Here are 76 books that Six Wakes fans have personally recommended if you like
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My love of fiction began when my parents took my brother and me to see Star Wars. Somewhere between the lightsabers, giant screen, and speaker on one window, I fell in love with imaginary worlds. From there, I moved through Star Trek, mystery novels, science fiction, and many of the biggest names across multiple genres. Fantasy, though, has always held a special place in my life. I've written ten books in my epic fantasy series, with six currently published, and I have two more series in the works. I have spent years reading, writing, and getting happily lost in invented worlds. I hope you enjoy the books on my list as much as I have.
I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.
I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.
I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
This book takes what would seem–on the surface–to be an incredibly grim and morally gray story and frames it such that it can be read by younger audiences. I read this book when I was eleven years old, and it truly laid the groundwork for my current love of dystopian sci-fi.
The premise is unique, the characters have complex motivations, and the stakes are endlessly high–after all, humanity was in a bad enough position that it was willing to drop a hundred teenagers on an irradiated planet. In my opinion, such a difficult decision casts a very realistic light on the characters, as their actions could very well happen in the material world. It’s just a matter of how desperate mankind gets.
The Hunger Games meets Lost in this spectacular new series. Now a major TV series on E4.
No one has set foot on Earth in centuries - until now.
Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents - considered expendable by society - are being sent on a dangerous mission: to re-colonize the planet. It could be their second chance at life...or it could be a suicide mission.
CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
As well as being a novelist, I am also a script editor for film and TV. I specialise in thriller narratives and big themes in screenwriting, so it's no accident I am drawn to them in fiction too. Dystopian worlds offer such a rich backdrop for the BIG questions and observations. By putting new societies and threats under the microscope in stories, it can hold a mirror up to what's going on in real life. I think of dystopian novels as being akin to the canaries in the coal mine: they are not only cathartic, they sound the warning bell on where we are going as a society ourselves.
I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.
The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too.
Sixteen-year-old Katniss Everdeen regards it as a death sentence when she is forced to represent her district in the annual Hunger Games, a fight to the death on live TV. But Katniss has been close to death before - and survival, for her, is second nature. The Hunger Games is a searing novel set in a future with unsettling parallels to our present. Welcome to the deadliest reality TV show ever...
I have always loved science fiction. I spent years studying to be a scientist before I became a writer (I have a PhD in geophysics), and I love fiction that uses, remixes, and twists our weird and wonderful universe in interesting ways. But stories don't really grab me unless there is a strong emotional core. I need characters--I need people. And that's where my love of mysteries and thrillers comes in, with all the tragedy and trauma they can hold. This is the recipe for my ideal fiction: creepy mystery, human trauma, big ideas, weird science, and a little bit of a murder, as a treat.
Chasm City is part of Reynold's Revelation Space series, but this future-noir mystery is perfectly readable as a standalone. It follows a man on a mission of revenge, one that takes him into the crumbling, plague-ridden remains of a once-great civilization that has descended into chaos and squalor. The world-building is top-notch—this is a dying, decaying city that you can feel in your bones—and full mysteries that explore ideas of identity, memory, and redemption in a twisty mystery that ties together past, present, and future.
Come to Chasm City and embark on a mind-bending ride through the universe of Revelation Space
Tanner Mirabel was a security specialist who never made a mistake - until the day a woman in his care was blown away by Argent Reivich, a vengeful young postmortal. Tanner's pursuit of Reivich takes him across light-years of space to Chasm City, the domed human settlement on the otherwise inhospitable planet of Yellowstone.
But Chasm City is not what it was. The one time high-tech utopia has become a Gothic nightmare: a nanotechnological virus has corrupted the city's inhabitants as thoroughly as it…
One of the reasons I love my job as a Space History Curator at the Smithsonian’s National Air and Space Museum is that I am fascinated to learn how people think about space, the cosmos, and their human connection with the universe. I am always eager to get beyond questions of what we know and how we know it and ask: Why do we ask the questions we ask in the first place? The books I’ve listed here all explore our relationship with space and how we engage personally or collectively with space exploration.
This science fiction novel, written by Daniel Abraham and Ty Franck under the pen name James S. A. Corey, was the beginning of the Expanse series (now totaling 9 novels and additional stories). It is one of the best space science fiction novels of the 21st century and became the basis for one of my favorite TV/streaming series, The Expanse.
The books dive deep into the political, social, and cultural complexities of sending humans to live on the Moon, Mars, and the asteroid belt, and it’s a nuanced reflection of our current ideas and ambitions when it comes to spaceflight. I am particularly drawn to the depiction of humans who, after multiple generations off Earth, consider their primary identity to be Martian.
Humanity has colonized the planets - interstellar travel is still beyond our reach, but the solar system has become a dense network of colonies. But there are tensions - the mineral-rich outer planets resent their dependence on Earth and Mars and the political and military clout they wield over the Belt and beyond. Now, when Captain Jim Holden's ice miner stumbles across a derelict, abandoned ship, he uncovers a secret that threatens to throw the entire system into war. Attacked by a stealth ship belonging to the Mars fleet, Holden must find a way to uncover the motives behind the…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.
I love books that are clever, imaginative, and portray a particular person or character as the main theme. This book does it for me.
The character is a murderer robot, but I came to like him and his weird but insightful perspective. I could see his world through his eyes. I felt sorry for him by the end of the book and was rooting for him. That was great.
I always like a bit of technology thrown in, but not have it be the main story or too complicated that it gets in the way of the characters. The writing was especially good, and I found myself turning page after page, engrossed in the story.
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.
I love this book because it blends real science with an incredibly human story about survival and connection.
Andy Weir makes complex physics feel accessible, while still keeping the stakes intense and the pacing fast. What really stands out for me is the unexpected friendship at the heart of the story—it turns what could have been a solitary mission into something deeply emotional.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Science fiction for grownups not only means avoiding magic and supernatural elements but grounding the stories’ “what-ifs” in hard science and/or narrative anthropology. When we (readers) are invited to a story, we come with a willing suspension of disbelief, and I have as strong a suspension of disbelief as anyone—what if dinosaurs could be grown from ancient DNA, or what if an asteroid struck the earth? However, the ground rules of what-ifs should be laid out and should not include a sweeping suspension of the laws of physics, nature, and common sense. So, no hundred-and-ten-pound woman, with toothpick arms and dressed in cleavage-revealing spandex, beating up twelve burly guys.
I love anthropology, so what could be better than an alien anthropologist who visits 1350 Earth to study the Black Plague, hoping to find clues to help her civilization respond to a different plague?
Anthropological principles presented through narrative storytelling define science fiction for grownups.
In medieval Italy, Niccolucio, a young Florentine Carthusian monk, leads a devout life until the Black Death kills all of his brothers, leaving him alone and filled with doubt. Habidah, an anthropologist from an alien world racked by plague, is overwhelmed by the suffering. Unable to maintain her neutrality, she saves Niccolucio from the brink of death. Habidah discovers that neither her home's plague nor her assignment on Niccolucio's ravaged planet are as she's been led to believe. Suddenly the pair are drawn into a worlds-spanning conspiracy to topple an empire larger than the human imagination can contain.
