Books like Sonia Delaunay — picked by fans

I adore David Hockney. He draws so beautifully, and in so many different ways, and is always inventive in his art-making. He makes me see more through his art and was a major inspiration for me when I was starting out as an editorial illustrator years ago. This book is a 2020 pandemic conversation between Hockney, now living in Normandy, and his good friend, the art critic Martin Gayford in the UK. It really speaks to the devotion that artists have to observing life and creating something beautiful from it. I love the joy Hockney brings to his work and see that as a powerful energy to create from.

This is a purely visual book of portraits by David Hockney from the beginning of his career until he is nearly 80. It’s full of different styles of drawing and painting and, for that reason, is the kind of book that stimulates visual ideas and makes me want to go straight to the drawing board. In other words, it really gets us thinking in some new ways about how we interpret the world around us in drawing and painting. It’s a good reminder of the pleasures of looking and making.

Artist, designer, writer James Victore urges us to be ourselves without hesitation. Artists don’t fit in, we can’t. We’re observers and makers and require a certain distance from the mainstream to refine our vision and do our work. But we can be afraid to express ourselves fully and stand out from the crowd. This book dishes out confidence like candy. It’s a great place to replenish flagging spirits when they descend as they will from time to time. It’s energizing and makes you want to open your eyes and do what you can to further the unfolding of your truth and spirit. Written in short pithy chapters, you can dip in and out of it whenever you need a boost.

While Nick Cave is primarily a musician/songwriter, this book is a visual record of Cave’s creative journey filled with his early sketchbooks, photos, drawings, and typewritten song lyrics annotated by hand. Many of us artists work in sketchbooks where we can feel free to be messy and exploratory and pour our hearts onto the page. Some of us need words as well as images to explore the world around us, decipher our feelings and uncover our work. I love musing over Nick’s here—so messy and wild to begin and a little more ordered as he ages as one might expect. The book is filled with photos of different parts of his life, drawings and doodles, tight handwritten scripts and taped over typewritten lyrics gone yellow with age. It’s a compendium of a wonderful artist’s creative process. A real joy to sit down with and muse over.

This biography of the famous French authoress Collette explores the sensuously Parisian life of the famed and inflammatory author. It explores many of her sensuous love affairs along with her fabulous accomplishments. This biography marches through time in Paris, from the Belle Epoch to the lean years of the World Wars, to the shining beacon Paris became in the later half of the twentieth century. Through the life of the indomitable authoress Collette, the city of Paris truly sparkles as we see that her history is so entwined with the city’s history.

In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.

Who doesn't want to be Posey Parker? She’s smart, she eats loads, and never gets tubby. She’s always gorgeous, though she’s not at all arrogant about it. Give Posey a compliment or a sandwich; she’ll take the sandwich every time.

On the negative side, she lives in the 1920s with the world still reeling from the first world war, and women’s rights decidedly sketchy. Also, she’s trapped on the Night Train to Paris with a sense of impending doom. (I totally identify with that, having traveled on the Glasgow to London sleeper.)

L.B. Hatheway has crafted a book that offers the best kind of mystery and a great understanding of the time's history, and Clare Wille voices it flawlessly. 

Do you want the gritty, pungent beauty of Paris during the heyday of the Romantics—the 1830s? You want perversion, decadence, a crazy, kinky plot revolving around sex, dominance, Sapphic passion, murder, and intrigue, set in the Trocadero neighborhood? Only Honoré de Balzac could dream up something this wild and get away with it. One of the wonders of this short novel is how, through casual descriptions, Paris comes to life. It’s not a picture-postcard version of the city. Au contraire. It’s a seamy, real place I recognize after 35 years living there. While I was reading The Girl with the Golden Eyes, I actually went out and found the locations. The city has changed less than you’d think in 190 years. Above all, the seamy, perverse side remains.

Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.

Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.

But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.

We are coded as homo sapiens to look at each other. To observe, study, analyse our fellow creatures. One of the reasons I’ll never live in the country is that I’ll miss observing urban life. 

This is such a simple book with a simple premise. Perec recorded everything he saw while sitting at a café on a Parisian square over three days. When I lived in Paris in the 1990s, I had a dog-eared French version of this book and I dutifully went to the same place. Not to record my own observations but to try and see things that Perec might have seen twenty years prior.

A city-dweller regards their city. This book is at once nothing and yet it is everything about urban life. I found in Perec a comrade in arms. The romantic in me insists on believing that the seeds for my later urban observations lie… show more.