Here are 100 books that Still Life fans have personally recommended if you like
Still Life.
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I spent my childhood treading the Aravalli jungles with my naturalist father, catching snakes and spinning yarns and I learnt early that the most dangerous creatures are rarely the ones with fangs. My father, Raza Tehsin, raised me with the rational approach of solving any mysteries that I came across—whether in nature or otherwise. I grew up to become a writer. Across my twenty-odd published books, from nature writing to my historical mystery novel The Witch in the Peepul Tree, I have experimented with form and genre across age groups and remained fascinated by mysteries. My latest, The Fourth Girl, is a psychological thriller about three friends and the girl who vanished from their lives.
Since my early reading days, I had this habit to just sit in bed with a book at night and munch on snacks till wee hours of the morning. I got rid of it for long years but this book again made me reach for my namkeen containers and peanut pouches!
All that gossip and trivia-night silliness in the book turns out to be camouflage for something much darker. Madeline made me laugh, Celeste made me want to reach through the pages. And the murder, withheld till the end—victim and killer both—was a killer!
*Published as BIG LITTLE LIES in Australia and the United States*
Liane Moriarty, million copy selling author of The Husband's Secret brings us another addictive story of secrets and scandal.
Jane hasn't lived anywhere longer than six months since her son was born five years ago. She keeps moving in an attempt to escape her past. Now the idyllic seaside town of Pirriwee has pulled her to its shores and Jane finally feels like she belongs. She has friends in the feisty Madeline and the incredibly beautiful Celeste - two women with seemingly perfect lives . . . and their…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Christine has a brain injury, which causes her memories to degrade every time she sleeps. She wakes up every morning as a blank slate, and her devoted husband explains who she is and then helps her get through the day. Unbeknownst to him, she starts keeping a journal—and soon realizes that his story about how she was injured is a little different each time.
I'm never in the mood for a thriller with a big twist in the penultimate chapter. I always want one with a big twist at the end of every chapter, and this book absolutely delivers. Is the husband a good guy or a bad guy? I changed my mind a dozen times over the course of this book, expertly manipulated by the author. I read the whole thing aloud to my wife on a long drive, and the time went by in a blink.
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Ainsley and Peter are struggling, and they decide to try an open marriage. A risky proposition, given that neither trusts the other—and rightly so, the reader soon discovers. But when one of Ainsley's dates follows her home and Peter kills him, they are forced to co-operate so they can get away with the crime. Nothing like a joint project to rekindle the flames of passion!
This book is nearly perfect. Yes, there are a few twists which could have been foreshadowed better, but the wicked glee with which the author tells her story is contagious. I could practically hear her palms rubbing together as I read.
A #1 bestselling novel from award-winning author Kiersten Modglin... Fans of Gone Girl, The Swap, and My Lovely Wife are sure to be gripped by this fast-paced, scandalous, and completely twisted story.
Domestic thriller readers are raving: "...my new obsession!" "...that ending shook me to my core." "I was sure I knew where it was going. I couldn't have been more wrong." "Hands down, my favorite read this year!"
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The arrangement was just meant to fix their marriage. No one was supposed to get hurt. But when the rules of this open marriage are broken, the consequences are sinister.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Pippa has everyone else's dream husband. Not only is Gabe gorgeous and a loving father to their two daughters, but he's also a bona fide hero—they live in a house on the edge of a cliff, and Gabe has talked several would-be jumpers out of committing suicide. But one day, a woman falls to her death. Pippa doesn't see the event, but she does see Gabe a split-second later, arms outstretched—did he reach out to save the woman, or did he push her off the edge?
It's a great set-up, and the author refuses to rest on it. The story takes one bold leap after another (if you'll pardon the expression) but never leaves the reader behind. When I realized that half the chapters would be narrated by the dead woman, speaking from beyond the grave, I should have been disbelieving, but instead, I was even more intrigued.
'Gabe is alone at the cliff's edge. His arms are outstretched, palms facing the empty air.'
He said she jumped. He wouldn't lie.
Before the woman went over the cliff, Pippa and Gabe were happy. They have the kind of marriage that everyone envies, as well as two sweet young daughters, a supportive family, and a picturesque cliff-side home - which would have been idyllic had the tall beachside cliffs not become so popular among those wishing to end their lives.
Gabe has become somewhat of a local hero since they moved to the cliff house, talking seven people down…
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
It’s not the scariest Stephen King novel I’ve ever read—I’d give that honor to The Shining—but this book remains my all-time favorite.
The story of John Smith, who awakens from a five-year coma with psychic powers that are more curse than blessing, plays to King’s greatest strength as a writer: the ability to create believable characters who you really care about.
The book is also a time capsule of American politics in the 1970s—one that seems newly relevant in the 2024 presidential season.
A #1 New York Times bestseller about a man who wakes up from a five-year coma able to see people’s futures and the terrible fate awaiting mankind—a “compulsive page-turner” (The Atlanta Journal-Constitution).
Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people’s futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma and people clamor for him to solve their problems.
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
Stories that break the rules or attempt ambitious stunts have always intrigued me. Characters who break the fourth wall, non-traditional structures, winking nods to pop culture, hidden messages, silly wordplay, or good old-fashioned WTF moments nobody saw coming. My second novel L Extreme turns my favorite album into a fantastical song by song, chapter by chapter origin story for the record starring a fictionalized version of the musician who created it. Asking “what happens if I pretend this album is the soundtrack to a book?” took me on a long, strange trip in the spirit of these other bizarrely brilliant books that broke the mold for the better.
A short, eerie, and mysterious fever dream of a novella with a secret you may not realize your first time through--hidden messages in the text! I won't spoil what they are or how to find them here, but I will say that ever since reading this book I may or may not try to crack similar codes in nearly every book I pick up. (I may or may not have also done something similar in my own writing; hat tip to Mr. Garland for the inspiration.)
From the internationally-known author of The Beach, a gripping mystery and stylistic tour de force that delves into the subconscious mind, with brilliantly disturbing results. A young man is brutally assaulted late at night in an underground train by a gang of thugs. Beaten unconscious, he lies for days in a hospital bed - but appears to make a full recovery. On discharge from hospital, Carl picks up the threads of his daily life, visiting friends, seeing his girlfriend - until he starts to notice strange leaps in his perception of time, distortions in his experience. Is he truly reacting…
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
Occasionally, there comes a book that is so compelling it demands to be read, breathless, from the very first page to the very last. Dead Girls Can’t Tell Secrets is one such book. This story contains so many twists it resembles a shockingly mangled slinky I delighted in attempting to untangle. I failed to predict the ending, but had fun guessing with every new bit of information the author revealed. It’s exactly what I look for in a young adult thriller.
Piper's fall was no accident. Did someone want her dead? It's up to her sister to discover the truth in this shocking new thriller with an unreliable narrator, from the acclaimed author of Little Creeping Things. Piper Sullivan was in a strange hiking accident last month and has been in a coma ever since. Her older sister, Savannah, can't pretend to be optimistic about it; things look bad. Piper will likely never wake up, and Savannah will never get any answers about what exactly happened. But then Savannah finds a note in Piper's locker, inviting Piper to a meeting of…
As part of Gen X, I was raised by a strong mother and surrounded by steely southern women, transforming their lives from housewives to more liberated women during the turbulent 1970s as women’s rights and civil rights blossomed. I admired second-wave feminists like Gloria Steinem and attended women’s studies courses in college. I was steeped in change, optimism, and hope for a better world for all. But this awareness was rooted in a critical eye to the past injustices and an understanding that the personal is the political, and how women live their lives, what obstacles they face, and how they handle them, is a testament to their power at home and in society.
I was moved to tears reading about how Isabel Allende copes with her daughter’s coma in her memoir, Paula, a series of written letters telling her daughter about her own life and family history.
I was struck by how honest she was about her most vulnerable moments of despair when she was grieving and desperate for her daughter’s healing.
Allende’s reflections on her exile after the 1973 Chilean coup highlight the surreal nature of how we go through our daily lives when the world is literally falling apart around us in a larger political sense, and then she shows us how we cope when, on a much smaller scale, we lose the great loves of our lives.
When Isabel Allende's daughter, Paula, became gravely ill and fell into a coma, the author began to write the story of her family for her unconscious child. In the telling, bizarre ancestors appear before our eyes; we hear both delightful and bitter childhood memories, amazing anecdotes of youthful years, and the most intimate secrets passed along in whispers. With Paula, Allende has written a powerful autobiography whose straightforward acceptance of the magical and spiritual worlds will remind readers of her first book, The House of the Spirits.
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Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
Raised on Nancy Drew who was herself outspoken and independent, I’m attracted to stories about barrier-breaking determined women who don’t back down from a fight. While many of the heroines of fantasy fiction have special abilities or can work magic, being able to stand up for oneself and speak one’s mind in the face of opposition is itself a superpower. I enjoy seeing how other authors portray it, what wrongs the heroines aim to put right, and how they do it.
The story opens with Elsa waking from a coma to discover that she has lost her memory. Recovering from her injuries would seem to be a sufficient challenge but Elsa does remember enough to realize that stakes are bigger than her personal trauma. An epic struggle is being waged between the two races of her world. Elsa’s a warrior; she knows that she’s a part of it and that it’s her duty to fight. So she soldiers on even though she doesn’t know who are the allies and who are the enemies. The fast-paced suspenseful story kept me reading because I wanted to know how this plucky woman got into this predicament and how she was going to get out of it.
There's something that lies within my memory. Hidden in the dark. Something that can kill me and those that I love. But I was in an accident, covered in mystery and deception. And my memory…was lost. There are those who want me to remember. I don't trust them. And those I do trust…are fighting for me to forget.
Elsabetha Ellery wants to get her memory back, even if it kills her.
After waking up in a hospital with no memory, Elsabetha quickly learns those who claim to be her friend are anything but. And those who are her true friends…
