100 Books Like Sphinx

Ken Follett’s breakthrough novel is a taut and thrilling wartime espionage tale set during World War II. But there is sufficient naval action to include it in this list. I felt it was a wonderfully atmospheric novel.

It centres on Henry Faber, a ruthless German spy nicknamed “The Needle” for his deadly stiletto. Faber uncovers the Allies’ deception surrounding the D-Day invasion and races to deliver the intelligence to Nazi command. His journey leads him to Storm Island, where he encounters Lucy Rose, a lonely Englishwoman whose emotional entanglement with Faber becomes pivotal. As MI5 closes in, the novel builds to an exciting naval warfare climax.

Follett masterfully blends suspense, romance, and historical intrigue in this compelling tale of loyalty and betrayal.

I loved reading this book because as the protagonist, Robert Langdon, searches for his mentor who has been kidnapped, it incorporates mysterious codes, hidden tunnels and chambers, and a series of clandestine secrets.

It is well-paced, with the suspense building throughout the novel. I thought the suspense and mystery throughout was riveting.

I wonder if anyone ever penned a book weaving together the American Revolution, the East India Company, and the British rule over India. Leena Bhatnagar has done it in this masterful debut thriller.

I was amazed at the incredible facets of the history of the epochal Boston Tea Party Bhatnagar rendered in this story of a staunch, gritty American woman caught in a predicament that might threaten and weaken the revolution itself.

Can a memoir be a thriller? I say this one is. It is truly an amazing and inspiring account of an immigrant’s tenacious, fearless journey to success, from humble beginnings in a small town in India to earning a PhD in the US and becoming a multimillionaire entrepreneur.

While not exactly a historical thriller, The Blue Suitcase took me on a roller coaster ride full of fascinating cultural insights and nuances and the serendipities that shaped Thanedar’s journey. 

I love when Agatha Christie writes about family vacations (which she did a fair amount) because she pushes everything to extremes—with the highest stakes possible.

Appointment with Death is my favorite of her family vacation mysteries because the plot twist is so satisfying and the mother so evil.

What Christie does, in an over-the-top sort of way, is show how claustrophobic family vacations can be. Grown children are forced to behave like a younger version of themselves, and they are stuck in a remote location. In this case, Petra, in Egypt. All those dormant grievances have a chance to flourish.

I don’t think there’s ever been an Agatha Christie opera, but there should be.

If you love crime fiction there is no one who writes it better than Agatha Christie. Each one of her books transports you on an adventure where you become part of the crime scene, working to solve the murder before he or she gets away. In Death on the Nile, the vivid descriptions of the ship, the pyramids and the slow winding journey, and even the funny Belgian detective is so well developed you can’t help but be transported. It’s like traveling to exotic locals via armchair.

The dates that Egyptologists use for most rulers are guesstimates, and there’s not one fixed dating scheme.

Just for instance, one reference volume gives 1334-1325 B.C. as the dates for King Tut’s reign. Another says 1332-1322 B.C. And yet a third another has 1336-1327 B.C.

How do you know which one to believe?

During the three decades I worked as a staff writer at National Geographic magazine, we relied on the king list that Baines and Malek published in this book.

I still consider it as the last word on dates for my own research. It’s also full of very helpful maps, diagrams, and descriptions of archaeological sites all over Egypt.

A Japanese ghost story, set in an imaginary, contemporary, Japanese town by a Singaporean first novelist.

I picked this out at Brighton Library because I liked the cover, but Clarissa Goenawan's Rainbirds has survived the goodreads treatment, so hopefully she's a writer to watch (I mean, there will be more of these).

Readers have recalled Haruki Murakami, because it's allegedly Japanese, and a bit off-kilter, but to me this dreamlike narrative seemed fresh and floating: ungrounded, not alienated. I thought of another Japanese writer, Kazuo Ishiguro, & The Buried Giant: a misty, off-kilter take on Arthurian Britain, in which everyone seems either asleep, or else making the journey the dead make to wherever they go, while dreaming the novel's action...

No, I give up, I can't explain the charm, you'd have to try it and see, & yes, those are goldfish, not any kind of birds on the cover, and… show more.

The Mother-in-Law is a funny mystery about a mother-in-law who is found dead and the likely suspect is the main character, Lucy who had a challenging relationship with her mother-in-law.

The main reason I recommend this book is not so much because Sally Hepworth is an amazing writer (she is!) and she keeps you turning the pages (she does!), but because this book ended up being so much more than a “whodunit” story.

As the story builds and we see the relationship between daughter and mother-in-law develop, we come to love both characters because they are so real, and their relationship is deeply complex. How do you love a difficult person? It’s not easy, but Lucy shows us how. I loved this book, and in fact, I want to read it again.

Christian Klaver is a relatively new writer on my Sherlock Holmes radar, but his book Sherlock Holmes and Count Dracula is an entertaining one.

The style of this book is fascinating, as it’s less a novel and more a collection of interconnected short stories. As I said, I’m a big fan of Holmes and Horror, so the promise of Count Dracula was too difficult to resist. And I wasn’t disappointed.

The stories are a fun imagining of a meeting between the Great Detective and the Count and there’s even a little H.P. Lovecraft thrown in for good measure.