Here are 100 books that Slumberland fans have personally recommended if you like
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I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.
I was blown away by this book: one of those books that makes you think differently about the world and stays with you. Your classical political thriller is set at the heart of government: the big cheeses and their power games; this, though, is about two ordinary (but exceptional!) young people and how the political climate of Weimar Germany and the rise of Nazism affected their lives.
I much prefer a book like this, about life and what it means to be human. The “thriller” aspect comes from your fear of what might happen and whether their love alone can pull them through. I loved the characters, both the main ones and the secondary ones.
From the bestselling author of Alone in Berlin, his acclaimed novel of a young couple trying to survive life in 1930s Germany
'Nothing so confronts a woman with the deathly futility of her existence as darning socks'
A young couple fall in love, get married and start a family, like countless young couples before them. But Lammchen and 'Boy' live in Berlin in 1932, and everything is changing. As they desperately try to make ends meet amid bullying bosses, unpaid bills, monstrous mothers-in-law and Nazi streetfighters, will love be enough?
The novel that made Hans Fallada's name as a writer,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I find that one of the advantages of having worked as a professor (now Emerita ) of German at the University of Wisconsin, Milwaukee, is that it helped me gain perspective. When I study literature–especially in languages other than English–I am forced to step outside of my everyday world to identify the motif and leitmotif of the author. I am proposing that the medical training of these five authors helped them do the same: to dig below the surface to find other structures and root causes and to present their findings and unique diagnoses.
Döblin was a practicing Jewish psychiatrist in Berlin when the Nazi regime drove him and his family into exile in France. Already an established and prolific writer, he was forced into a clandestine existence on the run in France.
This memoir essentially depicts the anatomy of life in exile, the isolation from community, whether in France or later as one of the many exiles from Nazi Germany living and working as writers for the film industry in Hollywood. Döblin returned after the war to work in the French zone of a shattered Germany in the uniform of a French officer. His commentary is a masterpiece of psychological analysis both at the personal and collective level.
Reissued as a paperback by Plunkett Lake Press, Destiny's Journey is a memoir reconstructed partly from notebooks that Döblin kept from the time he worked in the French Ministry of Information in the spring of 1940 and partly written without notes in Los Angeles where he took refuge during the Second World War. It tells the personal and generational story of the flight of Jewish and anti-Nazi intellectuals from Europe to America, their fear and frustration, isolation, and inability to work. Döblin’s story differs from that of other Jewish intellectuals and artists in that his family converts to Catholicism in…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Maples, magnolias, oaks, and ailanthus: from the native to the exotic, from the carefully cultivated to the weedy and unwanted, Dümpelmann tells the history of the trees that line our city streets in two complementary case studies. Beginning in the late nineteenth century, trees became yet another technology of urban planning, bent to human designs by tree surgeons, dendroscopes, and all manner of other fantastic inventions. Dümpelmann avoids the pathos of the solitary tree sandwiched between asphalt and concrete. Instead, her story is one of flourishing mutualism: as trees became urbanized, cities became naturalized. Urban trees tell very human stories of war and politics and peace, but also resist our control, and make the city a little bit wild.
A fascinating and beautifully illustrated volume that explains what street trees tell us about humanity's changing relationship with nature and the city
"A deep . . . dive into urban society's need for-and relationship with-trees that sought to return the natural world to the concrete jungle."-Adrian Higgins, Washington Post
Winner of the Foundation for Landscape Studies' 2019 John Brinckerhoff Jackson Prize
Today, cities around the globe are planting street trees to mitigate the effects of climate change. However, as landscape historian Sonja Dumpelmann explains, the planting of street trees in cities to serve specific functions is not…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
This isn’t an easy read, but it’s an important one. A diary by an anonymous female journalist trapped in Berlin as bombs fall and the Red Army closes in, it describes in graphic detail her struggle for survival between April and June 1945. Berlin’s women had difficult choices to make in this period, and the author records unflinchingly her decision to choose the ‘protection’ of one Russian soldier over repeated rape by multiple others. It is one of the few books that tell us about war from the perspective of civilian women, immersing us in their world and recording the impact of political leaders’ delusions of grandeur and glory on individual lives. I didn’t find this an easy book to pick up, but found it even harder to put down.
This is a devastating book. It is matter-of-fact, makes no attempt to score political points, does not attempt to solicit sympathy for its protagonist and yet is among the most chilling indictments of war I have ever read. Everybody, in particular every woman ought to read it' - Arundhati Roy
'One of the most important personal accounts ever written about the effects of war and defeat' - Antony Beevor
Between April 20th and June 22nd 1945 the anonymous author of A Woman in Berlin wrote about life within the falling city as it was sacked by the Russian Army. Fending…
I'm a military historian and an author. To get inspiration for my writing, I spent 35 years in Special Forces (as a "Green Beret") and as a CIA officer in strange places working with interesting people. I first wrote non-fiction but I needed US Government approval for everything. So, following the saying “Fiction is the lie through which we tell the truth,” I tell my tales as “faction”—stories reflecting a reality most people don’t know or understand. I write about “Us Versus Them”—stories about teamwork—and the result is The Snake Eater Chronicles. I leave it to the reader to decide where fact ends and fiction begins.
Okay, I like almost anything that is set in Berlin because I lived and “worked” there during the Cold War, but Canon really brings it in this tightly woven story of Martin Keller, a hapless former convict who has been co-opted to work for the CIA in East Berlin.
From the first page, paranoia sets in, as it must on anyone working against the Communist regime of East Germany, when Keller embarks on his own agenda to save himself and, more importantly, the family he loves.
Kanon re-creates the tension of a divided Berlin while his well-drawn characters try to escape the clutches of a morally corrupt government. Kanon is simply one of the best.
'A modern master at work' THE TIMES 'Heart-poundingly suspenseful' WASHINGTON POST 'Joseph Kanon owns this corner of the literary landscape' LEE CHILD
Berlin. 1963. The height of the Cold War and an early morning spy swap. On one side of the trade: Martin Keller, an American physicist who once made headlines, but who then disappeared into the English prison system. Keller's most critical possession: his American passport. Keller's most ardent desire: to see his ex-wife Sabine and their young son.
But Martin has questions: who asked for him? Who negotiated the deal? Just the KGB bringing home one of its…
Looking at photographs after my father died, when still living in Spain, I reflected on what life had been like for young men of the WWII generation. This sparked the start of my Peter Cotton series. Living abroad for so long, having more than one language and culture, gives people dual perspective, a shifting identity, which is something that fascinates me—and makes Cotton ideal prey for recruiting as an intelligence agent. I also wanted to explore the complex factors in the shifting allegiances after WW2, when your allies were often your worst enemy. All these are themes that recur in the books chosen here.
Lawton and I both write novels about the post-WWII period and have had great conversations on author panels. The protagonist of Then We Take Berlin, Joe Wilderness, is something of a picaresque anti-hero. His mother died in a bomb attack, his abusive father basically abandoned him, so Joe survives as a petty thief, works the black market, and reads everything in his local library. Called up for National Service, his total lack of respect for rules lands him in military prison—and MI6 offers him a way out. So begins his career as a spy. Set in two timeframes, I particularly enjoyed Lawton’s portrayal of Wilderness’s chameleon-like powers of adaptation and his struggle to reconcile his private life, married to his boss’s daughter, and his undercover persona as a spy.
“A stylish spy thriller” of postwar Berlin—the first in a thrilling new series from the acclaimed author of the Inspector Troy Novels (TheNew York Times Book Review).
John Wilfrid Holderness—aka Joe Wilderness—was a young Cockney cardsharp surviving the London Blitz before he started crisscrossing war-torn Europe as an MI6 agent. With the war over, he’s become a “free-agent gumshoe” weathering Cold War fears and hard-luck times. But now he’s being drawn back into the secret ops business when an ex-CIA agent asks him to spearhead one last venture: smuggle a vulnerable woman out of East Berlin.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.
In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.
First published in the 1930s, The Berlin Stories contains two astonishing related novels, The Last of Mr. Norris and Goodbye to Berlin, which are recognized today as classics of modern fiction. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and cafes; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires-this is the period when Hitler was beginning his move to power. The Berlin Stories is inhabited by a wealth of characters: the unforgettable Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and…
While it only simmers in the background of Demi-Gods, I find myself returning to this theme in my fiction — of mothers behaving badly. The topic fascinates me because we live in a society that idealizes the Mother. So much so that we have removed sex and desire from this archetype. We even made Mary, the “universal mother,” a virgin. As someone with a womb, society expects me to have children. (I don’t yet.) Fiction has provided a space for me to disentangle my own thoughts around motherhood — on what I might claim for myself, and what I absolutely refuse to take on.
Many of the characters in this story collection work in unappreciated, underpaid, and unseen labor: as caregivers, nurses, cleaners, switchboard operators, administrators, substitute teachers. The stories are rooted in Berlin’s own experience as a mother, worker, and alcoholic.
A lot of authors are famous for writing “working class” stories — but many of them are men. I love this collection because it centers the story on working-class women, who often happen to be mothers raising their children alone.
Lucia Berlin didn’t receive much attention as an author in her lifetime, but she writes with a skill, shrewdness, and vulnerability that places her among the very best. While some of the stories in this collection are sorrowful, others are funny, even uplifting. Whether from laughter or sadness, I was frequently moved to tears.
The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.
With an introduction from Lydia Davis
Lucia Berlin's stories in A Manual for Cleaning Women make for one of the most remarkable unsung collections in twentieth-century American fiction.
With extraordinary honesty and magnetism, Lucia Berlin invites us into her rich, itinerant life: the drink and the mess and the pain and the beauty and the moments of surprise and of…
While a graduate student and then an army interpreter in Germany, I listened to reminiscences from both Third Reich military veterans and former French resistance fighters. Their tales picked up where my father's stories of pre-war European life always ended, and my fascination with this history knew no bounds. On occasion I would conceal my American identity and mentally play the spy as I traversed Europe solo.A dozen years later upon the death of my father, I learned from my mother his great secret: he had concealed his wartime life as an American spy inside the Reich. His private journals telling of bravery and intrigue inspire each of my novels.
This author offers a well-crafted history of daily life inside the Reich, a fascinating exploration of the German capital as the Nazi movement brought its citizens to their knees. Extensively researched and documented, Moorhouse vividly portrays the daily oppression and challenges faced on all societal fronts. This well-crafted study enmeshes the reader in life under totalitarian rule.
In Berlin at War , acclaimed historian Roger Moorhouse provides a magnificent and detailed portrait of everyday life at the epicentre of the Third Reich. Berlin was the stage upon which the rise and fall of the Third Reich was most visibly played out. It was the backdrop for the most lavish Nazi ceremonies, the site of Albert Speer's grandiose plans for a new world metropolis," and the scene of the final climactic battle to defeat Nazism. Berlin was the place where Hitler's empire ultimately meet its end, but it suffered mightily through the war as well not only was…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I’ve been fascinated with the history-soaked city of Berlin where my novels are set since a school exchange trip as a teenager. It was the border that did it. Machine guns, dog runs, barbed wire, watchtowers. They were daunting. More striking still was our guide’s story about her sister who lived on the other side in the East. They were barely a mile apart but hadn’t seen each other in the twenty years since the Wall went up. I’ve been back many times since and have had a passion for German history from that day, particularly for the experiences of its people who have lived through such turbulent times.
I stumbled on this novel when I was looking for something else (a common writers’ problem). It was written in 1932 and banned the next year by the Nazis and is set amongst the gangs of young men struggling to survive in a harsh and desperately impoverished Berlin. The descriptions of the hard side of the city are brilliantly drawn and the characters are so real you long for their lives to improve even when you know there is almost no hope of it. Haffner was a social worker who clearly knew Berlin’s streets well. To add to the poignancy of his writing, nothing is known about his fate beyond a summons before a Nazi tribunal in the late 1930s. After that, he disappears. I really hope his book doesn’t.
Blood Brothers is the only known novel by German social worker and journalist Ernst Haffner, of whom nearly all traces were lost during the course of the Second World War. Told in stark, unsparing detail, Haffner's story delves into the illicit underworld of Berlin on the eve of Hitler's rise to power, describing how these blood brothers move from one petty crime to the next, spending their nights in underground bars and makeshift hostels, struggling together to survive the harsh realities of gang life, and finding in one another the legitimacy denied them by society.
