world revolution, avid tennis player, and tender parent. Erofeyev junior was a literary enfant terrible, who, by helping edit an almanac of underground writing in 1979, ended his father’s diplomatic career. The book is a beautifully crafted window into the personal and political of late communism.
The novel Good Stalin is inspired by Erofeev's experience growing up amidst the Soviet political hierarchy. His father, a staunch Stalinist who has dedicated his life and soul to the party, begins as Stalin's personal interpreter, and rises rapidly to the top of the political ladder and into the leader's inner circle. The book reflects the family's prestigious - and yet precarious - position as members of the nomenklatura. In one memorable scene, the main character Victor recalls how he would walk past the Kremlin as a child and comment to friends, "that's where my father works - he and…
Daniel Treisman is an expert on post-Soviet Russia, whose articles have appeared in Foreign Affairs, the New York Times, and CNN.com, among other publications. A professor of political science at the University of California, Los Angeles, he is the founder of the Russia Political Insight project, an international collaboration to analyze Kremlin decision-making. He is the author of The Return: Russia’s Journey from Gorbachev to Medvedev and editor of The New Autocracy: Information, Politics, and Policy in Putin’s Russia.
Pelevin exploded onto the Russian literary scene in the 1990s, propelled by a postmodern sensibility and satirical flair. In his masterpiece, Omon Ra, the Soviet space program becomes a metaphor for all the lies and cant of post-War communism. The Politburo cannot admit it trails the US in rocket technology. So it trains naïve recruits to secretly pilot “unmanned” one-way space missions. In fact, it’s even stranger than that, but no spoilers here. Hilarious satire, while at the same time weirdly true to life. A tale of pimply youths and slogans, empty sacrifices, moon landings, and port wine guzzled in garages.
Victor Pelevin's novel Omon Ra has been widely praised for its poetry and its wickedness, a novel in line with the great works of Gogol and Bulgakov: "full of the ridiculous and the sublime," says The Observer [London]. Omon is chosen to be trained in the Soviet space program the fulfillment of his lifelong dream. However, he enrolls only to encounter the terrifying absurdity of Soviet protocol and its backward technology: a bicycle-powered moonwalker; the outrageous Colonel Urgachin ("a kind of Sovier Dr. Strangelove"-The New York Times); and a one-way assignment to the moon. The New Yorker proclaimed: "Omon's adventure…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Daniel Treisman is an expert on post-Soviet Russia, whose articles have appeared in Foreign Affairs, the New York Times, and CNN.com, among other publications. A professor of political science at the University of California, Los Angeles, he is the founder of the Russia Political Insight project, an international collaboration to analyze Kremlin decision-making. He is the author of The Return: Russia’s Journey from Gorbachev to Medvedev and editor of The New Autocracy: Information, Politics, and Policy in Putin’s Russia.
The emergence of a dissident movement and the KGB’s efforts to control it were one of the dramas of the Brezhnev era. What better way to read the history than through the agency’s reports on the period’s premier dissident? Andrei Sakharov, nuclear physicist and “Domestic Enemy Number One,” survived the mind games and isolation, emerging to lead the campaign for memory in the late 1980s as Gorbachev loosened up. The book is fascinating on the fumbling efforts of Politburo gerontocrats, who often seem confused and outplayed, as well as on the circumlocutions and ideological distortions of a security agency determined to blur the true character of its operations.
Andrei Sakharov (1921-1989), a brilliant physicist and the principal designer of the Soviet hydrogen bomb, later became a human rights activist and-as a result-a source of profound irritation to the Kremlin. This book publishes for the first time ever KGB files on Sakharov that became available during Boris Yeltsin's presidency. The documents reveal the untold story of KGB surveillance of Sakharov from 1968 until his death in 1989 and of the regime's efforts to intimidate and silence him. The disturbing archival materials show the KGB to have had a profound lack of understanding of the spiritual and moral nature of…
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Mariza Kuznetsova (Something Unbelievable), Irina Reyn (Mother Country), and I all left the Soviet Union as children, before Putin and before all the changes he brought. Kristina Gorcheva-Newberry came of age in the new Russia. The Orchard is a tale of what our own lives might have been if our families had stayed. This loose retelling of Chekov zeroes in on how a childhood begun in the USSR and a young adulthood lived in Russia affected everyone who went through it, how it shaped worldviews, and how it continues to resonate even after decades of immigrant life in America.
Four teenagers grow inseparable in the last days of the Soviet Union—but not all of them will live to see the new world arrive in this powerful debut novel, loosely based on Anton Chekhov’s The Cherry Orchard.
“Spectacular . . . intensely evocative and gorgeously written . . . will fill readers’ eyes with tears and wonder.”—Minneapolis Star Tribune
Coming of age in the USSR in the 1980s, best friends Anya and Milka try to envision a free and joyful future for themselves. They spend their summers at Anya’s dacha just outside of Moscow, lazing in the apple orchard, listening…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
This is a powerful picture book about a brother and sister crossing the border on their own that is written from a child's point of view. The journey the characters have to take is set up as a game in which they have to escape and hide from the monsters in order to get to the other side.
The theme of migration and refugees is treated with sensitivity, and it is clear that it is an important topic for the author-illustrator, who had contact with families and children who had to live through this. I think it is a very important and relevant topic for today.
Author-illustrator Erika Meza delivers a stunning and emotionally rich book from the viewpoint of those most impacted by border walls: young refugee children. This powerfully told tale highlights the spirit and strength of those embarking on a dangerous trek, and what awaits them on the other side.
My sister tells me the rules of the game are simple.
Avoid the monsters. Don’t get caught. And keep moving.
If the monsters catch you, you’re out.
A young boy and his older sister have left home to play a game. To win, they must travel across endless lands together and make it…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I was born in a refugee camp in Thailand. I lived there until I was six. I was a child from America’s Secret War in Laos, a child who knew very little of the outside world before my family sought refuge in America. Much of my life’s work has been devoted to a search for peace, to understand the forces that put families in situations like mine. I have published widely on the topic, written of it in books for both adults and children.
In the space where our fears and our hopes live, there is the landscape of our dreams and nightmares. This book lushly carries a boy's search for home to readers everywhere. It's a magical book for it carries a great deal of room for the reader to step into the words and images within.
1
author picked
Teacup
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why you should read it.
This book is for kids age
4,
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What is this book about?
A stunning picture book that addresses life’s big journeys with hope, beauty, and reassurance
School Library Journal [STARRED REVIEW!] “[A] moving, allegorical tale… inspiring reflection and empathy”
Kirkus Reviews [STARRED REVIEW!] “A potent discussion starter… Enchanting, beautiful, and full of hope. “
Booklist [STARRED REVIEW!] “A lyrical tale of leaving home and finding a new one…Thought-provoking and arrestingly beautiful.”
A boy must leave his home and find another. He brings with him a teacup full of earth from the place where he grew up, and sets off to sea. Some days, the journey is peaceful, and the skies are cloudless…
Growing up in Brooklyn, New York, I was acutely aware of the way my non-white and non-citizen classmates were treated differently by police and other authorities. Studying racial inequality in the War on Drugs as an undergraduate and graduate-level Sociology student, I began to understand the many links between the criminal and immigration systems, and how often the stories of criminalized people are left behind. I became committed to bringing attention to the racially inequalities that shape these systems. In doing so, I aim to uplift resistance to the “good immigrant/bad immigrant” binary that frames non-citizens with criminal records as undeserving and disposable.
This book stood out to me in its in-depth and compassionate exploration of the deportee experience—in particular the stigmatization and blame placed on those deemed “criminals” and returned to their country of origin.
While mainstream narratives often blame immigrants for “bringing” crime to this country, Banished to the Homeland helped me to understand the central role of United States culture in creating the so-called “criminality” that men of color in particular are so often deported for.
I appreciate this book for its searing firsthand accounts, and its commitment to uplifting the humanity of migrants otherwise villainized and cast aside.
The 1996 U.S. Immigration Reform and Responsibility Act has led to the forcible deportation of tens of thousands of Dominicans from the United States. Following thousands of these individuals over a seven-year period, David C. Brotherton and Luis Barrios use a unique combination of sociological and criminological reasoning to isolate the forces that motivate emigrants to leave their homeland and then commit crimes in the Unites States violating the very terms of their stay. Housed in urban landscapes rife with gangs, drugs, and tenuous working conditions, these individuals, the authors find, repeatedly play out a tragic scenario, influenced by long-standing…
I’m a stubborn ox who won’t ever accept that something can’t be done. Tell me I can’t be a Formula 1 reporter for a particular magazine on the other side of the world, and I’ll embark on a journalism degree. Tell me I can’t be a professional golfer, and I’ll quit my job to get practicing. Tell me I can’t camp here, and up goes my hammock. Tell me to grow up and stop fantasising about driving road trains in Australia, and you’re basically insisting I get a truck licence. I like that being this way creates unique stories and that I have a little talent for writing them down.
How could I not love a book written by a fellow ‘Brexit refugee’? Around the same time Ben Aitken moved to Poland in the wake of the momentous 2016 UK referendum, I fled to Austria. Although we had different motives and his time in Poznan was a temporary adventure, I hadto know how it went! And I wasn’t disappointed. There’s dry humour, plenty of self-deprecation, and lots of interesting trivia, which I like. Best of all, it’s a unique premise: “Britain has just reacted to ‘Poles taking our low-paying jobs’. So let me be the first Brit to try going to Poland as a manual labourer, and see how thatpans out.” To learn the answers, and have your thoughts provoked whilst being thoroughly entertained, I recommend joining Aitken in the chip shop!
'One of the funniest books of the year' - Paul Ross, talkRADIO
WARNING: CONTAINS AN UNLIKELY IMMIGRANT, AN UNSUNG COUNTRY, A BUMPY ROMANCE, SEVERAL SHATTERED PRECONCEPTIONS, TRACES OF INSIGHT, A DOZEN NUNS AND A REFERENDUM.
Not many Brits move to Poland to work in a fish and chip shop.
Fewer still come back wanting to be a Member of the European Parliament.
In 2016 Ben Aitken moved to Poland while he still could. It wasn't love that took him but curiosity: he wanted to know what the Poles in the UK had left behind. He flew to…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
By Jada Benn Torres and Gabriel A. Torres ColónAuthor
Why are we passionate about this?
We met as “baby anthropologists” in graduate school and have stuck together ever since. With Jada’s training in genetic anthropology and Gabriel’s training in cultural anthropology, we’ve accompanied each other to our various field sites throughout the Caribbean, Spain, and the US Midwest. Aside from our book, each of us has authored many peer-reviewed publications, including an award-winning article in the journal Human Biology. Though we both have our own independent research agendas, our interests overlap on several topics including genetic ancestry. Our different anthropological training and our mutual love for our discipline always makes for interesting perspectives on a variety of topics.
Alex Chávez is a cultural anthropologist, but he is also a musician, and his artistic abilities are on full display in this beautifully narrated and analytically sharp ethnography of huapango arribeño across the US-Mexican social spaces. Chávez allows us to reimagine Mexican migrants as much more than the protagonists of the social problem of migration. Instead, we can see how expressive culture is a significant aspect of migrant lives. This book is also a theoretical heavyweight for those looking for more than a beautifully crafted ethnographic description.
In Sounds of Crossing Alex E. Chavez explores the contemporary politics of Mexican migrant cultural expression manifest in the sounds and poetics of huapango arribeno, a musical genre originating from north-central Mexico. Following the resonance of huapango's improvisational performance within the lives of audiences, musicians, and himself-from New Year's festivities in the highlands of Guanajuato, Mexico, to backyard get-togethers along the back roads of central Texas-Chavez shows how Mexicans living on both sides of the border use expressive culture to construct meaningful communities amid the United States' often vitriolic immigration politics. Through Chavez's writing, we gain an intimate look at…
