Here are 100 books that Spells for Forgetting fans have personally recommended if you like
Spells for Forgetting.
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I grew up watching 80s Saturday morning cartoons, playing RPGs such as Final Fantasy. Those cartoons and games didn’t care about genre, they cared about telling a story, about making you care about the characters. Hence you could have wizards driving space cars, or knights battling giant robots and so on. They were proof of how wonderfully crazy our imagination can go when we threw labels away and just create stories. The books in this list allow themselves to do that and go bigger, go bolder, showing us the readers what’s possible if we let loose. I hope this list takes others on such wonderful rides, like they did with me.
How hard would it be to solve a crime in a society where, systemic inequalities aside, you can get away literally with murder thanks to magic? Well this is the question that Constable Reva Lunaria and her new partner Ansee will have to answer, while cutting through a lot of red tape, politics, an elusive killer, and the very foundations of their elven society.
This book (the first of a series) takes the old buddy cop /odd couple comedy set up, mixes with political intrigue, a whodunit thriller, and places it in a fantasy setting, where tensions run high, time runs short, criminals run away, and you are left with a pressing side question: will Reva ever manage to finish her freshly baked sweet roll?
The brutal murder of Lavale fey Avecath, the King's First Magistrate and advisor, interrupts Constable Inspector Reva Lunaria's day off. The victim's status makes this a high-profile investigation, bringing with it unwanted attention from Senior Inquisitor Ailan Malvacea of the Sucra, the King's secret police. The manner of the victim's death makes this case even more intriguing. A body cut perfectly in half - from top to bottom - is a rare occurrence, even in a city filled with all manner of magic weapons. All of this would be challenging enough, but Inspector Lunaria must also deal with a new…
Growing up, I found my escape in fantasy worlds. I’ve always had an interest in writing, and when I was a young child, when someone asked what I wanted to be when I grow up, I always responded “a novelist.” It wasn’t until I rediscovered my love and passion for reading in my late teens, and early twenties, that the idea of The Reign Belowblossomed in my head. Through my writing, I have discovered a community of fantasy readers and lovers. Sometimes it’s hard to believe that I listened to my inner child and that I wrote a story of my own, full of magic. But I’m glad my ambitious, childhood dream came true.
House of Earth and Blood was the first new adult fantasy book that I read that made me fall back in love with the fantasy genre.I had rediscovered my love for reading in my late teens after not reading much for a few years. Bryce Quinlan reminded me a lot of myself. In that, she was the first lead female character who isn’t thin and petite. Rather, Bryce is curvy and different from other women that Sarah J. Maas has written. I instantly felt drawn in by Bryce and her carefree attitude in the first half of the book. Her strength is admirable and authentic. Her story and struggles captured me much like many readers.
Though Bryce does have her struggles as being defined as a “party girl,” she is so much more than the label. Beneath it all, Bryce is someone you can’t help but to root…
Sarah J. Maas's brand-new CRESCENT CITY series begins with House of Earth and Blood: the story of half-Fae and half-human Bryce Quinlan as she seeks revenge in a contemporary fantasy world of magic, danger, and searing romance.
Bryce Quinlan had the perfect life-working hard all day and partying all night-until a demon murdered her closest friends, leaving her bereft, wounded, and alone. When the accused is behind bars but the crimes start up again, Bryce finds herself at the heart of the investigation. She'll do whatever it takes to avenge their deaths.
Having previously worked in the Urban Affairs side of academia and drawing heavily on my own experience living in the city of Portland, OR while writing my book, Moonshine, I’ve become very interested in how fantasy authors find creative ways to incorporate the supernatural elements of the genre with the extremely mundane aspects of urban planning and civics. I find that the most immersive fantasy worlds are the ones that concern themselves with the gritty details of how their societies operate on a basic logistical level, and I think a well-written fantasy city can very much shine as a character in its own right.
Tapping into Edinburgh’s grim history of graverobbers (which, if you haven’t had the chance to play tourist in Scotland before, is absolutely fascinating), The Resurrectionist of Caligo uses the dark fantasy staples of blood magic and necromancy to explore the death industry, its role in urban environments, and its storied connection to academia and medicine. Following the trials of Caligo’s local “resurrectionist”, Roger, this book examines what happens to the dead in fantasy worlds, tracing the journeys of their cadavers from death to autopsy to burial to exhuming, taking a closer look at the ceremony and taboo surrounding death and how cities manage the nitty-gritty logistics of storing (or utilizing) their dead once the funerals are over.
"Man of Science" Roger Weathersby scrapes out a risky living digging up corpses for medical schools. When he's framed for the murder of one of his cadavers, he's forced to trust in the superstitions he's always rejected: his former friend, princess Sibylla, offers to commute Roger's execution in a blood magic ritual which will bind him to her forever. With little choice, he finds himself indentured to Sibylla and propelled into an investigation. There's a murderer loose in the city of Caligo, and the duo must navigate science and sorcery, palace intrigue and dank boneyards to catch the butcher before…
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
As a queer speculative fiction writer, I often find myself drawn to themes of identity. Reckoning with identity and defining your own (and redefining, and redefining, and redefining) is a critical part of the queer experience in the cis-hetero norms of the real world. Fantasy and science fiction have always given readers a lens to see themselves through, and many queer readers have found their own definitions between the lines of a book. The protagonists and stories in these books couldn’t be more different, but each offers a unique and compelling vision of discovering—or making—a place for themself in their magical world.
Immediately following the events of Gideon the Ninth, the reader is thrust into the wreckage of Harrow just as lost as she is, both reader and character engaged in a mind-bending fight to unravel the mystery of who she is now and what she will become.
This is a sequel, and can’t be read without first reading Gideon the Ninth. And it is impossible to fully articulate this book’s place on this list without robbing the reader of the experience found in Harrow’s self-discovery. But I had to include it anyway; this book made me crazy (positive), it made me despair (as in I will never write something this cool), and it made me reflect on all the ways that queer people compartmentalize ourselves, the ways we perform normativity and queerness, and how mind-bending it can be when we try to sort the pieces of ourselves out into…
Harrow the Ninth, the sequel to the sensational, USA Today best-selling novel Gideon the Ninth, turns a galaxy inside out as one necromancer struggles to survive the wreckage of herself aboard the Emperor's haunted space station.
"Lesbian necromancers explore a haunted gothic palace in space! Decadent nobles vie to serve the deathless emperor! Skeletons!" --Charles Stross on Gideon the Ninth
"Unlike anything I've ever read." --V.E. Schwab on Gideon the Ninth
"Deft, tense and atmospheric, compellingly immersive and wildly original." --The New York Times on Gideon the Ninth
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
Not only did I laugh all the way through this rollicking novel, but I felt as if author Steve Toltz is a brother writer from a cousin muse to my own.
Angus Mooney, the protagonist, is a thief, a romantic, and a philosopher who is dedicated to the easier path of not learning or understanding anything. And, not a spoiler, he dies.
If you console yourself that a better life awaits you in heaven, or if you're resigned to life being painful, but after all, it's only temporary, and once it's over, it'll be over, think again.
In this shockingly inventive, wildly funny epic about one man's life, death, and beyond, you may have some epiphanies about existence in general and how you want to spend or squander your time.
A wildly inventive, savagely funny and topical novel about love, mortality and the afterlife, by the Booker-shortlisted author of A Fraction of the Whole.
Angus is a reformed ne'er-do-well looking forward to the birth of his first child when he's murdered by a man who is in love with his pregnant wife Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife - a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get…
Half a century ago (hard to believe!), as a young newspaper reporter, I began every day at a police station, reading the log and talking to the watch commander. Occasionally, I was able to contact the detectives as well. For me, the way crimes and criminal investigations unfolded, and the personalities of the officers involved, were multi-dimensional and touched with surprising, and often unexpected, moments of humor. In my reading as well as my writing, I seek a balance between authenticity and a sense of the absurd, without which the experience of solving murders—real or fictional—could become emotionally crushing.
Although this isn’t the first entry in the Peculiar Crimes Unit series, it’s the first that I read, and it hooked me. What a great idea for an offbeat police series, cleverly handled and featuring two eccentric London detectives, Arthur Bryant and John May. In this mystery, two cases initially appear unrelated, and it takes quite a bit of sleuthing before the links emerge. Bryant and May must unravel encrypted codes and symbols, discover secret rooms and dig through baffling clues as danger mounts. While this series has a darker tone than some of my preferences, it’s engaging and rewarding.
Winner of CrimeFest 2013's 'eDunnit Award' for 'the best crime fiction ebook published in 2012 in both hardcopy and in electronic format'.
Two small children are playing a game called 'Witch-Hunter'. They place a curse on a young woman taking lunch in a church courtyard and wait for her to die. An hour later the woman is indeed found dead inside St Bride's Church - a building that no-one else has entered.
Unfortunately Bryant & May are refused the case. Instead, there are hired by their greatest enemy to find out why his wife has suddenly started behaving strangely. She's…
When Syd Brixton was eleven years old, her identical twin vanished from a park and was never found.
Now twenty years later, Syd’s favorite customer, Morley, is killed in a horrific accident outside the pub where Syd works. Moments before Morley dies, he gives Syd an extraordinary gift: the power…
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
R.D. Blackmore's Lorna Doone may not be everyone's idea of a romance, but I put it solidly into that category because it follows the relationship of a boy and girl from youth to adulthood, and shows the affection and devotion shared between them. To me, that is more romantic than a string of sexual escapades can ever be. And seeing it all from the boy's viewpoint was refreshing and poignant, making me suspect men are actually more emotionally sensitive than us women, feminine stereotypes and stiff-backed machismo notwithstanding.
'Every woman clutched her child, and every man turned pale at the very name of "Doone"'
John Ridd, an unsophisticated farmer, falls in love with the beautiful and aristocratic Lorna Doone, kidnapped as a child by the outlaw Doones on Exmoor. Ridd's rivalry with the villainous Carver Doone reaches a dramatic climax that will determine Lorna's future happiness.
First published in 1869, Lorna Doone was praised by R. L. Stevenson and Thomas Hardy and has remained constantly in print. The novel has many aspects: it is a romance; a historical novel set at the time of the Monmouth Rebellion in…
I am a science fiction and fantasy novelist and also a screenwriter and prolific writer of audio dramas for BBC Radio. I began my career many eons ago writing for the crime drama series The Bill and during that period I spent a lot of time mixing with coppers & villains and attending crime scenes. I have a great passion for detective and crime writing as well as all forms of speculative fiction, and I’m a sucker for crime/fantasy mash-ups.
Arguably the greatest of all detectives, Sherlock Holmes died early in his career when his creator Sir Arthur Conan Doyle sent him hurtling down the Reichenbach Falls in ‘The Final Problem’. But Holmes soon came back to life—firstly in The Return of Sherlock Holmes and in later years as a character in numerous spinoffs/riffs/reboots. One of the best of these is James Lovegrove’s series of Lovecraftian horror stories featuring Holmes and Watson. They are all great but the third one, Sherlock Holmes and the Sussex Sea-Devils, has the best title. Lovegrove writes stylishly and wittily and his deadpan approach to the absurd monsters he conjures up makes these a delicious read.
The stunning new novel from the New York Times bestselling author of The Age of Odin, in which the worlds of Arthur Conan Doyle and H.P. Lovecraft collide.
It is the autumn of 1910, and for fifteen long years Sherlock Holmes and Dr John Watson have battled R'lluhloig, the Hidden Mind that was once Professor James Moriarty. Europe is creeping inexorably towards war, and a more cosmic conflict is nearing its zenith, as in a single night all the most eminent members of the Diogenes Club die horribly, seemingly by their own hands. Holmes suspects it is the handiwork of…
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo
Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut…
I have always believed in the power of journalism to tell stories of people: the powerful as well as the ordinary and disenfranchised. In the hands of the right writer, such stories can have as much dramatic sweep and be as engrossing as any work of fiction. I have read literary nonfiction since before I became a journalist, and as a foreign correspondent, while breaking news is a key part of my job, longform narrative writing is where I really find gratification, as a writer and a reader. It’s a vast genre, so I focused this list mostly on stellar examples of foreign reporting. I hope you enjoy it.
This is a master class in investigative journalism and in nonfiction storytelling. Radden Keefe is one of my journalistic role models, and this book about the troubles in Northern Ireland is gripping from page one as it investigates the 1972 murder and abduction of Jean McConville in a way that probably only a foreigner could do, given the sensitivity of the topic. It is a vital historical document, a gripping thriller, and an empathetic social observation all in one.
NEW YORK TIMES BESTSELLER •From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions
"Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review