Books like He Do the Time Police in Different Voices — picked by fans

I love listening to Evanovich’s hilarious tales of Stephanie Plum’s misadventures as a wannabe bail/bondsman. These books are my wife’s and my favorite distraction on long road trips. While her mysteries may be thin, her characters are so real and her stories so crazy, I didn’t miss the whodunit. I included her in this August list because she captures the seedy side of Trenton, New Jersey, with amazing clarity, even while laughing at the place.

I picture myself riding in one of her cars—which she destroys regularly—along with her friend, the former ho, LuLu, hair flowing in the stinky wind blowing off deserted warehouses, sleezy girl joints and questionable car repair shops. This is the first in a series that is now at 31.

Narrator Professor Hilary Tamar’s habits and character traits invite non-stop laughter; and yet amazingly the three young barrister characters are every bit as funny in an entirely different way. One of the barristers always carries the action; but Hilary is no Dr. Watson gasping at their brilliance; in every book, her perspicacity and specialist knowledge enable the murder motive to be unravelled and the murderer brought to justice.

These books are rich in comic dialogue, often given as indirect speech. Caudwell’s unique spin on technical legal language will have you laughing out loud. 

The storyline is enchanting. Without Hilary’s specialist knowledge of ancient Greek texts, there might well have been many more murders! And yet so cleverly is this charming novel plotted, that we almost feel her esoteric expertise is only what might be expected of any amateur sleuth worthy of the name.  

In Escape from Sunset Grove, Minna Lindgren gives us a delightful contemporary cozy murder mystery whose protagonists, the nonagenarian amateur sleuths of the Lavender Ladies Detective Agency, live in a Finnish Retirement Apartments complex. When their quiet lives are quite literally broken to bits by unskilful plumbers, Siiri and Irma innocently go in search of a quieter place to drink a cup of coffee—and find a murderer.

The humour in Lindgren’s delightful cozy series, excellently translated by Kristian London, is quieter than Caudwell’s sparkling masterpieces but just as enjoyable. Called with some justice “The Finnish Miss Marple” the Lavender Ladies appeal to all age groups.

Do you like some romance with your murder mystery? Then you will love Getting Rid of Bradley by Jennifer Crusie. Better known for her many bestselling romantic comedies, twice RITA winner Crusie had been writing laugh out loud love scenes for years before she turned to murder mystery. And boy does it show!

The pace is lightning fast, the dialogue a delight, the snazzy sister talk and keep your hair on cop talk metamorphose swiftly into a laugh-a-minute embezzlement and attempted murder romp. Does true love win? Ask Jake or Lucy. Or perhaps Lucy’s sister Tina, who will always take the opposite view. A well-plotted story that satisfies yet still leaves you wanting more!

The murder of the ‘Princes in the Tower’ is the most famous cold case in British history. Matthew Lewis delves into the context of the disappearance and the characters of the suspects and asks a crucial but often overlooked question: what if there was no murder? Lewis provides a rounded and complete assessment of this most fascinating historical mystery.

Gethsemane Brown is a vibrant, ambitious, and brave. She’ll strike out anywhere in the world to be a Maestra as long as her life is filled with music.

The offers aren’t what she would like and takes a job in an Irish boys’ academy. The boys were rebellious (of course they are). The school won’t support her recommendations. As the only black woman in the village (and an American), the entire town knew her business before she could even unpack her boxes.

Readers should be prepared for a touch of the paranormal here. Gethsemane lives in a haunted house. Despite this quirk, the mystery is completely grounded in the realism of the town, its people, the church, etc. 

The Life I Left Behind is one of my favorite smoothies—a delicious mix of contemporary mystery, psychological thriller, and the paranormal, elevated with the finest spices of intrigue and exceptional writing. Two parallel lives intersect by way of one murderer. Melody barely survived his attack; only her mind has swallowed the memories. But when Eve is found strangled to death, clutching the same calling card left in Melody’s hand, fissures start to form. Of course, Eve knows who did it; she’s a ghost. Good thing Eve left a trail that could lead to the truth. Or, unlucky for Melody, lead to the murderer’s unfinished business. This masterpiece is narrated by Melody and Eve, successfully weaving together the world of the living with the afterlife. Plot, plausibility, characterization, and craft will mesmerize readers!

I loved the unique premise of the protagonist, Eleanor, having prosopagnosia which is known as face blindness—the inability to recognize a familiar person’s face. I also loved the setting of an old mansion deep in the woods of Sweden. The house had been kept a secret until Eleanor’s grandmother died, leaving it to Eleanor in her will. She returns there to prepare it for sale, but things do not go as smoothly as she’d hoped. I enjoyed the atmospheric, creepy setting of the old home full of family secrets, shadows, and things that should never have been disturbed.  

Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.

This book resonated deeply with me because it explored the intricate layers of human nature, beautifully encapsulated in the quote, ‘To know what a person has done, and to know who a person is, are very different things.’

The gripping narrative, based on a true story set in 19th-century Iceland, draws me into the life of Agnes Magnúsdóttir, a woman accused of murder, as she awaits her execution. Kent's masterful storytelling skilfully delves into Agnes' complexities, making her a character so vividly real that I fervently hoped for a different outcome despite knowing the inevitable fate that awaited her.

This emotional investment and the stark portrayal of the human condition left a lasting impact. Kent captured both the darkness and light within us all.