100 Books Like Speedboat

A master class on “less is more,” the stories in this collection are set in everyday, locations: a suburban front yard, an airport lounge, a kitchen, and are populated by working-class people in the midst of one or more traumas such as alcoholism, divorce, or financial trouble.

Though Carver doesn’t employ fantasy, the tight, accessible writing lures you in and immerses you in a comic-tragic world that is uniquely his own. This collection taught me the power of economical prose and that writing about the kinds of people you encounter at the supermarket can be just as transportive and resonant as stories that involve characters who live in exotic places, or universes.

What I love about this collection is the elastic nature of the stories. Though most of the entries in this collection are dark, most contain a lighthearted energy and playfulness. They are quirky, loose, and not afraid to turn the stereo up and dance. This book taught me that fiction can be fun and still pack a powerful punch. It also encouraged me to try out experimental story ideas that may seem absurd at first. The story may not work out, but when it does, you can end up in surprising places. “The Ape Lady in Retirement” is a perfect example of this.

Stephen King has arguably perfected creating stories in which supernatural things happen to ordinary people. This set-up—what I loved so much about Rod Serling’s The Twilight Zone TV series—is irresistible. Across fourteen tales, King delivers mind-bending tales that draw you in. “1408” a story about a ghost skeptic/writer who stays in a haunted New York hotel room is especially gripping. King was a big, early influence on me and though I didn’t keep up with his work much past Misery, whenever I do dive into his later work, I invariably find him as good as ever.

My favorite of Miller’s books, Tropic of Capricorn is based on Miller’s life in Brooklyn in the 1920s. It’s a dizzying stream-of-consciousness array that sweeps you along. Miller’s occasional poignant reminiscences about the magic of his boyhood and friendships contrast with the soul-sucking realities of adulthood and workplace bureaucracy that try to stamp out the embers of wonder and passion like a boot heel. Like most of his books, Capricorn celebrates the absurd miracle of consciousness. Miller’s influence on my education as a writer was indispensable. His books didn’t serve so much as a template as how to write, as how to be a writer, specifically how to observe and appreciate the vast madness of the world, reject conformity, and the embrace the anarchist spirit of artistic creation.

Stansell’s book brings to life the lives and experiences of working-class women in New York City, a group often ignored by historians. She creates a vivid portrait of the hardships that these women endured as they struggled to survive and often had to make their living in occupations such as domestic service or sex work.

Stansell doesn’t paint them as victims, though, as Stansell points to their agency and strength. Her research is remarkable for its rigor and depth. After reading this book, I had a very different understanding of New York City in this period.

They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.

I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.

This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines! 

Katie Chandler has moved to New York City hoping for a life of glamour and excitement, only to find herself lonely, frustrated, and deeply baffled that those jaded New Yorkers keep ignoring all the weird things that keep happening. Then she discovers that the average New Yorker can’t see what she sees—she is the rare true mundane, completely unaffected by all magic, including magical camouflage. Her special abilities lead her to a new job for a magical company, and the book leads the reader into a delightful series of adventures that hilariously combine wizardry and enchantment with corporate intrigue and the tropes of Chick Lit.

The stories in this book all take place on the same day in 1915, when over a million women marched in New York for the right to vote. Stories like this appeal to me because so many of the women who worked tirelessly for this achievement are not familiar names. These stories give them a voice. One of my own ancestors was a suffragette. Maybe she was part of this march!

I loved that, in addition to telling stories of her clients, Goldberg (an attorney) writes about how she herself became the victim of cyber abuse by a former boyfriend. I think hearing this from a smart, successful woman can help other victims overcome the tendency to blame themselves.

The stories Goldberg tells in her book make clear how life-destroying it is when nude images of a woman are posted online, whether because of so-called “revenge porn” or sextortion. I think this is only going to become a bigger problem because now, thanks to AI, it’s so easy to create nude deepfakes.

Accounts like Goldberg’s can help galvanize the laws we need to criminalize the sharing of nude images without consent.

This slim but dense book chronicles the ups and (mostly) downs of a young woman’s life in Montréal and New York in the 80s and early 90s, a scuzzy time capsule full of sex, drugs, and rock & roll. Doucet’s maximalist, punk-inflected art packs each and every claustrophobic panel to bursting, a perfect fit for this tale of a suffocating, toxic relationship playing out in the shadow of the Cold War. It’s no exaggeration to say that Doucet, who recently won the Angouléme Festival's Grand Prix, is one of the most important figures in modern comics, she was one of the first women to break into the boys’ club of the alt comix scene and rewrote the rules of the medium. She remains not only a giant in the history of Quebec comics but of the entire graphic novel art form.