Here are 100 books that My New York Diary fans have personally recommended if you like
My New York Diary.
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This raw, experimental, poetic, and challenging graphic memoir began as an exploration of the work of artist/writer Tove Jannson (the creator of the Moomin novels and comics), but Julie Delporte goes well beyond the confines of criticism or biography to examine deep and difficult questions of gender and the challenge of creating a space to exist as a woman in a world haunted by the legacy of traumas past and present. Delporteâs colored pencil artwork is disarming in its beauty and simplicity, and her spare, intimate insights will stay with you for years to come. An essential read for our times.
This Woman s Work is a powerfully raw autobiographical work that asks vital questions about femininity and the assumptions we make about gender. Julie Delporte examines cultural artefacts and sometimes traumatic memories through the lens of the woman she is today a feminist who understands the reality of the women around her, how experiencing rape culture and sexual abuse is almost synonymous with being a woman, and the struggle of reconciling one s feminist beliefs with the desire to be loved. She sometimes resents being a woman and would rather be anything but. Told through beautifully evocative coloured pencil drawingsâŠ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŠ
Whatâs worse than a Montreal winter? How about four straight years of Montreal winter! While a nuclear power plant melting down and blanketing the metropolis with irradiated snow might seem like a horrible situation, Cab plays this apocalypse for laughs. Gertrude, a superhumanly-strong, snowmobile-piloting delivery driver, has to face off against irradiated beasts, gargantuan snowflakes, and even the withering scorn of fashionable Mile End hipsters. Maniacally creative and drawn with a light touch.
Nothing's rougher than a Canadian winter . . . except maybe one that never ends!
It's been nine years since an accident at a nuclear power plant plunged Montreal into an eternal winter; the city is now blanketed 365 days a year in radioactive snow. But life goes on for folks like Flavie Beaumont, a mail courier on snowmobile who's carved out a pretty normal life for herself, despite mutant crushes, eclectic urban fauna, and unrelenting meteorological events of unprecedented force. It turns out surviving nuclear winter is hard . . . but it's possible surviving your twenties is evenâŠ
If, like the charming heroine of this laugh-out-loud comic, you are obsessed with murder mysteries and true-crime tales, youâre sure to be delighted by this winking pastiche of the detective novel. Set in the (very fictional and completely absurd) Hawaiian Quarter of Trois-Rivieres, Quebec, The Pineapples of Wrath follows Marie-Plum Porter, bartender at a tiki lounge and intrepid amateur gumshoe, as she investigates the mysterious death of a local limbo champion. Not only is this book full to the brim with kitschy jokes and clever allusions, it also manages to be a totally satisfying mystery that kept me guessing all the way to the last page!
It's a tiki murder mystery in the tropical heart of Trois-RiviÚres! When a former limbo champion is found dead in her apartment, the local police force finds no reason to suspect foul play. But amateur detective (and bookworm barmaid extraordinaire) Marie-Pomme knows there's more to this case than just too much piña colada... and she intends to prove it, even if it means risking her own life at the bowling alley!
The Pineapples of Wrath is a quirky detective story as well as a loving tribute to tiki kitsch and old school exotica. Cathon's exuberant art has both the vibrantâŠ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŠ
When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribuneand then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip âStan Mackâs Real Life Funnies,â which ran in The Village Voice and reported on the rowdy New York city of the '70s and â80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.
My wife, a teacher to the deaf and hard of hearing, brought home a graphic childrenâs book, El Deafo, which she and her kids loved. Based on Bell's own life, itâs about a young girl coming to grips with her sudden deafness. As a graphic artist who specializes in adult works, I was not initially drawn to this young girlâs story, nor to Bellâs colorful cartoony panels. But one day, I picked up my wifeâs copy and discovered a charming story that swept me along, the art surprisingly sophisticated and effective. As different as my graphic memoir is from Bellâs, my memoir is also about coping with adversity, and I hope itâs as compelling asEl Deafo.Â
El Deafo is a funny, deeply honest graphic novel memoir for middle graders. It chronicles the author's hearing loss at a young age and her subsequent experiences with a powerful and very awkward hearing aid called the Phonic Ear. It gives her the ability to hear--sometimes things she shouldn't--but also isolates her from her classmates. She really just wants to fit in and find a true friend, someone who appreciates her, Phonic Ear and all. Finally, she is able to harness the power of the Phonic Ear and become "El Deafo, Listener for All." And more importantly, declare a placeâŠ
âYou spend your first 18 years as a sponge and the rest of your life using those early years as material.â Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the childrenâs-TV revolution defined bySesame Streetand Mister Rogersâ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like heroâs journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. Iâve spent the last 40 years revisiting this compendium of Stamatyâs strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffeeâŠ
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŠ
I especially love books for children that capture city life in a way that feels both unique and child scaled. I have set most of my books in cities because I love the story possibilities that exist in what are almost entirely human-made environments. Paradoxically, city settings make any kind of connection to the natural world or animals even more important. On this list are all books I feel show a particularly special aspect of city life for children.
I love recognizing Central Park, The Met, The Museum of Natural History, the subway, Chinatown, and more in this story of Bolivar, a dinosaur on the loose In Manhattan. The author has a clear affection as well as a keenly observing eye for all details of a contemporary NYC setting, and the story is fun. Everything from rooftop elements to his depiction of subway mosaic tile is lovingly observed and rendered as a rich backdrop to the rollicking storyline.
Going extinct isn't for everyone. Sybil knows that there is something off about her next door neighbor, but she can't seem to get anyone to believe her. Everyone is so busy going about their days in the busy streets of New York City that they don't notice Bolivar. They don't notice his odd height, his tiny arms, or his long tail. No one but Sybil sees that Bolivar is a dinosaur. When an unlikely parking ticket pulls Bolivar into an adventure from City Hall to New York's Natural History Museum, he must finally make a choice: Bolivar can continue toâŠ
I write both fiction and nonfiction for kids and with Eat Bugs, I got to combine both loves.The book was inspired by two real-life female entrepreneurs, who literally cooked up an edible bug business in their college dorm room. After I watched them land a deal on Shark Tank, we met and I reimagined their story as if theyâd started their business in sixth grade. Iâve always been fascinated by entrepreneurs who have the courage and tenacity to follow their dreamsâno matter how wacky the idea may seem.
Who doesnât love Kristy, Claudia, Mary Anne, and Stacey and their babysitting adventures? I was also an in-demand suburban babysitter when I was their age and I only wish Iâd thought to join forces with my friends when I was scrambling for a new way to stop a kid from crying or fresh ideas to make bedtime fun. This is the ultimate best-friends-who-start-a-business book! And as a full-color graphic novel, the drama and the humor soar to new heights.
Kristy, Mary Anne, Claudia, and Stacey are best friends and founding members of THE BABYSITTERS CLUB. Whatever comes up - cranky toddlers, huge dogs, scary neighbors, prank calls - you can count on them to save the day.
Babysitting isn't always easy though, and neither is dealing with strict parents, new families, fashion emergencies, and mysterious secrets. But no matter what, the BSC have what they need most: friendship.
Raina Telgemeier, using the signature style featured in her acclaimed graphic novels Smile and Sisters, perfectly captures all the drama and humor of the original novel!âŠ
Iâm an Eisner-nominated and award-winning graphic novel and comics writer, editor, and book packager. I've worked on staff at the Los Angeles Times Syndicate, Disney Publishing, DC Comics, Nickelodeon Magazine, and Platinum Studios. My sequential art book, The Bramble, won the 2013 Moonbeam Gold Medal for Picture Books, and I created a new way to read comics with BirdCatDog, a 2015 Eisner Awards nominee, that received the 2015 Moonbeam Spirit Award Gold Medal for Imagination, and was chosen by Kirkus Reviews as one of the best childrenâs books of 2014. SheHeWe, the third book in the series, was a 2016 Eisner Award nominee for Best Publication for Early Readers.
In 1997, Peter Kuper knocked my socks off with The System, a wordless book that exposes the underbelly of New York City as an airbrushed wonderland of strippers, druggies, the homeless, dirty cops, killers, taggers, sleaze-balls, muggers, andâoh, yesâthereâs a terrorist with a bomb who wants to blow things up. Never was anything so bright and colorful so decadently revealing.
It has been said that the flutter of insect wings in the Indian Ocean can send a hurricane crashing against the shores of the American Northeast, and such a premise lies at the core of The System, a wordless graphic novel created and painted by award-winning illustrator Peter Kuper. A sleazy stockbroker is lining his pockets, a corrupt cop is shaking down drug dealers, a mercenary bomber is setting the timer, a serial killer is stalking strippers, a political scandal is about to explode, the planet is burning, and nobodyâs talking. Told without captions or dialogue, this piece of artâŠ
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŠ
I was walking across the country in 1986 when I met a journalist named Mike Sager who showed me that writing can also be an adventure. Since then, Iâve edited an alternative weekly newspaper and written books about zydeco, Hurricane Katrina, comics, and old Kodachrome photos. So far, most everything I write seems to be centered in some way around my adopted home state of Louisiana, a place that never seems to run out of stories. Also, I still like to walk.
Unlike the other books on this list, this isnât primarily a reprint collection of early-twentieth-century comics. Rather, Art Spiegelman (whose essential memoir Mauswas the first comic to win a Pulitzer Prize), re-introduces old comics characters in a very personal story of the 9/11 attacks and the political fallout. Figures like the Happy Hooligan, Jiggs and Maggie, Little Nemo, and Krazy Kat and Ignatz float through these stories like New York Cityâs awakened ghosts. Spiegelman also adds a masterful essay on comics and curates a few selections of the original strips. No work better demonstrates how the early cartoonists can speak through the rubble of history with vitality and humor.
For the Pulitzer Prize-winning author of Maus, the terrorist attacks of September 11th were both highly personal and intensely political. In the Shadow of No Towers is a masterful and moving account of the events and aftermath of that tragic day.
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S.âŠ
