100 Books Like The 100

This book is prophecy, power, and paranoia wrapped in a sandstorm.

It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.

It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.

What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.

She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.

What’s not to love about a world so imaginatively cool and amazingly immersive?

I’ve legit spent hours of my life thinking about living in an underground cave system, and so this book was everything I wanted. I also loved being along for the adventure and feeling like I was discovering things right along with the characters.

It’s giving National Treasure vibes, which is one of my all-time favorite movies. 

Insecurity is huge in end-of-the-world stories. As humans, we have always sought shelter and security from the wilds of nature, animals, and the things we cannot see in the dark. We created fire and fences and walls and locked doors—to this day, in our modern era, we still need these things. At the end of the world, security is tantamount, but what if you need to go beyond your secured barriers? What if behind these walls, things aren’t actually as safe as you think they are? Finding out why a character would breach their safety is intriguing. After all, a story would be very different if the characters never ventured out of their homes, but if it’s safer inside, why would they go out?

In a world where beauty is bought and sold on the streets, sixteen-year-old Serenity has spent her whole life in hiding in order to avoid being taken. But, unfortunately, nothing ever stays hidden for long. She is snatched from her home and sold to the highest bidder. Now she’s a Bird, forced to live in The Aviary – an elite museum where girls are displayed as living art by day, and rented out to paying customers at night. In no time Serenity becomes one of the most coveted exhibits – The Swan – and learns that in order to stand any chance at finding her family again, she must play her new role to perfection. She didn’t anticipate how her feelings for the cold, yet charismatic, museum director, would complicate things.  

This story is such a unique and interesting take on a dystopian future, and Shore writes her world beautifully.… show more.

I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.

The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too. 

This book takes everything amazing about the mystery genre and transposes it into an endlessly fascinating, well-developed sci-fi world. I was captivated by the web of interconnected plot lines, told from the perspectives of rich and multi-faceted characters throughout the entire story.

Specifically, the fact that all of their seemingly disconnected backstories converge to form the real picture of the story was masterfully done. Furthermore, the final reveal of the story was quite literally the only plot twist in fiction that has given me a verbal “oh my god” moment.

It was a massive inspiration for me and led to my love of a combination of morally gray mystery, sci-fi, and action adventure.

From the moment I first began listening to the audiobook, I fell in love with this story. I was all in the moment Ryland Grace stumbled through answering the question “What is 2 plus 2?” The layering of the story, the threat to Earth concept, the educational presentation of very high-level scientific concepts to an audience of all ages, and the way Andy Weir made this reader feel so many emotions over a rock just keep drawing me back to it.

I literally just finished another listen less than a month ago and already want to go back to a story. I still don’t see many people talking about it. And the ending? Every story has its own perfect dismount landing, and this one nailed it.

Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.

Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience. 

That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner. 

I loved these books. The mystery of this society and its strict divisions fascinated me. I related to Tris immediately and her need for more excitement than her Abnegation family could provide. The detachment felt by so many of the characters in their daily roles resonated in my soul as something I have felt as well when confined by societal definition.

As I reflected in our own society, those at the top scheme to gain power for themselves, regardless of the effect on the rest of the people. I was proud of Tris and her colleagues, who joined together to create a better, more just society.