Here are 100 books that Sisters of the Neversea fans have personally recommended if you like
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When I read, I want to read something that’s going to make me feel something. My friends make fun of me because, whether it is music or books, I want to have my heart shattered into a million pieces and then put back together. And when a little magic is added to the mix, it only makes the story richer and more heartbreaking. This list is everything I love about magical middle grades that makes me feel something on a deeper level about what it means to be human.
This story is a winner, and I love it for so many reasons. It explores some tough themes in middle grade: poverty and classism, but at the root of the story, there is a boy who doesn’t feel like he’s good enough and a girl who can’t find her way in the world.
Through their eyes in an immersive and vibrant Thai village, you experience their journeys to finding who they really are. The writing is engrossing, and the plot keeps you guessing until the end.
A boy on the run. A girl determined to find him. A compelling fantasy looks at issues of privilege, protest, and justice.
All light in Chattana is created by one man — the Governor, who appeared after the Great Fire to bring peace and order to the city. For Pong, who was born in Namwon Prison, the magical lights represent freedom, and he dreams of the day he will be able to walk among them. But when Pong escapes from prison, he realizes that the world outside is no fairer than the one behind bars.…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m a children’s book writer from Frisco, Texas. I’ve published two middle grade chapter books, Pippa Park Raises Her Game and Pippa Park Crush at First Sight. I’ve always been captivated by novels that make me hungry; you can blame formative children’s books like If You Give a Mouse a Cookie or Stone Soup for that. That’s why today I’m sharing my top 5 favorite middle grade books that have a foodie twist. Some of them revolve entirely around food; others simply offer a notable scene. Either way, I hope you’ll find them as delectable as I do!
Eleven-year-old Mimi is the youngest child in a family full of high-achievers. Determined to prove herself, she enters a baking contest at a newly opened bakery in town, but when strange things begin happening to those around her (such as her food critic dad losing his sense of taste), Mimi must pair her culinary skills with her detective skills to get to the bottom of the magical mystery.
If I had to pick one word to describe this book, it’d be: sweet. Plus, this adorable book is also a retelling of Shakespeare’s A Midsummer Night’s Dream. And if you know me, you know I adore retellings!
A Kirkus Best Book of 2019! An Indies Introduce Selection for 2019! An Indie Next Pick for Summer 2019!
"A delectable treat for food and literary connoisseurs alike." Kirkus Reviews, STARRED REVIEW
"What a wonderful, intriguing, and magical book. And wow, did it ever get my tastebuds going! Each time I picked it up, I felt the urge to head to my kitchen. . . . What I loved most was the smartness of it. It never once doubted its young readers." Kathi Appelt, Newbery Honor- and National Book Award-Nominated author
"Midsummer's Mayhem is an enchantment of a novel, bursting…
I studied retellings as I prepared to write my own take on The Secret Garden. Retelling a classic story can not only usher something like The Secret Garden or Peter Pan into our current time and place in history, but it can also awaken the wonder and magic many of us experienced when reading these tales for the first time in a new generation. It’s been so fun for me to see how modern authors put their own spin on these stories, and I hope you will enjoy them too.
Fans of A Little Princess will find a story both fresh and comfortingly familiar inside these pages. Izzy and Emma's personalities spark off the page, and the ticking clock to the time their magic is either activated or snuffed out forever makes their journey to friendship even more endearing. Featuring themes of justice and social change, this is a retelling not to be missed.
Heartfelt, fast-paced, and utterly absorbing, The Gilded Girl is Alyssa Colman’s sparkling debut novel about determination, spirit, and the magic of friendship.
Any child can spark magic, but only the elite are allowed to kindle it. Those denied access to the secrets of the kindling ritual will see their magic snuffed out before their thirteenth birthday.
Miss Posterity’s Academy for Practical Magic is the best kindling school in New York City―and wealthy twelve-year-old Emma Harris is accustomed to the best. But when her father dies, leaving her penniless, Emma is reduced to working off her debts to Miss Posterity alongside…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I studied retellings as I prepared to write my own take on The Secret Garden. Retelling a classic story can not only usher something like The Secret Garden or Peter Pan into our current time and place in history, but it can also awaken the wonder and magic many of us experienced when reading these tales for the first time in a new generation. It’s been so fun for me to see how modern authors put their own spin on these stories, and I hope you will enjoy them too.
This contemporary retelling of The Secret Garden sets the story in a closed-down tuberculosis sanitarium. Roo's journey to uncover the mysteries of the house and bring life to the garden tucked away inside it unfolds beautifully on the page. With well-developed characters, a deeply haunting revelation, and a setting that springs to life with vivid detail, this was a great take on a classic.
Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.
As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she…
I'm a storyteller whose daydreams begin with “once upon a time”. I worked as a corporate paralegal and always thought that legal pads could be put to better use by writing a novel. Someone said that women learn best by observing the lives of women. I'm inspired by women who have stepped off the path as well as by those who have maintained it. My learning began by observing the women in my family, African American women who walked their paths, chosen and unchosen, with grace, style, and courage, sometimes, in heels. The stories of women, fictional narratives as well as biographies, poetry, and historical accounts, illuminate these strong souls.
The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.
In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to…
Fantasy has long been a favorite genre of mine for the way you can explore so many different concepts and ideas, and the freedom it gives you as a storyteller. If you feel like you’ve been transported to that world as the story unfolds, I see that as a successful story. Creating vibrant, diverse, new worlds and real, flawed characters for readers is something I strive towards with every project. As a queer author, I find it especially important to give queer characters the hero roles they deserve. The best thing about fantasy is it can be anything, and anyone, from any background, can be the main character.
Peter Pan was one of the first books that made me want to write and create my own worlds. Neverland was an escape, not only for the Darling children but for my earliest stories. It was a place to be anyone, and go on endless adventures, without the limitations of adult expectations. The characters will always be special to me. We may have to grow up, but we can always keep special places like Neverland in our hearts and strive to create worlds that generations of readers will enjoy.
One note is that while I will always love this book, it was published in 1911 and I cannot endorse the racist portrayals of Native Americans/Indigenous People. As the historical costume community says, ‘vintage style, not vintage values.’
Peter Pan is a character created by Scottish novelist and playwright J. M. Barrie. A mischievous boy who can fly and never grows up, Peter Pan spends his never-ending childhood adventuring on the small island of Neverland as the leader of his gang, the Lost Boys, interacting with mermaids, Native Americans, fairies, pirates, and occasionally ordinary children from the world outside of Neverland. In addition to two distinct works by Barrie, the character has been featured in a variety of media and merchandise, both adapting and expanding on Barrie's works.
Stories help us understand ourselves, another culture, or a new student sitting alone at a nearby desk. While teaching, working side by side, and living on the Navajo Nation for nearly twenty years, I wanted to share some of the special and surprising aspects of their culture—especially the kindness, wisdom, and the laughter Navajo people shared with me. Laughter is a holy gift for the Navajo people. First Laugh shows the reader why this is true.
My books have been given a variety of national and international awards but the best reward is when a child looks up while reading one of my books, quietly grins, and then proudly says, “I am in this book.”
This book was one of the first—and still one of the best—picture books to describe the importance of jingle dancing and powwow today. The setting is contemporary. The story is engaging. The author, Cynthia Leitig Smith, is a tribal member and weaves many authentic details into the story.
New York Times bestselling author Cynthia Leitich Smith's lyrical text is paired with the warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu in this affirming story of a contemporary Native American girl who turns to her family and community.
The cone-shaped jingles sewn to Grandma Wolfe's dress sing tink, tink, tink, tink…
Jenna loves the tradition of jingle dancing that has been shared over generations in her family and intertribal community. She hopes to dance at the next powwow.
But with the day quickly approaching, she has a problem—how will her dress sing if it has no jingles?…
My grandparents played a pivotal role in my childhood, living with us and raising my brother and me while my parents worked long hours. Some of my favorite memories of those years are lying in bed as Abuelo told me stories that made me laugh instead of making me sleepy, cooking picadillo with my abuela in the kitchen, and going on long walks along the beach with my abuelo. Though they didn’t speak to me in Spanish, they taught me to sing nursery rhymes and enticed me with sticks of Big Red gum to get me to learn how to roll my r’s.
This book's evocative verse drew me in immediately, whisking me into a cozy childhood memory of my own. I love the repeated refrains of Fry Bread…which allows young ones to anticipate and ‘read along,’ increasing engagement with the child.
The beautiful illustrations, which show children of many different skin tones in the kitchen assisting and then awaiting the delicious result, amplify the story, showing how grandparents can be sources of love and support for their grandchild's network of friends.
I especially love this book because it reminds me of cooking Cuban bread pudding with my abuela for Thanksgiving, her contribution to the American holiday that reminded her of her home.
Fry bread is food. It is warm and delicious, piled high on a plate.
Fry bread is time. It brings families together for meals and new memories.
Fry bread is nation. It might look or taste different, but it is still shared by many, from coast to coast and beyond.
Fry bread is us. It is a celebration of old and new, traditional and modern, similarity and difference.
Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
The future is Indigenous. Time is not linear. The scientific and the spiritual are not mutually exclusive. The apocalypse can be survived.
These are some of the many provocations explored in the stories, essays, and excerpts that make up Grace Dillon’s (Anishinaabe) groundbreaking anthology, Walking the Clouds. The voices that appear in this collection lay the foundations for indigenous futurism and challenge the ongoing colonial politics of science fiction (SF) as a genre. SF tropes like alien encounters, apocalypses, and interstellar voyages are realigned with the assimilationist and genocidal histories of colonialism that inspired them.
Walking the Clouds is a powerful intervention and a must-read for anyone seeking an introduction to indigenous futurisms and decolonial fiction.
In this first-ever anthology of Indigenous science fiction Grace Dillon collects some of the finest examples of the craft with contributions by Native American, First Nations, Aboriginal Australian, and New Zealand Maori authors. The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.
Organized by sub-genre, the book starts with Native slipstream, stories…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
The U.S. Supreme Court has often been filled with Justices who issued racist decisions against Indian tribes and their members. In reaching these decisions, these Justices often overlooked significant facts and created new legal principles to suit their purposes.
Mr. Echo-Hawk selected the 10 worst cases the Supreme Court had decided up to that point. He discusses the factual background of each case and explains why the Court’s decision is wrong, often revealing the Justices' known prejudices.
This book is an eye-opener for readers wondering whether Indian tribes have had a fair chance of winning cases in the Supreme Court.
Now in paperback, an important account of ten Supreme Court cases that changed the fate of Native Americans, providing the contemporary historical/political context of each case, and explaining how the decisions have adversely affected the cultural survival of Native people to this day.
