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My tenure as editor-in-chief of Guitar magazine is well behind me now, but it always lights me up to create content for musicians, and to absorb it. These are my people, you see, a community of curious, empathic, chronically late daydreamers and night owls, good listeners all. I’m not qualified to comment on Adorno’s Aesthetic Theory or Stravinsky’s Poetics of Music, but neither do I want to talk about rock-star memoirs or fawning fictionalizations. No fanfare here, thank you. Instead, these are five books in which musicians may recognize some element of their creative self and come away with a little more fuel for the fire.
Wilco frontman Jeff Tweedy really, really wants everyone to write a song, and I find it terribly endearing.
I picked up his handbook amid a COVID-era creative block, and with Jeff as my songwriting sherpa, I was eventually able to drop some baggage and make my way up. I had already known that music would pay me back for the effort, but Jeff (I think he’d want me to call him Jeff) patiently walks through directly applicable strategies such as word-laddering, stealing, and the Dadaist cut-up technique for lyric writing.
His encouraging nudge made it easier to leave self-judgment and even good sense behind.
'A guide to rediscovering the joys of creating that we all felt as children.' NEW YORK TIMES
One of the century's most feted singer-songwriters, Wilco's Jeff Tweedy, digs deep into his own creative process to share his unique perspective about song-writing and offers a warm, accessible guide to writing your first song, championing the importance of making creativity part of your everyday life and experiencing the hope, inspiration and joy that accompanies it.
'Fascinating.' ROUGH TRADE 'Eloquent.' INDEPENDENT 'Nourishing.' PITCHFORK 'A proselytiser for the act of songcraft.' FINANCIAL TIMES 'A smart,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I've been making messes with paint, string, and words, as well as in love, mothering, and in virtually every other way imaginable my whole life. Eventually, an expertise began to grow, and the confusion in my life began to make sense through my creations, while at the same time, the seemingly irrelevant words and textures I was making started to tell me something about my life. Eventually, my lived experience and training in the Expressive Arts Therapies have led me to the roles of teacher, educator, and contemplative artist. If we pay attention to what we express and how we express things, we can find our way through any mess we find ourselves in.
Of all the creative self-help books out there, Twyla Tharp’s perspective stands out as one fueled by awareness and curiosity rather than grit and force.
For me, this gentler, more curious cultivation of creativity has proved sustaining as opposed to the conventional wisdom that suggests life must be pushed away or overcome to create. As a choreographer and dancer, her wisdom on building a life of creative expression is broad and encompassing, focusing on how one interacts with the world rather than the products one creates.
The inspiration in this book is followed up with practices that have changed the way I approach seeing the world, focusing my thoughts, and allowing the creative process to transport me to surprising places.
What makes someone creative? How does someone face the empty page, the empty stage and making something where nothing existed before? Not just a dilemma for the artist, it is something everyone faces everyday. What will I cook that isn't boring? How can I make that memo persuasive? What sales pitch will increase the order, get me the job, lock in that bonus? These too, are creative acts, and they all share a common need: proper preparation. For Twyla Tharp, creativity is no mystery; it's the product of hard work and preparation, of knowing one's aims and one's subject, of…
I’ve been obsessed with studying the artistic process for over 25 years since I got my degree in Studio Art and Art History at Vanderbilt University. After getting my MFA in Creative Writing, I headed out to Hollywood to produce national television for over twenty years. I’ve worked with many of the greatest actors, filmmakers, and writers of our time and written my own bestselling novels about artists. I read as many books on the artistic process as possible. My mission has always been to ensure that every person knows that they, too, can be artists – creating art isn’t just for the “great”, it’s for everyone.
Other people kept recommending this book to me, but I kept putting it off. I don’t know why, but I just couldn’t bring myself to read it. Once I did, the only thing I had to regret was that I hadn’t read it sooner. Now, I’ve returned to its pages time and time again to re-ignite my own love of creating and to remind me that it’s never too late to follow new creative dreams. This book makes me laugh and cry with the hope and pain of creating art, but the most important part of it to me is its relentless insistence that we all must ignore that annoying “You will never be an artist” putdown. Read this book and you will know, without a doubt, that you can be an artist if you want, no matter the obstacles.
A finalist for the National Book Critics Circle Award, this memoir of one woman's later in life career change is "a smart, funny and compelling case for going after your heart's desires, no matter your age" (Essence).
Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school--in her sixties--to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
Some Like It Hot, The Apartment, Double Indemnity, Sunset Boulevard… Billy Wilder is my favourite filmmaker. I like the elegance of his storytelling and his bittersweet wit. In Wilder’s final years, Cameron Crowe conducted a series of interviews with the writer-director. From fleeing Nazi Germany to his admiration for Ernest Lubitsch, from the trials of working with Marilyn Monroe or Raymond Chandler to the joys of collaborating with Barbara Stanwyck, Jack Lemmon, and Charles Laughton, from his successes to his failures and on to the secret of what makes a good writing partner, Wilder needs little prodding to tell movie-making tales from Berlin to Paris to Hollywood.
In Conversations with Wilder, Hollywood's legendary and famously elusive director Billy Wilder agrees for the first time to talk extensively about his life and work.
Here, in an extraordinary book with more than 650 black-and-white photographs -- including film posters, stills, grabs, and never-before-seen pictures from Wilder's own collection -- the ninety-three-year-old icon talks to Cameron Crowe, one of today's best-known writer-directors, about thirty years at the very heart of Hollywood, and about screenwriting and camera work, set design and stars, his peers and their movies, the studio system and films today. In his distinct voice we hear Wilder's inside…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
I had no idea before I read this book that Jerome K Jerome started his working life as an actor—or rather a would-be actor, as his acting days didn’t last long. This is a highly entertaining account of his days trying to woo corrupt agents and indifferent theatre managers, and how his own lofty perceptions of his talents as an actor were dashed by absconding producers. His experiences of life at the bottom of the acting ladder are also reflected in other actors’ memoirs, some (but not all) of whom went on to bigger things. A must-read for any parent who wants to dissuade their offspring from taking up a life ‘on the boards’.
This book contains Jerome K. Jerome's 1891 monograph on stage productions, entitled "On the Stage and Off". Within this work, Jerome reflects on his personal experiences - both good and bad - working as an actor in the late-nineteenth century. A fascinating and insightful text, "On the Stage and Off" is highly recommended for those with an interest in the development of theatre, and would make for a great addition to collections of related literature. The chapters include: "I Determine to Become and Actor", "I Become and Actor", "Through the Stage Door", "Behind the Scenes", "A Rehearsal", "Scenery and Supers",…
As a brainy, bullied Queer theater kid, I was 14 before I ever saw anyone like myself onstage or onscreen. Then—Wham—in June of 1980 I sawA Chorus Lineon Broadway and Fame at the movies. But there weren’t any books that showed the theater life as it was actually lived. When I published my love letter to my high school theater friends in 2004, no one had written a novel about our kind. Today, as someone who’s managed to make a living as a writer-director of musicals, I strive to share the whole truth with the young artists I mentor.
If you’ve ever seen Billy Porter werk the red carpet, you know he doesn’t hold anything back. His memoir is no exception. And while the challenges he’s faced as a Black, Queer person are as unique as his talent, every theatrer-maker can identify with his dreams, his passions, and his disappointments. I so admire his courage in calling out hypocrisy in our business while simultaneously demonstrating the grace to call in for healing.
From the incomparable Emmy, Grammy, and Tony Award winner, a powerful and revealing autobiography about race, sexuality, and art
It's easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway's Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn't fit in. At five years old…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Just your friendly neighborhood thriller novelist. When people find out I write books, they inevitably enquire, “Really? Have I read anything of yours?” Well, funny you should ask! I’ve been cranking out stories since I was sixteen but took a couple of decades to finally land a publishing deal for my debut novel Hammerjackand its sequel Prodigal(Bantam Spectra). A lifelong Star Trekfan, I’ve also published the novella “Revenant” in the collection Seven Deadly Sins (Gallery Books). My latest is the high-tech thriller Candidate Z, available on Amazon.
I have zero fascination with celebrities, but remain a sucker for a showbiz memoir as told by a true raconteur. And though you might never have known it from the pretty-boy reputation cemented firmly by his 80’s era film oeuvre, Rob Lowe ranks right up there with George Hamilton in both his having known pretty much everybody in Hollywood, but also having a great story to tell about each one. At turns self-deprecating, deeply touching, brutally honest, and laugh-out-loud funny, Lowe’s Storiesdoesn’t dish any dirt—so if that’s what you’re looking for, you might want to look elsewhere. But if you’d like an inside peek at Hollywood as told by a Gen-X icon in his own words (no ghostwriters here!), you can’t go wrong here.
A wryly funny and moving account of an extraordinary life lived almost entirely in the public eye.
Teen idol at fifteen, international icon and founder of the Brat Pack at twenty, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences as a painfully misunderstood child actor in Ohio uprooted to the wild counterculture of mid-seventies Malibu, where he embarked on his unrelenting pursuit of a career in Hollywood.
The Outsiders placed Lowe at the birth of the modern youth movement in the entertainment industry. During his time on The West Wing, he witnessed the surreal…
I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
Carrie Fisher is a phenomenal writer whose Hollywood upbringing and career makes her insightful voice when it comes to the experience of women in film.
Turning the diaries she kept while shooting Star Wars – playing the iconic Strong Female Character, Princess Leila – into a memoir offers and eye-opening perspective about life as an actress working in a male-dominated world.
It’s full of humour, self-deprecation, and real vulnerability, as well as juicy tidbits about the production.
When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved - plaintive love poems, unbridled musings with youthful naivete, and a vulnerability that she barely recognized. Now her fame as an author, actress, and pop-culture icon is indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her co-star, Harrison Ford. With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of…
In 2008, I accidentally started watching The West Wing, and it changed my life–leading me ultimately to start writing seriously and then to move to DC, where I lived for ten years. I would not have ever guessed that a TV show could have such an impact, but I repeatedly met people in DC who had similar stories. I wrote an essay about the fandom for my literary journalism class during my MFA, and that became the starting point for my anthology. I interviewed dozens of fellow fans, many of whom had moving stories of the show’s impact on their lives. It was a really special experience.
In my opinion, the character of Amy in The West Wing is vastly underrated. Obviously, I wanted Josh to end up with Donna, but it’s undeniable that Bradley Whitford, who plays Josh, has electric chemistry with Mary-Louise Parker. As well as being a fantastic actor, Parker is a brilliant writer.
This memoir is a collection of letters to important men in her life–from a taxi driver who picked her up on a difficult day to a teacher at drama school, as well, of course, as some love interests. By turns tender, witty, and almost unbearably sad, it’s a beautifully written book.
The bestselling, wonderfully unconventional, “warmly conspiratorial…seriously good” (The New York Times) literary memoir from the award-winning actress that has received fabulous and wide praise. “There is no one else quite like Mary-Louise Parker…Funny, heartbreaking and profound” (Elle).
An extraordinary literary work, Dear Mr. You renders the singular arc of a woman’s life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve been fascinated by crime ever since I was a junior reporter working on a daily newspaper and covered a huge number of court cases. I’ve written all my working life and turned to crime writing after reaching the final of a UK TV channel’s Search for a New Crime Writer competition. I’ve built up contacts within the police force during my career which has enabled me to write Storm Deaths, the first in a series of police procedural crime novels. I’ve seen so many films and TV shows that don’t follow the proper procedure, so I ensure that all my writing is as authentic as possible.
Few characters in crime fiction are as charismatic as Charles Paris, a struggling actor whose career has more ups and downs than a seesaw. Simon Brett presents us with a fascinating character, a middle-aged man who is endearing even though he is a drunk and a womaniser.
There is always a murder whether Paris is acting in weekly rep or has a cameo role in a film. So Much Blood involves Paris appearing at the world-famous Edinburgh Fringe Festival. Brett skilfully weaves in the drama of putting on a show and the dynamism of the Scottish city with Paris’ occasionally amateurish sleuthing as he tries to uncover who committed the crime. Excellent entertainment.
Appearing in his own one-man show on Thomas Hood at the Edinburgh Festival, middle-aged actor Charles Paris finds himself falling for a gorgeous young girl with navy-blue eyes. He also finds himself being dragged into a complex murder investigation involving the death of a fading pop star, a bomb scare in Holyrood Palace and a suicide leap from the top of the Rock.
