Books like Skim — picked by fans

What will happen to the world if most of us—everyone except one or two humans, in fact—disappear?

According to Marlen Haushofer, the world will continue on just fine. I find that idea to be a little shocking, sure, but also comforting: maybe humans aren’t essential to the world’s existence after all. Maybe the world doesn’t need humans for drama, love, heartbreak, or healing.

This is what I would call an anti-post-apocalyptic book, one in which no one is a hero because humanity is beyond saving. Instead, the narrator has deep relationships with several animals—a dog, some cats, and a cow—animals that aren’t anthropomorphized in the slightest but treated with dignity, love, compassion, and complexity. I reread this slow and meditative page-turner every few years. I’m going to keep reading it for the rest of my life.

I stumbled across this coming-of-age story by one of my favourite South African writers in a second-hand bookshop in Oxford when I was an undergraduate. I hadn’t been able to lose myself in fiction for a couple of years because I was so immersed in academic reading (history, mostly) – but this novel got me back on the wagon. It was the first novel I’d read in a long time that really made me want to write, to tell a story that could move a reader in the same way. In it, a white, middle-class girl growing up in a small colonial town in 1940s South Africa starts to see the world around her as it really is. Definitely one of those books that deserves a much wider audience.

Like many people, I was really impressed by Chimamanda Ngozi Adichie’s TED Talk on the problem of a single story. So when I saw that she’d written a short chapbook of feminist advice for a friend who’d recently become a mother to a baby girl, I had to get my hands on a copy. My own daughter was still a preschooler when it came out, so I figured I had just enough time to make good on the fifteen pieces of advice she offers. Witty, wise, and supremely accessible, this is a book for mothers and daughters equally – as well as anyone with an interest in building a more just and equitable world for all.

I’m just realising now that some of my favourite books were accidental finds – I think that this one turned up at a sidewalk sale. The author is a psychologist who uses the life stories of twenty women to illustrate her theory that girls are their most powerful, authentic selves up to the age of about twelve; that after that, their sense of personhood comes under attack from a whole range of sources, so that much of adulthood is spent trying to piece that pre-teen girl and her distinct sense of self back together. It’s extremely convincing and something I’ve found really interesting to discuss with my now tween-age daughter.

This one has messy right in the title! Freddy keeps getting dumped by Laura Dean over and over. She gets so blinded by her “love” for Laura Dean that she takes her friends for granted. It’s a classic story with an LGBT+ twist. Part of what makes it stand out is the beautiful visual storytelling. I actually learned a lot from this one, as it’s quite different from the superhero comics I grew up with. There are moments in here where two hands will say a thousand words. 

This book follows the main characters and their journey through finding young love, dealing with loss, and becoming resilient to what life throws them. The art in this book is a wonderful blend of fantasy and science fiction.

I love how the story plops you into the world but doesn’t explain how everything works. Stories without info dumps make me feel like the author trusts their characters, and visuals can stand alone. 

This Field Party series starter is my go-to when I need a good dose of Friday Night Lights, a splash of steam, and a heavy dose of drama. I mean, football meets love in bloom—can you get any more Southern that that? Main characters West and Maggie are both suffering through a recent/impending significant loss in their families, and this pain unites them on a deeper level than either has known before against the backdrop of a small Alabama town. 

Everything, Everything is everything I want in a young adult book, plus it’s like a teenage scrapbook filled with emails, homework assignments, and diagrams.

The chapters are short, which keeps the pacing ridiculously fast and gripping. Also, fun fact, the illustrations throughout the story were created by her husband, David Yoon. I love a creative couple duo.

I like the grittiness and real-life issues addressed in this story. The pressures and joys of being students at an elite performing arts high school are described through the eyes of five friends: two actors, one writer/director, and two dancers. Aspirations, disintegrating friendships, budding romances, vengeance, and addiction interweave as the students forge ahead to the career-making (or breaking) Senior Showcase. Tragedy enfolds the friends in a dark ending as the dangers of the outside world pierce their high school bubble. 

Theatre Quotient: Medium. Plot is split between dance and theater, and the show gets minimal pages.

The Pigman was the first YA novel I ever read that’s told in two separate voices. Each chapter alternates between two high school sophomores: John Conlan and Lorraine Jenson. The two meet Angelo Pignati, a lonely widower, due to making a random prank phone call asking for a monetary donation to the “L. and J. Fund.” John and Lorraine nickname Mr. Pignati the “Pigman” because of his deceased wife’s collection of ceramic pigs. Their prank call soon leads to friendship, which horrifically ends in tragedy inadvertently caused by John and Lorraine, thus inspiring both to choose to deal with their grief by writing “a memorial epic” of their friend.

I love the writing style of alternating two character voices, which inspired me to write my own first novel in two voices. The dialogue in The Pigman is filled with dark humor and sarcasm, which for me, brings even more shock… show more.