88 Books Like So Much Blood

Peter James is one of the world’s finest crime writers. His books are fast-paced and once you start one of his novels, it’s so difficult to put it down.

His main character, Detective Superintendent Roy Grace, is totally credible and takes the reader right into the heart of British policing. You get to know the most intricate details of murder investigations.

Left You Dead features Niall and Eden Paternoster going to a supermarket just before it closes – but Eden doesn’t come back out. A few days later Niall is arrested on suspicion of her murder. But you know that with Peter James nothing is as it seems and there’ll be a twist that you just won’t expect.

For more than three decades Ian Rankin has been the master of “tartan noir” – police procedural fiction set in Scotland. The curmudgeonly, hard-faced, no-nonsense detective Inspector John Rebus has a tendency to bend the rules as investigations take over his life.

A Song For The Dark Times starts with Rebus’ daughter Samantha calling him to say her husband is missing. Rebus fears the worst and from his experience realises that his daughter will be the prime suspect. You’re always on the edge of your seat wondering whether Rebus will have to prevent the truth from coming out and compromising his position as an upholder of the law.

The 12th and final novel in John Harvey’s series about Detective Inspector Charlie Resnick, the jazz-loving, exotic sandwich-eating loner who investigates crimes in the East Midlands city of Nottingham where I’ve spent a lot of my working life.

Darkness, Darkness is partly set in 1984 during the miners’ strike which threatened to tear England apart. Thirty years later the remains of a young woman, an activist who campaigned for justice while her husband continued to work during the strike, are found in a garden.

You root for Resnick, the world-weary detective who despite coming across every possible flaw in the human condition is still driven to bring criminals to justice – even if this means troubled times in his life come back to haunt him.

Peter Robinson has managed to create a character, DCI Alan Banks, who remains likeable even though he can be petty, headstrong and displays behavioural traits not expected of a top police officer. We can all empathise with him when he acts in a way that causes him shame and regret.

In Strange Affair he’s become depressed after a devastating fire at his cottage. But he’s shaken out of his lethargy when he gets a telephone call to say his estranged brother Roy is missing and Roy’s girlfriend has been shot dead. 

The clever plot involves Banks digging into his brother’s life and discovering Roy’s dodgy business practices which threaten to engulf Banks whose life is in danger. It’s one of Robinson’s best thrillers.

I had no idea before I read this book that Jerome K Jerome started his working life as an actor—or rather a would-be actor, as his acting days didn’t last long. This is a highly entertaining account of his days trying to woo corrupt agents and indifferent theatre managers, and how his own lofty perceptions of his talents as an actor were dashed by absconding producers. His experiences of life at the bottom of the acting ladder are also reflected in other actors’ memoirs, some (but not all) of whom went on to bigger things. A must-read for any parent who wants to dissuade their offspring from taking up a life ‘on the boards’.

Carrie Fisher is a phenomenal writer whose Hollywood upbringing and career makes her insightful voice when it comes to the experience of women in film.

Turning the diaries she kept while shooting Star Wars – playing the iconic Strong Female Character, Princess Leila – into a memoir offers and eye-opening perspective about life as an actress working in a male-dominated world.

It’s full of humour, self-deprecation, and real vulnerability, as well as juicy tidbits about the production.

This is probably the most challenging read here, but so worth the effort if you want to dive deep into one of the most unique artistic minds of our time. If you’re not a trained actor, you might not understand all of the nuances here – Mamet is a definite theater guy and doesn’t stop down to explain every detail here -- but any artist can learn Mamet’s biting, witty, shocking creative tips. I recommend just letting this one wash over you the first time, but if you give yourself to this text and to Mamet, it is sure to give you a new perspective on the way we all create art and hopefully inspire you to delve into some creative expression that you were always too scared to try. 

I have zero fascination with celebrities, but remain a sucker for a showbiz memoir as told by a true raconteur. And though you might never have known it from the pretty-boy reputation cemented firmly by his 80’s era film oeuvre, Rob Lowe ranks right up there with George Hamilton in both his having known pretty much everybody in Hollywood, but also having a great story to tell about each one. At turns self-deprecating, deeply touching, brutally honest, and laugh-out-loud funny, Lowe’s Stories doesn’t dish any dirt—so if that’s what you’re looking for, you might want to look elsewhere. But if you’d like an inside peek at Hollywood as told by a Gen-X icon in his own words (no ghostwriters here!), you can’t go wrong here.

The final sentence of The Mask of Apollo has haunted me for decades since I first read the book in my teens. When I read it again, many years later, I discovered that the story is as moving as I remembered. Renault weaves a fascinating re-creation of classical Greek theatre with Plato’s attempt to tutor a true philosopher king in the kingdom of Syracuse. But it’s the final chapter, after Plato’s death, that raises the book to the level of tragedy. For then we meet the young Alexander, already almost god-like in his charisma, a fire seeking fuel for its burning. Alexander burns through the world seeking it, but what he is looking for in the world has already left it: a broken Plato has already died.

If you’ve ever seen Billy Porter werk the red carpet, you know he doesn’t hold anything back. His memoir is no exception. And while the challenges he’s faced as a Black, Queer person are as unique as his talent, every theatrer-maker can identify with his dreams, his passions, and his disappointments. I so admire his courage in calling out hypocrisy in our business while simultaneously demonstrating the grace to call in for healing.