Books like Special Topics in Calamity Physics

Risk-taking writers are my heroes, and Katherine Dunn is at the top of my list.

Her astonishing book Geek Love, a cult classic, defiantly celebrates the freakish and bizarre, tearing to shreds the subjective and culturally determined definitions of normality, intelligence, and beauty. Dive into Geek Love, and you’ll be traveling with the Binewski family, owners of the “Carnival Fabulon,” whose “special” offspring are prized for their money-making monstrous endowments.

In creating Oly, an albino hunchback, or her brother Arty, born with flippers, or Chick, with telekinetic powers, Dunn risks alienating readers by turning her characters into stereotypes, comic or horrid. Instead, she has written a haunting, humorous, and existentially relevant novel about Otherness, about the afflictions of family life—alternatively claustrophobic and competitive or caring and dear.

In the matrix of family, we learn who we are and how to love. I, too, am a writer driven to explore… show more.

Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.

The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.

I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.     

This list wouldn’t be complete without a story about a journalist in peril.

Reporter Camille Preaker returns to her hometown to cover the murder of teen girls after she’s been through a tough time herself. As she covers the story and meets some interesting characters, she begins piecing things together, never realizing how close she is to the true danger. 

Camille has had a rough past, which colors her worldview and her judgment. The book explores how grief and trauma aren’t easily overcome and can’t be shelved simply because time has passed and other people have told you to move on.

I love the notion that sometimes danger is much closer than you think. As readers, we care and worry about Camille as she attempts to not just report on this story but also crack the case.

This book has shaped the way I look at consensus.

Like Holden standing slightly outside Pencey and watching the people around him without quite belonging, I have often felt most comfortable observing from the edge. In many ways, that distance is part of what made me a writer.

I also love the intimacy of Holden's voice, the sense that he is speaking directly to someone he trusts. I try to keep readers close in my own writing too, even without addressing them directly.

His wandering through Manhattan speaks to the flâneur in me, and I return to the humor, the sensitivity to detail, and the humanity of the book. Even when Holden is haunted by the past, he keeps choosing the present.

From the brilliant first line to the ambiguous ending, this novel kept me gripped throughout its 800 + pages.

It plumbs the secret depths of Victorian Society, uncovering pornography, mental illness, prostitution, the evils of marriage and inheritance in gloriously rich prose.

It explores the lives of two very different women, Agnes and Sugar who are both dependent on Wiliam Rachkam, reluctant heir to a perfume business. Agnes represents the Victorian ideal of naive femininity, whereas Sugar is a prostitute who is writing an erotic revenge novel in which all clients are gruesomely murdered.

This novel has a surreal and baroque quality, which I loved.

Emotion, in particular love, knows no bounds of race, culture, past, or future. I think love reaches uncommon heights in times of stress, which accounts for falling in love with abandon–like in wartime. Or when culture curbs or forbids love’s expression.

So here in this book, Lin Kong, a doctor, feels constrained during the Chinese Cultural Revolution–perhaps seeing through its façade of freedom, particularly in his own marriage. And upon that conundrum rests the plot: Lin’s waiting 18 years (by law) for divorce so he can be with the woman he desires. But the longer he waits, the more he desires her; then, once the waiting is over, desire leaves him.

Perhaps it is better for Lin to live in never-ending desire? Was his grass greener on the other side? 

I originally read Thayer Hamann when I was in high school and identified so deeply with Evie, the protagonist, and also saw in her the person I yearned to become. Evie shares the intricacies of the teenage girl experience, beginning with her high school career in East Hampton and spanning through her undergraduate years at NYU.

Her perspective is graceful, smart, and deeply feeling, with her heart fully exposed on her sleeve—much in the way mine was as a teenager (and still is, in many ways). There’s an epic love story at the heart of the novel, as well (even though I wrote a thriller, I am a romantic to my core), and I’m not too proud to say that the love interest, Roarke, continues to be one of my favorite “book boyfriends.” I reread this every couple of years and can confirm it stands the test of time.  

I love this book because Edna Pontellier is perhaps the original flawed yet sympathetic heroine—a character ahead of her time and a symbol of the growing stirrings of feminism.

I underlined many passages in my dog-eared copy from college (my professor was the editor), including the line, “Mrs. Pontellier was not a mother-woman,” a contrast with the other mothers summering on Grand Isle who doted on their children. She’s not what a woman and mother was supposed to be in 1899—she’s in love with a man other than her husband; she eschews the trappings of motherhood; and ultimately she escapes in the most heartbreaking way.

This book was so explosive at the time, that it was pulled from shelves and didn’t enjoy success and a rightful place in the literary cannon until it was reissued in 1966. There’s a reason it’s had a treasured place on my bookshelf for nearly… show more.

I read this wonderful coming-of-age tale when I was in my teens, but its magical mood remained with me ever since.

Reading the story of Emil Sinclair meeting the enigmatic Demian at school–who not only freed him from bullies but showed him that there was another world usually invisible to the common senses–set me on a life-long journey in search of the miraculous. 

Carey followed up the wildly popular zombie epic The Girl With All The Gifts with this book about a ghost story in a women’s prison. It’s smart horror based on an assembly of compelling characters, and Carey uses language beautifully.

Another example of an author who has versatility is how he can handle different genres simply through his skill as a storyteller who knows how to craft compelling characters and twists on common themes. Do you like Orange is the New Black and might be up for some supernatural elements? This is your book.