100 Books Like Waiting

In 2019, I spent a year traveling around the world with my husband and two small kids. These days, we still travel whenever we get the chance, soaking up as many cultures, landscapes, and experiences as possible. Wherever we go, we read books set in our destination, usually by local authors, which deepens our connection to the places we visit. But you don’t need a plane ticket for a good book to transport you overseas. Here are a few of my favorite reads guaranteed to immerse you in faraway lands, even as you sit on your favorite couch at home. 

Most travel books skate across the surface of the cultures they encounter. But as someone who has lived in a variety of places, studied the languages, and undergone a certain amount of acculturation, I feel like these books often miss the true strangeness and wonder of the world. The books here get at how things look different from inside another culture and language. The travel, in other words, not just to another country, but into another world. 

I chose the dramatic backdrop of the Tiananmen massacre because after my first trip to China in the 1980’s I became a host family for mainland students studying at UCLA where I was Medical Director of Student Health. During those weeks in 1989 many students communicated with friends and family back in China using our fax machine. From their perspective, the conflict was a generational struggle between the very old leaders, many of whom marched with Mao and who were desperate to hang onto power (and therefore for my plot would want to get their hands on an elixir to double their lifespan), and the younger generation anxious for reforms.

I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better! 

Anyone who’s attended high school knows it’s often survival of the fittest outside class and a sort of shadow-boxing inside of it. At my late-1970s prep school in the suburbs of Los Angeles, some days unfolded like a “Mad Max” meets “Dead Society” cage match. While everything changed when the school went coed in 1980, the scars would last into the next millennia for many. Mine did, and it’d thrust me on a journey not only into classic literature of the young-male archetype, but also historical figures who dared to challenge the Establishment for something bigger than themselves. I couldn’t have written my second novel, Later Days, without living what I wrote or eagerly reading the books below.

In second grade my teacher told me I should be a writer—I haven’t wavered in my path since. I was a voracious reader as a child and regularly snatched books off my mom’s night table. My love for flawed characters grew with each book I devoured. I felt a connection with these characters, which fueled my dream to become a writer. When I was twenty-one years old and studying writing, I wrote in my journal, “I want to write books that make people cry.” I love to explore the gray areas in life, and I’m honored that readers have told me my books do make them cry (and laugh). 

I am a writer, a hypnotherapist, and a consciousness researcher. Ever since I was a baby, I had the memory and the sense that there was more to our existence than meets the eye. Even though I started my career as a lawyer in Vienna, Austria, after a transformative illness and a series of spiritually awakening experiences, I left for Mexico to pursue my calling as a metaphysical explorer and writer. Ever since, I’ve spent my life mapping out various dimensions of the psyche. When I’m not traveling, I like to retreat into my small highland cottage with Marius, the border collie, and Kasiopea, the black magic cat.

As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here. 

Growing up on a small farm in southern Ohio, I was the first generation of my family to attend both high school and college. Literature, reading it, talking about it, studying it, was my entry into a world of larger possibilities than my family’s somewhat straitened circumstances had allowed me. Faulkner attracted me because the rural enclave in which we lived, and my neighbors, resembled locales and characters in his fiction. Shakespeare attracted me for many reasons, most notably the beauty of his language and the ability of his plays to reveal new meanings as my life experiences changed.

I first became interested in the subject of my novel after reading about the prosecution and sentencing of Andrea Yates, the mother who drowned her five children in a bathtub. My curiosity led me to Dr. Spinelli’s book, and the studies and scientific information told me there was a book there. Having lived on the St. Clair River, I knew it had to be part of the story. As a retired lawyer, I had plenty of knowledge of the court system, so I decided to write the novel from the lawyer’s point of view and include her personal growth as she connects to her client in unorthodox ways.