Here are 86 books that Shooting at Heaven's Gate fans have personally recommended if you like
Shooting at Heaven's Gate.
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I’ve spent most of my 20-year career as a professional journalist covering the entertainment industry, and I find it endlessly fascinating. As is probably true for you if you’re reading this, I love movies and TV shows. As a curious person, I always want to know why. Why did this movie get made at this time with these people? If you want to know the answer, you’ve got to understand the business. Hollywood is such an interesting business, full of big personalities trying to manage corporate pressure and creative egos and to balance their need to make a profit with their desire to make great art.
Bach was an executive at United Artists when the struggling studio decided to bet it all—and then some—on a film called Heaven’s Gate. It ended up being one of the most infamous debacles in Hollywood history: a critical and commercial dud that took so long to make and lost so much money that it literally destroyed a studio.
How does a bomb this bad happen? Bach shows in detail how the best of intentions can lead to failure in a story that doesn’t just demonstrate what went wrong with Heaven’s Gate but how hard it is to make a good movie when business and art intertwine.
Heaven's Gate is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that its title has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the film that brought down one of Hollywood’s major studios—United Artists, the company founded in 1919 by Douglas Fairbanks, Mary Pickford, D. W. Griffith, and Charlie Chaplin. Steven Bach was senior vice president and head of worldwide production for United Artists at the time of the filming of Heaven's Gate, and apart from the director and producer, the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the People’s Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young students—their hopes, their poetry, their efforts to help make a better world—will bring some light to the dark story of Jonestown.
Layton escaped, at great risk, to try to prevent the tragedy of Jonestown. Her book is the best book yet to read to see Jonestown and Jim Jones through the eyes of a survivor. Layton entered Jonestown (as did most of Ron’s and my students) later than early settlers, when the situation was getting more and more dire as Jones was deteriorating.
Twenty-four at the time, Layton accompanied her mother, who believed Jones could cure her cancer. As Charles Krause says in the foreword, “Debbie quickly realized that she and the others had been deliberately deceived: Jonestown was essentially a concentration camp in the jungle.” Layton had been in the church since she was a teen. Jones had immediately recognized her intelligence and energy, and eventually made her one of his inner circle. When she left, he declared her a traitor. The book is fascinating and well written.
In this haunting and riveting firsthand account, a survivor of Jim Jones's Peoples Temple opens up the shadowy world of cults and shows how anyone can fall under their spell.
"A suspenseful tale of escape that reads like a satisfying thriller.... The most important personal testimony to emerge from the Jonestown tragedy." —Chicago Tribune
A high-level member of Jim Jones's Peoples Temple for seven years, Deborah Layton escaped his infamous commune in the Guyanese jungle, leaving behind her mother, her older brother, and many friends. She returned to the United States with warnings of impending disaster, but her pleas for…
In 1999, fresh out of Harvard, I moved to Zendik Farm—a neo-hippie cult with a radical take on sex and relationships. Since I left in 2004, I’ve been composting the experience into a source of fertility. I've explored not only what drew me to Zendik and kept me there but also how groups like Zendik feed on deficiencies in our cultural soil—and how common it is for us humans to get trapped inside stories. Even—especially—if we assume ourselves immune to cultism. That is, I’ve approached my cult experience with sincere curiosity. So have all the authors on this list. That’s why I love them.
After ten years in a political cult, Janja Lalich dove deep into research on Heaven's Gate. Then she set out to explain, in this book, how smart, driven people function under coercive control.
The gist? While they keep their intelligence and capacity for achievement, they shrink the range within which they act and think.
Lalich's perspective helped me understand why my fellow ex-Zendiks and I had acquiesced to so much dumb shit. We weren't stupid or brainwashed—just trapped by bounded choice.
Also, I was delighted by her account of her own cult's implosion, crystallized in the moment when the leader pulls out a cigarette and no one offers a light.
Heaven's Gate, a secretive group of celibate 'monks' awaiting pickup by a UFO, captured intense public attention in 1997 when its members committed collective suicide. As a way of understanding such perplexing events, many have seen those who join cults as needy, lost souls, unable to think for themselves. This book, a compelling look at the cult phenomenon written for a wide audience, dispels such simple formulations by explaining how normal, intelligent people can give up years of their lives - and sometimes their very lives - to groups and beliefs that appear bizarre and irrational. Looking closely at Heaven's…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
And though each of us has our own individual stories to tell, a true adventure emerges when we bring them all together as one. That line from Epcot's fireworks show, Illuminations, is my guiding light. As someone who has struggled to identify and express emotion, reading stories that do that with vulnerability and authenticity has supplied me with a path forward. It's what I aim to do with my writing. To inspire, evoke a kaleidoscope of emotions, and connect. Some read to escape reality. I do so to navigate it. As the prelude to Illuminations eloquently states, there's magic when we share our stories and bring them together as one.
Lauren Denton continues leading me down a road filled with glory and unparalleled splendor. The authenticity and raw connectedness to her characters resonates on a level that transcends fiction.
Life is messy and uncertain. It’s the people we surround ourselves with and summoning the courage to open up that makes everything seem “right”. There’s no word for it, that feeling when everything settles into place because you’ve given yourself permission to be the person you truly are. But the entirety of this novel wraps around you with that message.
Find your path, with all its grooves, bumps, and ruts. There might be dusty fragments scattered in the breeze or thick mud that slows you down, but when it’s “your” road and choice, it’s undeniably the most glorious road you’ll travel.
As three generations of women navigate the uncertain paths of their hearts and futures, one summer promises to bring change-whether they're ready for it or not.
At thirty-eight, garden shop owner Jessie McBride thinks her chances for romance are years behind her and, after her failed marriage, she's fine with that. She lives contentedly with her fiery mother and her quiet, headstrong daughter. But the unexpected arrival of two men on Glory Road make her question if she's really happy with the status quo.
Handsome, wealthy Sumner Tate asks her to arrange flowers for his daughter's wedding, and Jessie finds…
I loved cooking and baking since I was a child, but it wasn’t until I was an adult that I rediscovered the joy of the kitchen. Even though I may enjoy tossing off a batch of eclairs on a whim or experimenting with sous vide, I can get into a cooking rut of last-minute dinners and grab-and-go meals and forget why I enjoy it in the first place! These five books never fail to remind me of the figurative (and sometimes literal) magic of making delicious food with my own hands.
No can deny that pie is magic, but in this book, pies are literal magic: anyone who eats the fruit pies at the Blackbird Café will receive messages from their long-lost loved ones, thanks to the blackbirds who arrive at midnight and sing their dreams.
I adore the touch of magical realism in this gentle novel, and I can never read it without wanting a slice of pie and a glass of blackberry sweet tea. There’s something so quintessentially summery and wholesome about this book that you can practically taste it as you turn the pages.
THE USA TODAY BESTSELLER Heather Webber's Midnight at the Blackbird Cafe is a captivating blend of magical realism, heartwarming romance, and small-town Southern charm.
Nestled in the mountain shadows of Alabama lies the little town of Wicklow. It is here that Anna Kate has returned to bury her beloved Granny Zee, owner of the Blackbird Café.
It was supposed to be a quick trip to close the café and settle her grandmother’s estate, but despite her best intentions to avoid forming ties or even getting to know her father’s side of the family, Anna Kate finds herself inexplicably drawn to…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
This brilliant, best-selling book turned award-winning documentary is so fantastic for unraveling a revisionist history of the “tired old lady who wouldn’t move to the back of the bus.”
Not unlike the way I show how Dr. King’s memory has been sanitized and defanged, Theoharis shows how Parks’ memory has been voided of her long history of radical activism, and her unyielding pursuit of racial and social justice.
I thought about this book a lot as I was writing my chapter on the hidden Black women, the “sheroes” of the Civil Rights Movement who present-day Black feminist activists are resurrecting in public consciousness.
The basis for the documentary of the same name executive produced by award-winning journalist Soledad O’Brien. The Rebellious Life of Mrs. Rosa Parks premieres on Peacock on October 19.
2014 NAACP Image Award Winner: Outstanding Literary Work–Biography/Autobiography
2013 Letitia Woods Brown Award from the Association of Black Women Historians
Choice Top 25 Academic Titles for 2013
The definitive political biography of Rosa Parks examines her six decades of activism, challenging perceptions of her as an accidental actor in the civil rights movement.
This revised edition includes a new introduction by the author, who reflects on materials in the Rosa Parks…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I read (and write) biography as much for history as for an individual life story. It’s a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
After the Civil War, the South was in turmoil, with ruined farms, destitute people, and existential uncertainty about the future.
John Hollis Bankhead of Alabama was one who stepped forward to ensure that little would change. He voted against the Thirteenth and Fourteenth Amendments and helped institutionalize convict leasing. As author Kari Frederickson writes, "Confederates may have lost the war, but white men like Bankhead were determined to thwart any possible political or social revolution."
Other Bankheads continued in the same vein including Marie who, as director of the Alabama state archives, embraced the Lost Cause narrative, rejected symbols of Reconstruction, and, in the name of state’s rights, opposed voting rights for women. Learning about this family’s success in molding the post-war South gave me new insight into issues of today.
The sweeping story of an ambitious and once-powerful southern family.
From Reconstruction through the end of World War II, the Bankheads served as the principal architects of the political, economic, and cultural framework of Alabama and the greater South. As a family, they were instrumental in fashioning the New South and the twentieth century American political economy, but now the Bankhead name is largely associated only with place names.
Deep South Dynasty: The Bankheads of Alabama is a deeply researched epic family biography that reflects the complicated and evolving world inhabited by three generations of the extremely accomplished-if problematic-Bankhead family…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Patricia McKissack introduces the quilts of Gee’s Bend to young readers in this charming picture book. McKissack not only read about Gee’s Bend but she visited and learned how to quilt. Her text is written in poems that capture the lilt and rhythm of Gee’s Bend women. The speaker, “Baby Girl,” describes how she learned how to quilt from her grandma. The soft, painterly illustrations by Cozbi A. Cabrera resemble Gee’s Bend quilts, and depict the colorful scraps of material the women used. The story includes the visit of Dr. Martin Luther King to “the Bend” on his way to Camden, then Selma, to march for the right to vote. And the aftermath of that march. A superb picture book full of history and hope for readers of all ages.
This collection of poems that tell the story of the quilt-making community in Gee’s Bend, Alabama, is now available as a Dragonfly paperback.
For generations, the women of Gee’s Bend have made quilts to keep a family warm, as a pastime accompanied by sharing and singing, or to memorialize loved ones. Today, the same quilts hang on museum walls as modern masterpieces of color and design. Inspired by these quilts and the women who made them, award-winning author Patricia C. McKissack traveled to Alabama to learn their stories. The lyrical rite-of-passage narrative that is the result of her journey seamlessly…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
Storey reveals that a substantial number of white Alabamians strongly opposed secession and the Confederacy.
The homefront, much like the battlefield, was a scene of protracted power struggles. This is also an important work on historical memory, for after 1865, these Unionists were forgotten.
I loved this book, and many students love reading it.
Though slavery was widespread and antislavery sentiment rare in Alabama, there emerged a small loyalist population, mostly in the northern counties, that persisted in the face of overwhelming odds against their cause. Margaret M. Storey's welcome study uncovers and explores those Alabamians who maintained allegiance to the Union when their state seceded in 1861, and beyond. Storey's extensive, groundbreaking research discloses a socioeconomically diverse group that included slaveholders and nonslaveholders, business people, professionals, farmers, and blacks. By considering the years 1861-1874 as a whole, she clearly connects loyalists' sometimes brutal wartime treatment with their postwar behavior.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
In my writing I love to relate the stories of important historical actors that are unknown. Especially young actors.
Phillip Hoose apparently shares those loves. He gives us the story of Claudette Colvin who, at fifteen, refused to give up her seat on a Montgomery, Alabama bus to a White person. This was nine months before Rosa Parks’ famous stand. Through Hoose’s beautifully-rendered narrative, we are on the bus with Colvin that day and we are later in the courtroom when she bravely tells her story.
As I said previously, I love to use the actual words historical actors spoke in my books. Hoose seems to share that passion as well. The author carried out fourteen interviews with Ms. Colvin. Through her own voice, we come to know this amazing young woman.
"When it comes to justice, there is no easy way to get it. You can't sugarcoat it. You have to take a stand and say, 'This is not right.'" - Claudette Colvin On March 2, 1955, an impassioned teenager, fed up with the daily injustices of Jim Crow segregation, refused to give her seat to a white woman on a segregated bus in Montgomery, Alabama. Instead of being celebrated as Rosa Parks would be just nine months later, fifteen-year-old Claudette Colvin found herself shunned by her classmates and dismissed by community leaders. Undaunted, a year later she dared to challenge…
